Trivia

Instead of using the score of "Wonderful Town," the 1953 Broadway musical based on the "My Sister Eileen" stories by Ruth McKinney, with music by Leonard Bernstein and lyrics by Betty Comden and Adolph Green, Columbia commissioned a brand-new score with music by Jule Styne and lyrics by Leo Robin.

Columbia Pictures' original plan was to make the film version of the 1953 Broadway hit "Wonderful Town," which had been based on the Columbia property My Sister Eileen (1942). Whereas Rosalind Russell had starred in both the original Columbia film, Los caprichos de Eileen (1942), and the stage musical, the studio wanted "Wonderful Town" specifically for its reigning comedy star Judy Holliday. However, the asking price for the rights to the Leonard Bernstein/Betty Comden/Adolph Green score was so steep that Columbia decided to pass on the stage show and go ahead with its own version, keeping the original title, which they already owned, and commissioning a new score from Jule Styne and Leo Robin. Ironically, by the time the wheels were in motion, Holliday was committed to a Broadway show of her own, Bells Are Ringing (1956), and Russell was tied up with the stage version of Vivir es mi deseo (1958) --- all of which paved the way for Betty Garrett to step into the role of Ruth. Garrett was a surprise choice, as she had been off the screen for several years following the termination of her MGM contract, and she was primarily appearing in nightclubs and summer stock with her husband Larry Parks, whose career had crumbled following the McCarthy-era blacklist. Though she received third billing (Janet Leigh was top-billed) and lacked the star quality of Holliday or Russell, this film was unarguably the finest hour of her career. In a further twist, once filming was completed, Garrett returned to New York to step in for Holliday while she took her two-week vacation from Esta rubia vale un millón (1960). Meantime, Wonderful Town (1958) finally came to the screen in 1958, albeit on television, in a faithful, complete two-hour broadcast that allowed Russell to reprise and preserve her Tony Award-winning performance, and prompted Columbia Records to release a sound track album from the show --- a further irony, as no sound track album was released for this film.

Director Richard Quine played Frank Lippincott in the earlier film version Los caprichos de Eileen (1942) and in the original Broadway production of the play.

First screen choreography credit for Bob Fosse and the only one where his first name "Robert" is used.

The film's set designers copied the interior of the El Morocco Club faithfully, including the iconic zebra-striped upholstery of the perimeter seats, seen often in publicity photos of celebrities at the club.