The Glenn Miller Story

The unemployed trombone player Glenn Miller (James Stewart) is always broken, chasing his sound to form his band and hocking his instrument in the pawn house to survive. When his friend Chummy MacGregor (Henry Morgan) is hired to play in the band of Ben Pollack, the band-leader listens to one Glenn's composition and invites him to join his band. While traveling to New York, Glenn visits his former girlfriend Helen Berger (June Allyson), in Boulder, Colorado, and asks her to wait for him. Two years later he quits the band and proposes Helen that moves to New York to marry him. After the success of "Moonlight Serenade", Glenn Miller's band becomes worldwide known and Glenn and Helen and their two children have a very comfortable life. Duting the World War II, Glenn enlists in the army and travels to Europe to increase the moral of the allied troops. In the Christmas of 1944, he travels from London to Paris for a concert to be broadcast; however his plane is never found in the tragic flight.

Glenn Miller was the great idol of my father and I recall that in my childhood, he loved the albums (long-plays) of this American musician and usually commented his tragic end. I do not know how many times I listened to hits like "Moonlight Serenade", "String of Pearls", "Pennsylvania 6-5000", "Little Brown Jug", "In the Mood", "Chattanooga Choo Choo" and other Glenn Miller's musics when I was a kid. This is the first time that I watch "The Glenn Miller Story" and the awesome combination of the music of Glenn Miller and James Stewart. Further, the lovely June Allyson shows a wonderful chemistry with James Stewart and together with the stunning Louis Armstrong, Frances Langford, Ben Pollack, Gene Krupa, Barney Bigard, James Young, Marty Napoleon, Arvell Shaw, Cozy Cole, Babe Russin and others personalities, they make a great tribute to a magnificent American musician and composer. My vote is eight.

Title (Brazil): "Música e Lágrimas" ("Music and Tears")

This warm movie deals with Music of the Big Band Era living again thanks to the legendary and popular musician Glenn Miller : James Stewart who looks exactly every inch the trombonist. Concerning his emotive life from his poor starts as a humble trombonist and subsequently bandleader , his intimate love story , marriage to June Allyson, until his early death by a plane crash during WWII .Being one of the best and charming musical biographies ever to come out of the classic Hollywood . See it and hear it as never before !. It was a time that changed the world and one man put it to music.! . Their love made such wonderful music !.

An enjoyable and really attractive biography whose music had all of American tapping its feets. It results to be an agreeable drama with emotion, romance, well shot musical stage and packed to the gills with a clutch of successful tunes. Main and support cast are frankly wonderful . Stewart is terrific and even fakes the trombone playing well under score by Henry Mancini. While June Allyson as his beloved wife is awesome and sympathetic. Along with a nice plethora of secondaries such as : George Tobias, Harry Morgan, Charles Drake, Barton McLane, James Bell, and guest appearances from Louis Armstrong, Ben Pollack and Gene Krupa.

Of course, Glenn's music is the highlight of the movie, including the wonderful hit tunes as "Little Brown Jug" , "Chattanoga Choo Choo" , "In the Mood", "Moonlight Serenade" , "String of Pearls" , "Pennsylvania 6-5000". The picture colorfully photographed by William H Daniels was competently directed by Anthony Mann, delivering convincing portrayals of the characters. Mann was a Western expert as proved in "Bend the River, A Far Country, The Man From Laramie, The Naked Spur, Tin Star Winchester 73" . But Mann also directed other genres as wartime : "Men in War , Strategic Air Command" , Noir Film : "T-Men, Railroad" and Historical : "El Cid, Fall of the Roman Empire" , and Musical : "The Glenn Miller story", among others. Rating : 7.5/10. Notable, better than average.

Produced nine years after his death this is Hollywood's obituary of swing era legend Glenn Miller. Essentially a musical told around the story of his struggle to achieve musical stardom. A film that will appeal to all lovers of 1930s swing music and Glenn Miller in particular. A film also for James Stewart fans. Casting the gangling Stewart as Miller was a huge gamble that succeeded; if it had failed so would have the film. This success was due to Anthony Mann's undoubted ability as a director. The Mann-Stewart combination had already proved itself but here both were on unfamiliar territory. Mann's forté was the outdoor adventure while Stewart was a pre-war light comedy star still trying to find a new identity. Mann had earlier directed Stewart in Winchester '73(1950)and the two were to go on to further success with The Far Country (1954) and The Man from Larramie (1955). He excels himself in bringing out previously unknown talents in Stewart that make this a career best for the Actor. Clad simply in a military raincoat, a trombone to his lips and sporting a USAAF officer's peaked cap he requires no further make-up to pass himself off as the wartime Miller. Among the lesser credits is the name of an unknown Henry Mancini but this was to be his big break as at the young age of 22 he was to become an Oscar nominee (jointly with Joseph Gershenson) for musical scoring. Before joining Universal Mancini had been a piano player and arranger with the post-war "Glenn Miller Orchestra", by using musicians from this band, made up mainly of sidesmen from Miller's own bands, Mancini ensured an authentic re-creation of the seductive Miller sound that had enchanted teenagers in the years leading up to the war. Regrettably an argument with the Miller Estate prevented the participation of saxophonist Ted Beneke, who had earlier led the post-war band and was renowned for his performance of Chattanoga Choo-Choo in"SunValley Serenade" (1941). The fidelity of the sound track of Miller's music won the film an Oscar for best sound recording of a musical. After a ponderous start the film picks up pace in apparent tune with Miller's success until the last reel is a non-stop performance of Miller standards. Miller was supported throughout by his wife, Helen, sympathetically played by a cuddlesome June Allyson, who ceaselessly encouraged him when all seemed to have failed. When news of his death reaches her one immediately feels her sadness in her loss and spontaneously grieves with her. Get your hankies out! A few minor lapses mar an otherwise competent production; Miller is incongruously seen in his army raincoat an a glorious summer's day conducting his wartime band at an outdoor concert in England just after D-day while the audience and band are in standard military attire; a continuity lapse shows a German flying bomb attack taking place before D-day, 6th June, whereas the first one did not reach England until the following week. Miller's loss at the peak of popularity, flying in advance of his band to make arrangements in Paris for his Christmas concert, ensured his enduring fame. As his plane and body were never recovered the mystery of his death has added to the legend. Only in the last decade have military historians been able to piece together his last moments and pinpoint where the plane came down. Whilst crossing the English Channel in dense fog the plane, which relied entirely on a compass for navigation, wandered off course and entered a prohibited area reserved for returning Allied bombers to drop any left over bombs; it was one of these that hit the plane so bringing to its end the life of one Glenn Alton Miller. Anthony Mann's deliberately abrupt end to the film comes as a jolt and dramatically conveys the unexpected loss of the patriotic Miller in his prime - the touch of the Master. A film that has stood the test of time; part fact, part fiction, it will remain the definitive tribute to the man and his music. Good wholesome entertainment for the whole family and a must for Stewart and Miller fans.

Were Jimmy Stewart and June Allyson made for the movie,or what?!

Great movie,lovely music!One of those movies that make you feel good all over,with a beautiful blend if wit,emotion and the Blues!What is even more impressive is the use of African American actors,considering the movie was made in 1954.The Jimmy and June combination evokes the chemistry of a Kate and Spencer movie.A true classic in every way,I'd watch it again in a heartbeat!

Not their best collaboration, my personal favourite is 'Winchester 73', but of the ones personally seen (not all but most) 'The Glenn Miller Story' is up there among their better ones. While there's more to see of their collaborations, none of the ones seen are less than good.

Biopics are very difficult to get right, especially ones of famous people in entertainment (i.e. film) and music (composing, singing, playing instruments). For example often coming to life when in action (whether acting, singing, composing or playing), but some suffer from the biographical elements not faring as good, with a tendency to play fast and loose with the facts. There are some great ones, some good ones, some uneven ones and some hugely problematic ones.

Luckily, 'The Glenn Miller Story' is one of the near-great ones. On a musical front it is nothing short of exceptional, no complaints there, but it was thoroughly enjoyable as a biopic too regardless of it not being a true account and very scratch surface because of not suffering from pacing or tone problems. Stewart is note-perfect in a role that plays to his strengths, despite him portraying a big band icon Stewart not only plays Miller with utter conviction but the performance also epitomises everything that Stewart himself is about and what made him such a great actor.

'The Glenn Miller Story', when it comes to Mann is very much removed from his darker and more psychological westerns that also star Stewart (the films that he's perhaps chiefly famous for), but there is not once a sense that he is beyond his comfort zone in an atypical genre for him, far from it. To me, actually, even with a lighter touch (much needed), without it ever feeling too much, it is one of Mann's stronger overall directorial efforts when it comes to his collaborations with Stewart.

As said to be expected, the music is exceptionally bewitching, with all the hits included and it was so wonderful to hear so many classics in one film. This said, 'The Glenn Miller Story' does have much more than a great performance and music. As well as June Allyson personifying charm and spunk, the supporting cast are just as good, with a superb Harry Morgan and cracking appearances from Louis Armstrong, Gene Krupa, The Modernaires and Frances Langford. The chemistry between Stewart and Allyson is irresistible, and 'The Glenn Miller Story' is handsomely mounted and beautifully filmed with lavish use of colour.

Script-wise, 'The Glenn Miller Story' a vast majority of the time succeeds, with a nice and well balanced dose of humour that makes one feel good and tender sentiment, while the story's warm heart and bags of charm more than makes up for any misgivings of it being inaccurate and only scratching the surface. Really liked the characters and felt myself caring for them.

My only complaints really are the rather too sudden ending that should have been more sombre and the central relationship being portrayed somewhat too perfectly and sugar coated, which does despite the irresistible chemistry mean that parts do fall into saccharine-overboard camp occasionally.

In conclusion, a near-great film and it is easy to see why of all Stewart and Mann's collaborations 'The Glenn Miller Story' is generally one of the more fondly remembered ones. 8/10 Bethany Cox