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1984

  • 1956
  • Not Rated
  • 1h 30min
CALIFICACIÓN DE IMDb
6.9/10
4.6 k
TU CALIFICACIÓN
Jan Sterling, Edmond O'Brien, and Michael Redgrave in 1984 (1956)
Ciencia ficción distópicaCiencia FicciónDrama

En una sociedad futura totalitaria, Winston Smith, cuyo trabajo diario es reescribir la historia, intenta rebelarse enamorándose.En una sociedad futura totalitaria, Winston Smith, cuyo trabajo diario es reescribir la historia, intenta rebelarse enamorándose.En una sociedad futura totalitaria, Winston Smith, cuyo trabajo diario es reescribir la historia, intenta rebelarse enamorándose.

  • Dirección
    • Michael Anderson
  • Guionistas
    • William Templeton
    • Ralph Gilbert Bettison
    • George Orwell
  • Elenco
    • Edmond O'Brien
    • Michael Redgrave
    • Jan Sterling
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.9/10
    4.6 k
    TU CALIFICACIÓN
    • Dirección
      • Michael Anderson
    • Guionistas
      • William Templeton
      • Ralph Gilbert Bettison
      • George Orwell
    • Elenco
      • Edmond O'Brien
      • Michael Redgrave
      • Jan Sterling
    • 41Opiniones de los usuarios
    • 20Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos100

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    Elenco principal22

    Editar
    Edmond O'Brien
    Edmond O'Brien
    • Winston Smith of the Outer Party
    Michael Redgrave
    Michael Redgrave
    • O'Connor of the Inner Party
    Jan Sterling
    Jan Sterling
    • Julia of the Outer Party
    David Kossoff
    David Kossoff
    • Charrington the Junk Shop Owner
    Mervyn Johns
    Mervyn Johns
    • Jones
    Donald Pleasence
    Donald Pleasence
    • R. Parsons
    • (as Donald Pleasance)
    Carol Wolveridge
    • Selina Parsons
    Ernest Clark
    Ernest Clark
    • Outer Party Announcer
    Patrick Allen
    Patrick Allen
    • Inner Party Official
    Ronan O'Casey
    Ronan O'Casey
    • Rutherford
    Michael Ripper
    • Outer Party Orator
    Ewen Solon
    Ewen Solon
    • Outer Party Orator
    Kenneth Griffith
    Kenneth Griffith
    • Prisoner
    • (as Kenneth Griffiths)
    Barbara Cavan
    • Woman
    • (voz)
    • (sin créditos)
    Walter Gotell
    Walter Gotell
    • Guard
    • (sin créditos)
    Anthony Jacobs
    • Telescreen
    • (voz)
    • (sin créditos)
    Barbara Keogh
    • Special Woman
    • (sin créditos)
    Bernard Rebel
    • Kalador
    • (sin créditos)
    • Dirección
      • Michael Anderson
    • Guionistas
      • William Templeton
      • Ralph Gilbert Bettison
      • George Orwell
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios41

    6.94.6K
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    Opiniones destacadas

    wnstn_hmltn

    Terrific, but the earlier Peter Cushing version.....

    ......is even better. One might be tempted to call this a remake, and I suppose it is, but it was the first theatrical rendition, enabling audiences to watch Big Brother (watching them) on a bigger screen than was possible via the BBC/Peter Cushing version (1954) of two years earlier. I agree with previous commentator "bux's" observance that, while Edmond O'Brien and Jan Sterling may not have been Orwell's first casting choices for Winston and Julia for the reason stated, the sterling performances generated by the leads and their supporting cast more than compensate. As a huge fan of the late, great Hammer Films luminary Michael Ripper, I was especially pleased to see him helping to take up the rear as an Outer Party Orator, exemplifying the tender loving care with which producer N. Peter Rathvon saw fit to cast even the smaller roles.
    7bkoganbing

    The Assumptions on which his society is built

    9/11/01 is the date we lost a lot of freedom, perhaps irrevocably. Whether we move into the society that George Orwell describes in 1984 or retain a significant measure of individuality is up to us. But we will sacrifice a lot for security.

    Which in Orwell's world written in the late Forties the target date was 1984. Like On The Beach Orwell got the date wrong, but doesn't mean it still can't happen. Atomic war came in 1965 and the world divided into three great super republics, people's republics if you will. Our American leads in a mostly British supporting cast, Edmond O'Brien and Jan Sterling, are from different factions. O'Brien is a member of the Inner Party with a drone like job who is starting to question assumptions on wish his society is built. Among them marriage is tightly controlled with love not a factor. But he does fall for Jan Sterling of the Outer Party.

    In a country with constant monitoring, privacy is what they want. But there is no right to privacy and surveillance goes way beyond what we have post 9/11. Sterling and O'Brien pay big time for wanting some alone time.

    Besides Sterling and O'Brien other performances to point out are Michael Redgrave as O'Brien's superior at work, Donald Pleasance as another drone worker who is also a graduate of the state's re-education facility and David Kossoff as the kindly old antique dealer who turns out to be something else.

    The society most resembling the Orwellian 1984 is that of North Korea with their hermetically sealed country with a cult of secular worship of the ruling family. If the people there shake loose from the tyranny of the People's Republic it might be a great indication of hope for people who will insist on their individualism. Are we sliding in that direction? Time will tell.

    1984 has had a few different versions made for big and small screen. This one can stand with any of them.
    10brad_and_ethan

    Powerful and Shattering

    I finally was able to see this film, having seen the 1984 version with John Hurt when I was in college. I recall the 1984 version having some good production values, but I remember being disappointed also. This version was well-cast, and the art direction was also competent. Edmund O'Brien turned in a great performance as Winston Smith. I think that he brought a great quality of desperation to the role; which seemed to run contrary to John Hurt's performance. I'm sure there was a lot left out of the book. But I get tired of hearing people moan and groan about the argument of literature vs. cinema. Come on people, film is time-based, and can't digress like novels can. The screenwriter/director mainly extracts plot points, and can't be bothered with too much exposition (unless of course they have a whopping budget!). I've read many criticisms where more skeptical viewers complain that we don't get to know Big Brother's motives, strategy, etc... What?!! It's Big Brother - an enigmatic and probably non-existent despot....you're not supposed to know his whole story! The love affair, although brief, is very empathetic. In lieu of all the paranoia, Big Brother-cheerleading, etc. - the love between Winston and Julia is a good emotional oasis. Even though I watched a poor copy of this version, it really did make an impression. One of the few criticisms I have is Room 101. I thought the rat shot/scene was truncated, and could've been dramatized more. That's where the John Hurt version trumps this one.
    Pepito-5

    I've NEVER forgotten this movie.

    I saw this movie as a young boy,and at the time I was very naive as to what they meant by "Big Brother" Many people to day, in particular the young, do not know the real meaning to Big Brother. Another name for it is the "New World Order" As in the Bible,you will have a noticeable stamp on your body in order to buy food or what have you. And your whereabouts will be monitored. And for this reason, I've NEVER forgotten this movie. It's a must see film by those that are as naive as I was,when I was a young boy.
    7petersjoelen

    thought police

    The destruction of love is what we see here effectivly in all aspects of society. the destruction of the family , an enemy that is artificial , control of the history . It is scary and maybe far more nearby to us now than ever before because some aspects are now pretty actual in this so called crisis , like fear for eachother and isolation from another .

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Sonia Orwell, widow of George Orwell, objected to the changed ending, and had this movie withdrawn from circulation.
    • Citas

      O'Connor of the Inner Party: You will be hollow. We will squeeze you empty and fill you with ourselves, with love of Big Brother.

    • Versiones alternativas
      There are two endings to this film. The UK version ends with a defiant Winston Smith and Julia being executed by the authorities. The US version is more faithful to Orwell's book and concludes with Winston and Julia being brainwashed into becoming loyal followers of "Big Brother."
    • Conexiones
      Featured in Hollywood and the Stars: The Angry Screen (1964)
    • Bandas sonoras
      Symphony No.5: Second Movement
      (uncredited)

      Music by Ludwig van Beethoven

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    Preguntas Frecuentes14

    • How long is 1984?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 14 de noviembre de 1957 (México)
    • País de origen
      • Reino Unido
    • Idioma
      • Inglés
    • También se conoce como
      • Neunzehnhundertvierundachtzig
    • Locaciones de filmación
      • Londres, Inglaterra, Reino Unido
    • Productora
      • Holiday Film Productions Ltd.
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 30min(90 min)
    • Color
      • Black and White

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