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6.8/10
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Tras presentar una historia sobre su bella hermana, una mujer asume su identidad para mantener la atención de un editor playboy.Tras presentar una historia sobre su bella hermana, una mujer asume su identidad para mantener la atención de un editor playboy.Tras presentar una historia sobre su bella hermana, una mujer asume su identidad para mantener la atención de un editor playboy.
- Dirección
- Guionistas
- Elenco
Dick York
- Ted 'Wreck' Loomis
- (as Richard York)
John Albright
- Fred
- (sin créditos)
Adelle August
- Secretary
- (sin créditos)
Paul Bradley
- Nightclub Patron
- (sin créditos)
Spencer Chan
- Pedestian
- (sin créditos)
Ken Christy
- Charlie - Police Sergeant
- (sin créditos)
Eileen Coghlan
- Ad Lib Bit
- (sin créditos)
Opiniones destacadas
Betty Garrett and Janet Leigh star in "My Sister Eileen," a 1955 musical also starring Jack Lemmon, Bob Fosse, Tommy Rall and Kurt Kasznar. This is not the musical "Wonderful Town" but it has delightful music by Jule Style. It's the story of the Sherwood Girls, Ruth and Eileen, who come to Greenwich Village from Ohio to "make it" -Eileen as a performer and Ruth as a writer. The two are conned by a landlord (Kasznar) into renting (for a whopping $65 a month) a basement apartment that shakes like crazy during subway construction. Not to mention, with their window placed the way it is, they may as well be living in the street.
The Ruth character is based on the writer of the original story, Ruth McKenney. Eileen is the freshly beautiful blonde who always has men swarming around her; in comparison, the pretty, funny and stylish Ruth feels like a plain Jane. She sublimates by being dedicated to her career until she meets a publisher (Jack Lemmon) and falls for him. He's interested in her story, "My Sister Eileen," and she's so insecure, she tells him that she is the sought after Eileen - it's another aspect of her personality, she says.
The Greenwich Village aspect makes the film as the movie captures its atmosphere perfectly and gives a real feel for the New York of the 1950s. Betty Garrett is great as Ruth. Her singing and acting are both wonderful. Surprisingly, though it's the title role, the part of Eileen really isn't much. (Sadly, the real Eileen died very young. She married writer Nathanael West and died with him 8 months later in a 1940 car accident.) Janet Leigh is pretty and sweet, putting over the necessary naiveté as Eileen, plus she gets to show off her singing and dancing. Fosse, who also choreographed, and Tommy Rall are suitors of Eileen and do some fabulous dancing. Dick York has a small but showy role as a young man in Ruth's and Eileen's building. Jack Lemmon, in an early role, is slightly miscast as the sophisticated publisher but is very likable.
Well-directed by Richard Quine, it's a shame that "My Sister Eileen" hasn't gotten more attention. It's pretty to look at and to listen to with wonderful, vibrant performances. Check it out.
The Ruth character is based on the writer of the original story, Ruth McKenney. Eileen is the freshly beautiful blonde who always has men swarming around her; in comparison, the pretty, funny and stylish Ruth feels like a plain Jane. She sublimates by being dedicated to her career until she meets a publisher (Jack Lemmon) and falls for him. He's interested in her story, "My Sister Eileen," and she's so insecure, she tells him that she is the sought after Eileen - it's another aspect of her personality, she says.
The Greenwich Village aspect makes the film as the movie captures its atmosphere perfectly and gives a real feel for the New York of the 1950s. Betty Garrett is great as Ruth. Her singing and acting are both wonderful. Surprisingly, though it's the title role, the part of Eileen really isn't much. (Sadly, the real Eileen died very young. She married writer Nathanael West and died with him 8 months later in a 1940 car accident.) Janet Leigh is pretty and sweet, putting over the necessary naiveté as Eileen, plus she gets to show off her singing and dancing. Fosse, who also choreographed, and Tommy Rall are suitors of Eileen and do some fabulous dancing. Dick York has a small but showy role as a young man in Ruth's and Eileen's building. Jack Lemmon, in an early role, is slightly miscast as the sophisticated publisher but is very likable.
Well-directed by Richard Quine, it's a shame that "My Sister Eileen" hasn't gotten more attention. It's pretty to look at and to listen to with wonderful, vibrant performances. Check it out.
"On the Town"'s Betty Garrett and Janet Leigh play two sisters looking for romance from their slightly seedy flat on the wrong part of town.
Eileen (Leigh) is the pretty one who has all the attention, while her sister waits quietly for her talents and charms to be appreciated. In the cast are Jack Lemmon, Bob Fosse, and Tommy Rall (so some excellent dancing going on here).
There are a number of OTT moments, not least the all-inclusive conga number near the end, but this musical version of a 40s classic manages to add something new and showcase the talents of its cast well.
Eileen (Leigh) is the pretty one who has all the attention, while her sister waits quietly for her talents and charms to be appreciated. In the cast are Jack Lemmon, Bob Fosse, and Tommy Rall (so some excellent dancing going on here).
There are a number of OTT moments, not least the all-inclusive conga number near the end, but this musical version of a 40s classic manages to add something new and showcase the talents of its cast well.
The first time Fosse was given the job of choreography for an entire movie, he came up with "The Competition Dance", a terrific number for himself and Tommy Rall. But the movie should have made a star out of Betty Garrett. Who knows, if MGM had made the film it probably would have. The score, by the way, is far better than that of "Wonderful Town", the stage version that Columbia wanted to film until the producers asked too much for it. Rent it, buy it, enjoy it. By the way, there is a soundtrack recording, but you'll have to spend weeks tracking it down. It may be worth it just to hear Jack Lemmon's take on "It's Bigger Than Both of Us".
This is one of the most entertaining musicals to ever come out of Hollywood. Light and witty, sweet and subtle, it's almost as if Lubitsch made it. The songs are a joy, the dancing a treat and the story deliciously simple. Janet Leigh and Jack Lemmon shine, but the true star is the glorious Betty Garret, who should have been much bigger than she was. Please check this out, it's a charmer
I had heard that this second musical version of "My Sister Eileen" (the first being the Broadway show "Wonderful Town") was very underrated. Well, it's not.
Columbia Pictures owned the movie musical rights to "Eileen" and when Leonard Bernstein wanted too much money for "Wonderful Town", Columbia passed on adapting the Broadway hit, and created its own musical film adaptation. Unfortunately, this version isn't just inferior to "Wonderful Town" - the score and script are truly mediocre in their own right. The songs are all forgettable, which is surprising given that the composer is the great Jule Styne who went on to write "Gypsy" and other shows. Either he and lyricist Leo Robin had very little time to write the score or inspiration took a vacation.
The two saving graces in this film are Betty Garrett, who plays the more tomboyish Ruth. Unlike Rosalind Russell who played Ruth both in the non-musical film and in "Wonderful Town," Garrett can really sing and she's less self-conscious about being the center of attraction - she's much more natural in the role.
The other occasional grace is Bob Fosse's choreography. In some numbers, especially one dancing "duel" between him and the terrific Tommy Rall, the film comes alive. Unfortunately, some of the other dances - particularly the climactic "Conga" sequence, fall flat, perhaps due more to director Quine than Fosse.
Janet Leigh plays Eileen and she's very charming, though not quite the kind of looker who would have men literally at her feet all the time. She sings fairly well, and dances rather better. And since she's top billed, the script gives her character more emphasis than the original play. Jack Lemmon plays a publisher on whom Ruth has a crush; Lemmon is good, though his one song is far from a highlight - he's no singer.
It's a pity that Columbia and Bernstein didn't see eye to financial eye - it would have been great to see Garrett do "Wonderful Town," though Leigh and Lemmon would never be able to handle their parts in that score.
Columbia Pictures owned the movie musical rights to "Eileen" and when Leonard Bernstein wanted too much money for "Wonderful Town", Columbia passed on adapting the Broadway hit, and created its own musical film adaptation. Unfortunately, this version isn't just inferior to "Wonderful Town" - the score and script are truly mediocre in their own right. The songs are all forgettable, which is surprising given that the composer is the great Jule Styne who went on to write "Gypsy" and other shows. Either he and lyricist Leo Robin had very little time to write the score or inspiration took a vacation.
The two saving graces in this film are Betty Garrett, who plays the more tomboyish Ruth. Unlike Rosalind Russell who played Ruth both in the non-musical film and in "Wonderful Town," Garrett can really sing and she's less self-conscious about being the center of attraction - she's much more natural in the role.
The other occasional grace is Bob Fosse's choreography. In some numbers, especially one dancing "duel" between him and the terrific Tommy Rall, the film comes alive. Unfortunately, some of the other dances - particularly the climactic "Conga" sequence, fall flat, perhaps due more to director Quine than Fosse.
Janet Leigh plays Eileen and she's very charming, though not quite the kind of looker who would have men literally at her feet all the time. She sings fairly well, and dances rather better. And since she's top billed, the script gives her character more emphasis than the original play. Jack Lemmon plays a publisher on whom Ruth has a crush; Lemmon is good, though his one song is far from a highlight - he's no singer.
It's a pity that Columbia and Bernstein didn't see eye to financial eye - it would have been great to see Garrett do "Wonderful Town," though Leigh and Lemmon would never be able to handle their parts in that score.
¿Sabías que…?
- TriviaInstead of using the score of "Wonderful Town," the 1953 Broadway musical based on the "My Sister Eileen" stories by Ruth McKinney, with music by Leonard Bernstein and lyrics by Betty Comden and Adolph Green, Columbia commissioned a brand-new score with music by Jule Styne and lyrics by Leo Robin.
- ErroresWhen Eileen is dancing at El Morocco, she is wearing shoes with small heels. Later on that night, when they dance at the bandstand, Eileen is wearing flat shoes.
- Citas
Eileen Sherwood: I've already seen three producers this morning.
Frank Lippincott: Don't tell me they weren't interested?
Eileen Sherwood: They were interested all right, but not in my acting.
- ConexionesFeatured in Jack Lemmon: America's Everyman (1996)
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- How long is My Sister Eileen?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- The Gay Girls
- Locaciones de filmación
- 238 Thompson Street, Greenwich Village, Manhattan, Nueva York, Nueva York, Estados Unidos(Fountain Luncheonette in one opening establishing shot, since demolished)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 48 minutos
- Color
- Relación de aspecto
- 2.55 : 1
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By what name was My Sister Eileen (1955) officially released in India in English?
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