El monstruo vengador

The wealthy Dr. William Barton (Jeff Morrow) organizes an expedition to the Florida Everglades with the scientists Dr. Thomas Morgan (Rex Reason), Dr. Borg (Maurice Manson) and Dr. Johnson (James Rawley) to capture the Creature. They navigate in the ship of Capt. Stanley (David McMahon) with Jed Grant (Gregg Palmer) and Dr. Barton's wife Marcia Barton (Leigh Snowden) joins the team. Dr. Barton is paranoid with the jealousy of Marcia and Jed is harassing her in the trip.

They chase and capture the Creature that is totally burnt. Without breathing through the gills, the Creature is turned into an air breather through his hidden lungs and brought to the ranch of Dr. Barton in California. Dr. Morgan defends the thesis that the Creature responds to the way that he is treated and asks people to be not violent with him. But Dr. Barton is near a breakdown with his jealousy of Marcia.

"The Creature Walks Among Us" is a pleasant B-movie of the 50's and the conclusion of the Black Lagoon trilogy. This is a film that belongs to my childhood and today I have just seen it again. My vote is seven.

Title (Brazil): "A Caça do Monstro" ("The Hunting of the Monster")

"The Creature Walks Among Us" begins much like the first two Gillman films, "Creature from the Black Lagoon" (1954) and "Revenge of the Creature" (1955), with some doctors and a crew taking a boat down river to capture the merman. Instead of a small steamboat on the Amazon, however, it's a big ship speeding through some imaginary Everglades. Apparently, the filmmakers had no idea what the Everglades actually are, nor any concern that their audience might, as one would have more trouble finding a spot in the tropical wetlands to stand without their head being above water and where they weren't being eaten by alligators than they would from becoming unconscious from diving too deep in clear waters, which is what happens in the film. Regardless, there's more of the same lovely underwater photography and a tense sequence as they hunt and are hunted by the amphibious creature. Once again, the monster is captured and wreaks havoc when on the loose, too. Otherwise, this final creature feature is substantially different in tone and characterization.

The woman is quite the distraught and abused wife this outing, and like the rest of the main human cast, a disagreeable character. The Gillman seems to think the same, as he's less interested in her than he was in the last films' damsels. Out of boredom, she shoots sharks for sport and endangers the mission by her incompetence at deep-sea diving. Two other members of the crew hit on her repeatedly, one on whom is rapey about it, and the other makes clunky colonialist metaphors about men reaching for the stars or the jungle. Worst of all, though, is the woman's sociopath and jealous, beady-eyed husband, who dreams of being a mad doctor in the vein of a Frankenstein or Moreau by turning the Gillman into a Lung-man. The creature catching on fire during the film's best scene, however, along with a tracheotomy, causes this mutation for him, as his scales are burned off to reveal an under-layer of human skin, and X-rays reveal that he can breath without his lost gills because he also has lungs. No vivisection required.

The marriage drama is gloomy, and I could see how it might upset some horror fans' expectations, but I appreciate the change of pace, especially since the last two films were so repetitively similar. On the other hand, the pacing isn't as good here, especially compared to the first film, and is rather repetitive, replaying the same situations of marital squabbles and lecherous other men. There are a few too many characters, most of them being of no consequence, although this does lead to an early unintentionally-funny scene where they introduce each other with a greeting along the lines of, "Dr.... Dr.... Dr." And there's no explanation as to why the Gillman suddenly bulks up after shedding his scales. Yet, while spelling the end of the series by the Gillman also shedding his gills, the new makeup allows us to see the actor's eyes. His displays of strength, including a great final rampage, add some much-needed action to the plot, too. Instead of entrapment within the (former) illusion of Sea World tranquility of "Revenge of the Creature," he's essentially put in a concentration camp this time. The result is a more sympathetic creature, which along with the unsympathetic men, makes "The Creature Walks Among Us" more similar in some ways to "The Shape of Water" (2017) than to the first two creature features.

"The Creature Walks Among Us" may not be everyone's cup of tea, but as a monster movie fan, I enjoyed it. It continues is the same vein (and vein-tearing) of the previous two "Black Lagoon" films, but while the level of violence, mayhem, and male protagonists goes down, there's more contemplation, "philosophy," and questioning the nature of the creature. It maintains the aura of man vs. nature, but a bit more intellectual than the other two. A good way to end the series, methinks. The acting, of course, isn't exactly its strong point, but in that aspect, it differs little from its predecessors. I must say, the creature's makeover into a more-man-than-gill is done with astonishingly good special effects- considering the time in history and the resources at hand. Overall, if you liked "The Creature from the Black Lagoon," you're bound to like this deeper, more eerie sequel, which is a little less blatant and a little more figure-it-out-yourself.

I seem to differ from many of my fellow "monster movie" fans because I find this film the best of the series and in many ways one of the better horror flicks from this era. The reason for this preference on my part is because the human characters are rich, the actors do an excellent job, especially Jeff Morrow, and the focus is on the relationships between the characters against the backdrop of the adventure of again capturing the creature and then dealing with what to do with him when they get him. These relationships are as complex as my last sentence. The film opens with establishing a very strained relationship between Dr. Barton and his wife Marsha by inference of their nonverbal behavior. We soon find that Dr. Barton is not simply a very suspicious man afraid of being turned into a cock old by his young sexy wife. He is exploding with paranoia and she is repelled by him. This sets the underplay of all the remaining events in the film. Dr. Barton is a narcissistic, arrogant man besides paranoid. And, these are his more charming features. Jeff Morrow, who usually played a good natured hero, gets to show his muscles an actor by making himself totally repulsive in this role. Rex Reason is very good in his role and does so by using his good looks, great voice and easy charm to underplay his part. Thus, he makes himself a pleasant contrast to the splenetic Dr. Barton. Leigh Snowden as Dr. Barton's wife Marsha is, well, very good and also underplays her sexuality so well that it becomes intense. For those who look at a "monster movie" and think the plot of the movie is the monster, which in a good monster film would never take place, this film is not for that person. For those who like a little gem of good acting and interesting characters- enjoy this film.

THE CREATURE WALKS AMONG US has another group of scientists trying to capture the gill man in his storied lagoon. This time, they're led by demented zillionaire, Dr. William Barton (Jeff Morrow) who has big plans for the scaly monster. Among others, Barton has enlisted Dr. Thomas Morgan (Rex Reason) to help in his endeavor. Along for the ride is Barton's beautiful, bored wife, Marcia (Leigh Snowden), who gets her turn at an obligatory "swim scene".

As in the first two films, the humans can't leave well enough alone. After drugging and burning the poor creature, they have to save his life, making an astonishing discovery in the process. Back at Barton's estate -after what feels like a century- the beast must adjust to his new life as a landlubber! An electrified prison is his new "home".

In reality, this installment has more depth than the first two movies. The creature becomes a sympathetic being, a true "fish out of water". Barton, who's neglected wife has been cavorting with Morgan, is driven mad with jealousy and rage. Who is the true "monster"? A great movie with a terrific, totally berserk ending.

P.S.- It's cool to see Morrow and Reason reunited after having starred together in THIS ISLAND EARTH...