El fantasma del espacio

Having no money to spend on special effects or makeup, producer-director William Lee Wilder did his best to entertain us with this light-weight tale about an alien who crashlands near the Griffith Observatory and tries to allude pursuing scientists.

To save money, the filmmakers (a) never actually show the spaceship and (b) make the alien invisible.

The scientists get hold of the alien's spacesuit (which is not invisible) and examine it in their lab. The alien can't live on Earth without it (so he was pretty stupid to take it off, right?), and he tries to get it back, but the helmet is accidentally destroyed.

Dying from asphyxiation, the alien is finally cornered on a catwalk in the observatory. The scientists use ultraviolet light to make the alien visible -- but he's just a man in a rubber cap to make him look bald-headed, and a flesh-colored swimsuit to make him look naked.

The mind boggles at the idea of a sci-fi movie in which the costume man, the make-up man, and the special effects man had nothing else to do but make an invisible alien look bald-headed and naked!

Boy, we weren't the ONLY ones who got gipped, huh?

The story is mainly about people running up and down hallways and stairs. I hope they got paid double for all their huffing and puffing. Oh yeah, there's also something about an invisible man in a diving helmet and pajamas. From the way he breathes, he ought to have his adenoids checked. I think he's from outer space, but more likely he's a diving school flunk-out. What can you say about a cheap snoozer like this with its no-name cast. Heck, there isn't even a sexy girl to keep us guys in the back row entertained. Between all the pseudo-scientific palaver and the sprinting back and forth, there's not much left to look at. My guess is it played one or two drive-ins farthest from town, and then disappeared like the phantom in the movie.

I will never forget this movie. It is the very first sci-fi that I had ever seen. My parents took me to see this film when I was about 6-7 years old.

I was very frightened by the whole thing. I could not stop watching however. Every night for months after seeing the film, I made certain my bedroom curtains were securely drawn. I just knew that the alien was out there looking into my window at me.

By todays standards, the special effects were really Mickey Mouse. Perhaps a remake of this film will happen some day. If so, I will be first in line to see it. This time I will not worry about my bedroom curtains.

A low budget sci-fi that has been undeservedly overlooked, for it achieves (within its B Grade limitations) a good deal of suspense and has a plot which veers unexpectedly into some non-formulaic territory.

'Phantom From Space' is a more thoughtful, interesting and likeable exploitation of 1950s UFO hysteria than many of its better known contemporaries.

W. Lee Wilder's science fiction debut was 1953's "Phantom from Space," elder brother of comedy specialist Billy Wilder ("Some Like It Hot"), 'Willie' was described by his younger sibling as 'dull,' and truth be told it sadly comes across on the screen. Though he helmed two decent vehicles for Lon Chaney (1950's "Once a Thief" and 1955's "Manfish") his genre outings can only boast of a general lethargy encapsulated in this early sci-fi entry. With a title like "Phantom from Space" the audience is treated to 72 minutes of dimwitted on screen stereotypes trying to catch on to what we already know, that there is an alien human on the loose, his two (unintended) murders and one explosion discussed rather than shown, depicted by a no name cast that at least boasts some faces familiar to seasoned viewers. When they're not seated in Wilder's own cramped office or chasing around Griffith Observatory, they venture only so far as Griffith Park again (but not Bronson Caverns). To avoid costly special effects the invader is conveniently invisible without his spacesuit and diving helmet, in fact nothing is learned about who he is or where he came from, and the poor sap expires without even an acknowledgement of his purpose on Earth. Boredom kicks off early with stock footage and lazy narration, though there is a female lead of sorts, at least Noreen Nash's pretty scientist possesses more aptitude than the military morons on display. Among the cast members can be spotted Michael Mark (Ludwig, father of Little Maria in "Frankenstein"), who saw bigger parts this decade in items like "Attack of the Puppet People" and "The Wasp Woman," James Seay from Wilder's upcoming "Killers from Space," and Peter Lorre's underworld nemesis in "The Face Behind Mask," Rudolph Anders going on to play Boris Karloff's closest confidante in "Frankenstein-1970." W. Lee Wilder did several more titles for his newly formed Planet Filmways company, many of which were scripted by his son Myles - "Killers from Space," "The Snow Creature," "Fright," "The Man Without a Body," "Spy in the Sky!" and "Bluebeards Ten Honeymoons."