Maldición de Faraón

I always find it a bit tricky to really be critical of older films. There's so much in them that may have perfectly fit that era that just don't work now. I don't even mean social or political issues so much as things like writing, acting, cinematography and plotting.

In the case of the Pharaoh's Curse, I think it does some things really well, like jumping right to things rather than having to spend a lot of time on pointless talking. It's so campy and cheesy though that it's hard to take seriously.

With something like this, I'm going with my gut and when the credits rolled I wasn't upset for watching it but it wasn't exactly a great time either. It's more fascinating just because of its age than the film itself, I think but it's not a bad watch. This is really only a movie for people that enjoy old cinema and movie buffs. There's nothing really exceptional here to make it worth the average viewer's time.

The Pharaoh's Curse is a basic mummy movie. A British captain in Cairo during an uprising is sent to shut down an archaeological dig before the local natives discover it and become even angrier than they already are. The captain,played by Mark Dana,is ordered to escort the wife of the expedition leader to camp to help persuade her husband to shut down the dig.On the way they encounter Simira,a local woman whose brother is part of the expedition.Mysterious occurrences begin and people start to die once the mummy's sarcophagus is opened. I wouldn't plan my day around watching this movie but it's okay for a rainy afternoon.

Archaeologists in Egypt find one of their crew has been turned into a blood sucking mummy after they have unleashed a three thousand year curse by entering a Pharaoh's tomb.

The only person I know from this film is Les Baxter, who conducted the score. Not sure if that means anything... maybe these people were better known in the 1950s, or maybe they are all amateurs. I suppose I could check.

I expected, based on the plot, for this to be a ripoff of "The Mummy". Not so. While it does have a mummy's tomb, that is just about the only connection. Hammer films featuring mummies are more like "The Mummy" than this film is. (And, I should point out, this film is shot very crisp and acted fairly well... that it gets low ratings and is largely unknown seems unfortunate.)

I watched this movie often when I was a lad and "Chiller Theatre" ran it on Saturday nights. Even then I sensed there was something different about it, the mummy looked like he was walking around in his pyjamas! Oh I had already seen THE MUMMY (1932) and THE MUMMY'S HAND (1940) and those other mummy movies done by Universal in the 30's and 40's but this film was lots different from them! This was no bandage wrapped monster; to my young eyes the mummy looked like a very old man wandering around an underground tomb. I could not figure out why everyone else in the movie was afraid of him; of course there was that scene where someone tried to grab the mummy and only succeeded in pulling his arm off!

This is not an easy movie to find these days but I did manage to locate it on late night TV once. Knowing it might be my only chance for a long time I videotaped it. After watching it carefully I learned all the nuances that had escaped me back when I was 7. The mummy of the Pharaoh does not come to life, its spirit takes over the body of a young Egyptian man (Alvaro Guillot) and uses him to get revenge on those who have desecrated the tomb. An original idea, I must say. The downside of this is the young man begins to age at an accelerated pace until he looks no better than the mummy itself. His method of execution was different too. Instead of strangling his victims leaving a telltale mark of mold on their necks he bites their throats (admittedly a difficult thing to do when his teeth get more and more rotten by the minute!) and drains their blood.

Let's not forget the mysterious woman (Ziva Rodann, using the name Ziva Shapir in this movie) who appears out of nowhere and joins the expedition. She treks through the scorching desert and never takes a drink of water or gets tired. She also seems to know what is going to happen before it happens. Is she the cat goddess Bast in human form? Perhaps!

The moral of this story, if scary movies are meant to have morals, is Stay Out of Egyptian Tombs. They don't want to be disturbed and you probably have better things to do anyway.

Director Lee "Roll 'Em" Sholem also directed movies like TOBOR THE GREAT and SUPERMAN AND THE MOLE MEN. He knew how to get a movie done on time and under budget and still make it look good.

Pharaoh's Curse is one of my all time favorite "BAD" movies. I had a big crush on Ziva Rodann, billed here as Ziva Shapir, and to have Diane Brewster in the cast as well was double fun. Mark Dana was a busy TV leading man in the 1950's but his career ran out of gas by the mid 60's. He tries to effect a British accent for his role but fails badly. George N Neise had a four decade career as a character actor in films and television.He's a bit overblown here as the films obsessed archaeologist.Ben Wright's voice was as familiar the his face. He worked for Disney in 101 Dalmatians, The Jungle Book, and the Little Mermaid. Director Lee "Role Em" Sholem was a favorite of "B" movie and television producers all over Hollywood because his reputation for staying on schedule and within budget and being able to do the most with the least. He delivers a creepy and entertaining fright film here. Make up men Gordon Bau and Ted Cooley created a very realistic and frightening mummy based on Nick Volpe's concept.

The mummy is a little different from most of the other movie mummy's in that it is really one of the expedition members whose body has been possessed by the mummy's vengeful spirit. It is also a bit of a vampire too, in that it needs fresh blood to keep on going. After several mules and a few expedition members meet their end it finally dawns on the group what is going on. Although they still can't seem to determine what to do about it.

Pharaoh' Curse was made to be a low budget Saturday Matinée shocker for junior high aged kids. That and a film for the drive-in movie crowd. It holds own with most any of the black and white horror films that were being released at the time. It's not Boris Karloff but it's a fun little film that is worth a watch.