The Moon Is Blue

Maybe it's just me, but I am a "sucker' for these goofy films predicated on a chance meeting between the opposite sexes and what happens next! A sophisticated architect meets a gal, chases up the Empire State Building to catch her, does so and then......well, you'll just have to watch to find out what quirky things happen next. Suffice to say that Holden and Niven are great, and who would have expected the Catholic Legion of Decency to issue a "C" condemned rating for this film when Holden had actually said "no" to his girlfriend? A must-see on the history of motion picture ratings, if nothing else.

Long before Meg Ryan and Tom Hanks discovered they loved each other atop the Empire State Building, William Holden and Maggie McNamara met on the observation tower of the venerable skyscraper in the film version of the hit Broadway play, "The Moon is Blue." One of the best and most sprightly comedies of the early fifties, Otto Preminger had a fight on his hands when the film went before an aghast Production Code board.

The movie makes rather light of a young woman's commitment to chastity, suggests that seduction is an amusing and acceptable pastime for a single male and uses words like "pregnant" and "virgin" offhandedly. The lovely, talkative, self-assured Patty even demands to know the meaning of the charge, by her new boyfriend's barely ex-girlfriend, that she's a "professional virgin." Shocking stuff and approval was denied. Perhaps equally stunning to the Hollywood censors was Preminger's decision to release the film without approval, something he had the clout to do.

As it turned out, audiences were able to deal with this explosive material. :) And almost fifty years later, when virtually nothing remains to be said or done on the silver screen, this film retains its charm, humor and attractiveness because a superb trio of actors - William Holden, Maggie McNamara and an irrepressible David Niven, who steals some of the scenes - gives a timeless quality to their sterling performances.

The script hews pretty much to the original play with minimal set changes. The dialogue is witty and fast. Preminger knew he had created a gem of a romantic comedy and it's good entertainment today in a world where the values expressed by the characters seem as remote as the social customs of the Neandertals. I hadn't seen the film in decades - I rented it and I'm going to buy a copy. This is a true and timeless classic.

By the way, don't skip the trailer that precedes the film. It's very funny.

This is one of my favorite old movies. Although William Holden is the leading man here this is one of those movies where one of the side characters is the most memorable. In this case it's David Niven. He's such a stuffed shirt that about as cavalier as he can manage to get is when he tells Peggy's character "I want to kiss you until your lips are somewhat bruised". He relates the story of the failure of his first marriage to a "southern gal" who was always baking pop overs and served them at every meal. After dinner she would always drawl "wasn't them popovers good?". He stood all he could of this airhead until one day when he hit her across the rear end with a hot popover pan. He said " it raised quite a welt, although I was not privileged to see it." When Peggy later says her feet hurt he says "never say your feet hurt. My foot hurts singular is acceptable but to say my feet hurt is a rather sordid admission." The fact that I am writing these lines from memory will tell you how much fun I had watching this movie over and over. William Holden was the king of the movies as far as I'm concerned and he was charming and at his best in this movie. He made more really good memorable movies than Clark Gable could have hoped for. This movie is not well known and as far as I'm able to find out is not available of DVD. I'm hoping is will be eventually because it's a nice funny little movie that shows New York in it's heyday.

Clicking through an endless guide that contained the typical TV offerings I was drawn to this by the description for such an older movie. I was interested to see what would be the content of such an older film with it's steamy description. To my surprised it was extremely entertaining and lighthearted... or am I just hardened by the times that we live in. Anyway... I enjoyed the situational comedy which in some ways reminded me of an Elvis Presley movie called "Live a Little, Love a Little" in the way that it changes pace but keeps the main characters interesting as they carry out the story. I also enjoyed seeing the way that a playboys life in the early 50's was perceived and I also enjoyed going back in time and seeing the behavior of the characters as they related to the story and it's topics. Had the industry not been so hard with its rating for this film... I think it could have been turned into a wonderful sit-com for TV in the 1950's... but that's just my opinion. Overall it was an enjoyable, light hearted comedy about sex (or lack of) that made me happy that I found it so late at night with all the other offerings that could have detoured my attention. This was only a few years before my days began but I could easily see these kinds of characters living out the story in real life as it was back in those days. The writers did a fantastic job with their use of language especially because had this been remade today most young people probably would be at a tremendous lost for words to make this type of film work as well as it did. There is much to learn about using language properly to tell a story... one that would have worked just as well if it were only on radio. Todays film values are all too visual and sorely lacks verbal entertainment which this film provides in great quantity and quality. I am glad to have found this gem in the rough.

THE MOON IS BLUE is a comedy based on a stage play about the kooky happenings one evening when a playboy bachelor brings an innocent young woman back to his apartment for dinner.

This racy comedy never earned a Production Code certification. It was very controversial in the 1950s for its frankness about sex and its use of taboo words like "virgin", "mistress", and "pregnant". It's nothing outrageous by modern-day standards, but it is noticeably up-front for '50s Hollywood.

The hijinks involves four characters: an architect bachelor (William Holden), a frank young woman (Maggie McNamara), the witty upstairs neighbor (David Niven), and his daughter, the architect's jilted ex (Dawn Addams). Both men find themselves strangely attracted to the girl, who bewilders them with her bluntness and honesty. The night is filled with misunderstandings and screwy surprises. It's a fun film, though stagey.

William Holden and David Niven bring A-list talent to the production, and neither disappoints. It's actually pretty cool to see their different styles on display in the same scene. The ever-smooth Holden, with his rain coat and masculine virility, and the delightfully witty Niven, with his proper grammar and trimmed mustache.

David Niven is by far my favorite thing about this movie. He is hilarious in his role as the ineffectual father of Holden's quasi-psychotic ex-girlfriend. He comes downstairs to Holden's apartment because his daughter has told him that Holden had "done her wrong". Holden defends himself, explaining that she'd spent the night in his bedroom while he slept on the couch. Niven ponders the situation and decides that maybe that *was* how Holden had "wronged" her. ("A very humiliating experience. I probably should beat you up anyway.") His comedic reactions throughout the film are great. Never far from a cocktail and never at a loss for an eloquent witticism, Niven's at the top of his game here.

I saw this rare film on TCM and the print was pretty poor. Aside from the dirty image quality, there were several abrupt cuts (missing frames/footage?) and even inconsistent audio levels. I guess this film wasn't taken very good care of over the decades. Still, the print is certainly watchable and the movie is an interesting piece of Hollywood history. And there are some real laughs, too.