Rage at Dawn

Any movie that has J. Carroll Naish as a cowboy can't be all bad (he's good) and pros like Kenneth Tobey and Edgar Buchanon have a certain "authenticity" that benefits a western. Forrest Tucker could be a good guy or a bad guy as the occasion demanded. Here, he's in his nasty, bad guy mode, pumping lead at people and even burning an informer alive. Tucker heads a gang of notorious robbers, including three of his brothers, that owns the corrupt lawmen of one Indiana county. In order to undo them, Randolph Scott, a resourceful spy, must be infiltrated into the gang. To complicate matters, Tucker and Naish's sister, who disapproves of their illegal ways, falls in love with Scott but is disillusioned when he appears to be an outlaw like them. Almost everything (there is a slight surprise at the end) works out as one would expect. Scott's presence carried many a mediocre western and, with interesting actors supporting him, it happens here but don't expect anything more than variations on a familiar theme.

This was one of the last movies that Randolph Scott made before he joined with Budd Boetticher as director to make his best films. It is still a good one and Tim Whelan did a good job in his last years.

One of the interesting things in the film about catching the predecessors to the James boys, the Daltons and the Youngers, was the references to voting. The ladies were saying that someday they would get the vote and they would have the scum running the town that harbored the Renos. It was interesting watching this on the anniversary of the 1915 vote by the House to keep denying women the right to vote.

Golden Globe nominee Mala Powers was excellent as the Reno sister that had to choose between what was right and her brothers. Of course, she was easy pickings for the smooth talking Scott.

Lots of shooting and western fun for those that like that, but with Scott you always get some great acting.

Released in 1955 and directed by Tim Whelan, "Rage at Dawn" stars Randolph Scott as a special agent sent to Indiana to infiltrate the notorious Reno Gang, who carried out the first three peacetime train robberies in the USA. The stolen money was largely never recovered. Forrest Tucker plays the top member of the gang, Frank, while Mala Powers plays the honest sister of the brothers, Laura, whom Scott's character decides to romance.

There's only one other movie based on the exploits of the Reno Gang, which was Elvis' debut film "Love Me Tender," released the year after "Rage at Dawn." "Rage" is more faithful to the true story, although the special agent played by Scott is fictitious and Laura, while not part of the gang, wasn't squeaky clean as depicted, plus she was loyal to her brothers. But the movie's accurate in that Clint Reno (Denver Pyle) refused to be part of the gang and was called Honest Clint, not to mention the notorious ending is faithful to history, albeit no one was apprehended for the "crime" (I'm being ambiguous because I don't want to give it away).

Scott is at his charismatic best here as he romances a girl that's clearly younger than half his age. Randolph was 56 during filming whereas cutie Mala was 23 (!), but this is okay once you understand that Scott's character is supposed to be around 35 (even though he looks like he's at least 50). Forrest Tucker is also great as the malevolent Frank Reno.

Unfortunately, the obvious California locations ruin the movie because the story's set in the Ohio River region of Indiana, Missouri and surrounding areas, which look nothing like California. Moreover, the last act isn't very engaging despite the action; it somehow loses the interest attained in the first two acts. Still, "Rage at Dawn" is one of only two movies based on the Reno Gang and it's the more accurate of the two; not to mention the principle actors are great.

The movie runs 87 minutes and was shot in Columbia, Sonora & Chico, California.

GRADE: C+

After burning an undercover agent alive, outlaw brothers Forrest Tucker, J. Carroll Naish, and Myron Healey are infiltrated again, this time by former Confederate super-spy Randolph Scott, sent by the Peterson (Pinkerton?) Detective Agency. He ends up falling in love with the brother's pretty, law-abiding sister.

A slight cut above some of Scott's usual 1950's B-westerns (the ones not directed by Budd Boetticher), this has really good production values, entertaining heavies, as well as a script with some great hard-boiled moments and bits of nasty (for the 50's) violence. Also, you can't go wrong with Edger Buchanan as a crooked judge!

Scott gives one of his typically tough, yet upright performances, while Tucker and Naish work well together and almost steal the show as the meanest of the Reno brothers.

This is the true story of the Reno brothers....Clint, a respected farmer, and Frank, Simeon, John, and Bill...who were the first train robbers in American history. Looting, burning and killing, this infamous clan rode through the middle border states setting the pattern for the great outlaw bands which were to follow: the James boys, the Daltons and the Youngers.

The Year 1866, the place is Southern Indiana.

Well not quite Indiana exactly as the film was shot on location at Columbia State Historic Park, and apparently some Western purists see this as a blip on the movies Western worth! (hmm) I don't conspire to that at all since what I want from a B Western such as this is a lush Western feel, with identifiable good and bad guys. I feel that director Tim Whelan achieves the latter and his cinematographer Ray Rennahan achieves the former. Rage At Dawn does have a sense of seen it all before about it, but that's not in detriment to it because it's possibly a picture that has been copied more than it has copied from others before it. It's nice to have a real solid Western using a proper and reliable story to work from. While using top professional actors like Forrest Tucker and J. Carrol Naish to be bad fellas obviously helps the piece; as does having the genre legend that is Randolph Scott as your ebullient good guy. Scott fans who haven't seen the picture should be advised, tho, that he isn't actually in the film for the first third. But as always he's worth the wait and it's clever of Whelan to keep us waiting whilst fully forming the Reno legend.

With some nicely staged set pieces (the train scenes are well worth our time) and a fabulously dark turn of events in the finale that goes against the grain (shadow play supreme at work), this becomes a genre film well worth taking a peek at. 7/10

Footnote: DVD/Public Domain prints of the film are low on quality and do not do justice to the location and costuming. The best print I have seen of this film was on Commercial British TV. Caution is advised on where you source the film from.