Sangre en la nieve

"Battleground" is a curious film that came out of Hollywood in 1949. WWII had been over, so the public was not wishing for more war films at the time. Yet, MGM went ahead with this project and gave it to William Wellman, a veteran director who knew his craft. The film was written by Robert Pirosh.

The movie is a curiosity also because it was shot in Culver City, yet, at times, it gives the impression of having been shot on location in the Ardennes. The casting of some of the best acting talents MGM had under contract at the time contributes to give the film another dimension, as the viewer becomes involved with these men that are trying to survive during the worst possible conditions.

In spite of some of the criticism in this forum, the film has a real feeling because it stresses the dependency among the men that are caught in the conflict. Their every day lives back home is at the center of the conversation one hears the men talk about. Wives, children, sweethearts, parents, and even popular figures of the pop culture, like Bette Grable, are the basis of communication as the men idle away waiting to be called to fight the enemy.

Van Johnson, John Hodiak, Ricardo Montalban, George Murphy, Marshall Thompson, Don Taylor, Leon Ames, and a wonderful James Whitmore, are seen as the soldiers around Bastogne. Denise Darcel is seen as the kind French woman who befriends the soldiers.

Ultimately, "Battleground" is William Wellman's tribute to the men in uniform.

Dedicated to the battered bastards of Bastogne, this major player in the war film genre is directed by William Wellman & tells the story of a U.S. Army division involved in what became known as the Battle of the Bulge. The terrific cast features George Murphy, John Hodiak, Ricardo Montalban, Van Johnson and James Whitmore. The film was nominated for four Academy Awards and won two - one for Robert Pirosh's bold and fluctuating screenplay and one for Paul Vogel's realism inducing black-and-white cinematography.

Battleground is an important war film in many ways. Coming as it did at the tail end of the 40s, it was not required to be a flag waving morale booster for a country at war. Free of this burden, Wellman & Pirosh (an actual veteran of the Bastogne engagement), crafted a grunts eye view of the war. Forcing us the viewers to spend the whole of the movie with one army squad (the 101st Airborne Division), we get to know them, their fears & peccadilloes etc. Pirosh cleverly telling it as it was, scared men doing their duty. It's that we have been with them as their persona's have been laid bare, that makes the battle sequences even more potent. The jokes have stopped, the camaraderie and harmless rivalries replaced by men crying for their mothers or in some mud hole fighting for their lives. This snow covered and fog shrouded part of Belgium a bleak canvas for the harshness of war (amazingly shot on the lot). It's a stunningly structured film, one that doesn't resort to type, it subverts the many war film plot developments that are rife in genre pieces that both preceded and came post its release.

The cast are uniformly strong, and all get get ample time to impact on the narrative. Something that isn't always the case with ensemble pieces. Somebody else was strong too, Producer Dore Schary, who had to fight an unconvinced Louis B. Mayer (MGM head man) to get the film made. Schary's faith in the piece was rewarded as the film became a critical darling and a box office winner. It's not hard to see why for this is a realistic and gritty look at the hardships of war and those that fought in it. Influencing many that followed it by entertaining without gusto histrionics, Battleground is still very much a template war film. 8.5/10

Before "Band of Brothers" came out, I considered this the best, most accurate depiction of an infantry unit in action ever, and I still think it has an edge over "Saving Private Ryan" and "Patton" as the greatest World War II movie(not mini-series) yet made.

The entire cast is not only fun to watch, but very believable in their individual roles, and as a veteran, I can attest to the fact that the swings between humor and deep thoughts in their conversations are dead on accurate. Anybody who's ever served in an infantry unit will tell you that for all the bickering back and forth, members of a squad, platoon, or company will always look out for each other. "Battleground" captures this perfectly.

One of the saddest things for me about this movie is how few people know of it. Except for the occasional airing on AMC or TCM, it rarely shows up on TV and that's a shame. It's well worth the time and effort to find this one.

MGM made one of their large studios into a freezing, war-torn hell, and let many of their young stars loose within it for this staggeringly realistic dramatisation on the Battle of the Bulge. As war movies go, this one does everything but pile on the glamour; these boys really did have to do some serious acting!

The cast is headed by a surprisingly good Van Johnson, proving he can do more than just romances, musicals, and various takes on 'the boy next door'. With him are some impressive co-stars: Ricardo Montalban, George Murphy, and John Hodiak the most memorable; also James Whitmore, Don Taylor, and Leon Ames.

This movie is more than just boy's own stuff; there is a genuine story here and you do care about the characters and what happens to them. It all seems so hopeless and yet you want to keep on watching. This production caused a lot of friction at MGM as Mayer really didn't approve of the starkness of it all in the midst of his family pictures. He was wrong, 'Battleground' is one of the studio's best.

"Battleground" is probably the best movie made about the Battle of the Bulge. After seeing "Band of Brothers", I bought "Battleground" and watched it for the fourth(?) time. I thought the characters were well done. I saw this movie for the second time when I was in the US Army, and it turned me off. I couldn't believe guys were measuring their chances of getting off the line by hoping for the million dollar wound, or some other malady. The third time I saw this movie, I had grown up and realized that, human nature being what it is, nothing about their behavior was abnormal. While I was growing up, Van Johnson was the model GI in all of his movies, as he is in this. I liked the entire cast in this movie. I think one of the best scenes was the Christmas gathering with the Chaplin. His "Was this trip necessary?" speech was one of the high points of the movie for me then and now. This movie, along with "Band of Brothers" are a must see.