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Cartas a mi amada

Título original: Love Letters
  • 1945
  • Approved
  • 1h 41min
CALIFICACIÓN DE IMDb
7.0/10
1.9 k
TU CALIFICACIÓN
Joseph Cotten and Jennifer Jones in Cartas a mi amada (1945)
DramaMisterioRomance

Agrega una trama en tu idiomaAllen Quinton writes a fellow soldier's love letters; tragedy results. Later, Allen meets a beautiful amnesiac who fears postmen...Allen Quinton writes a fellow soldier's love letters; tragedy results. Later, Allen meets a beautiful amnesiac who fears postmen...Allen Quinton writes a fellow soldier's love letters; tragedy results. Later, Allen meets a beautiful amnesiac who fears postmen...

  • Dirección
    • William Dieterle
  • Guionistas
    • Ayn Rand
    • Christopher Massie
  • Elenco
    • Jennifer Jones
    • Joseph Cotten
    • Ann Richards
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.0/10
    1.9 k
    TU CALIFICACIÓN
    • Dirección
      • William Dieterle
    • Guionistas
      • Ayn Rand
      • Christopher Massie
    • Elenco
      • Jennifer Jones
      • Joseph Cotten
      • Ann Richards
    • 36Opiniones de los usuarios
    • 10Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Nominado a 4 premios Óscar
      • 2 premios ganados y 6 nominaciones en total

    Fotos97

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    + 91
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    Elenco principal35

    Editar
    Jennifer Jones
    Jennifer Jones
    • Victoria Morland
    Joseph Cotten
    Joseph Cotten
    • Alan Quinton
    Ann Richards
    Ann Richards
    • Dilly Carson
    Cecil Kellaway
    Cecil Kellaway
    • Mac
    Gladys Cooper
    Gladys Cooper
    • Beatrice Remington
    Anita Louise
    Anita Louise
    • Helen Wentworth
    Robert Sully
    Robert Sully
    • Roger Morland
    Reginald Denny
    Reginald Denny
    • Defense Counsel Phillips
    Ernest Cossart
    Ernest Cossart
    • Bishop
    Byron Barr
    Byron Barr
    • Derek Quinton
    Harry Allen
    • Farmer
    • (sin créditos)
    Conrad Binyon
    • Boy in Library
    • (sin créditos)
    Nina Borget
    • Italian Waitress
    • (sin créditos)
    Matthew Boulton
    Matthew Boulton
    • Judge
    • (sin créditos)
    Clifford Brooke
    Clifford Brooke
    • Cart Driver
    • (sin créditos)
    David Clyde
    David Clyde
    • Postman
    • (sin créditos)
    Alec Craig
    Alec Craig
    • Dodd
    • (sin créditos)
    Catherine Craig
    Catherine Craig
    • Jeanette Campbell
    • (sin créditos)
    • Dirección
      • William Dieterle
    • Guionistas
      • Ayn Rand
      • Christopher Massie
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios36

    7.01.9K
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    Opiniones destacadas

    10renfield54

    ROMANCE, MYSTERY AND MURDER.....WELL DONE!

    This is one of the 4 (successful) pairings of Joseph Cotten and Jennifer Jones. The latter receiving 3 Oscar nominations for her (their?) efforts (including this one). The debonair Cotten and the delightful Jones are perfectly cast. The title of the film provides the "connecting thread" for our seemingly doomed lovers. This mystery/love story is a "grabber" beginning to end. The film is a cornucopia of actions and emotions. The English countryside is very effective for this tale. The inevitability of their fates is obvious, but it's a very long and twisted road to get there....... and a very enjoyable road too...

    Joseph Cotten at his best, Jennifer Jones at her best, and a fine supporting cast... A MUST SEE...
    cglassey

    Worth while love story/mystery

    This is an early "end of world war II" movie. The war is over and now the returning soldiers are trying to put their lives in order again.

    Mostly set in a very rural part of England (Devon perhaps?). Cotton plays an emotionally scared veteran who tries to make amends for the wrong he has done, though it is really just a coincidence that he runs into the woman he somewhat inadvertently deceived (by writing letters on behalf of another man).

    Jennifer Jones is quite good in this role that demands a youthful innocence. It sure doesn't hurt that she is a very beautiful young woman.

    Good scenery and a good early effort at showing the true emotional cost of war on the vets who survive it.
    8jotix100

    Love letters straight from your heart

    "Love Letters" is one of the most interesting films of 1945, yet it's seldom seen these days. We watched an excellent copy of it courtesy of a cable channel. The picture has kept well throughout the years. Directed by an old pro of that period, William Dieterle, and with an excellent cinematography by Lee Garmes, it was a joy to watch again. Victor Young's haunting musical score plays softly in the background.

    Some comments seem to indicate that Ayn Rand wrote the original work in which the movie is based. Contrary to those opinions, the fact is it was based on a Christopher Massie's novel, "Pity my Simplicity", and adapted by the author and Ms. Rand into the finished product. Ms. Rand was an obvious admirer of the French playwright Edmund Rostand's Cyrano de Bergerac, which plays in the action without making it too obvious.

    The best thing in "Love Letters" was the casting of the main roles. Jennifer Jones and Joseph Cotten played with their characters with conviction. Ms. Jones was at a great moment of her movie career; her dual role of Victoria Morland/Singleton proved she was the right choice for it. Mr. Cotten was an actor that always delivered, as it's the case with his character, Allen Quinton, the man who has loved Victoria from a distance.

    The marvelous cast is enhanced by Gladys Cooper, who is seen as Beatrice Remington, the woman who brought up Victoria as her own daughter and who holds the key to solving the mystery of the tragedy that involves Victoria. Ann Richards and Cecil Kellaway are also seen in minor roles.

    "Love Letters" will delight fans of the genre as it is one of the better exponent of the Hollywood of the 40s.
    squid-13

    romantic and soppy, yet strangely endearing...

    This film is more than just the best of the "other fellow writes love notes" genre. The Ayn Rand screenplay, though a potboiler, conveys the absolutist nature of true romantic love, which certainly dovetailed nicely with her objectivist philosophy. Jennifer Jones is lovely as ever, and extremely convincing in her amnesiac role. A fine film.
    7m0rphy

    Modern Cyrano de Bergerac

    I have seen this video many times mainly because I absolutely adore Jennifer Jones.She is an awesome beauty and I must be honest, a sexual fantasy of mine.The fact she is playing a Canadian orphan in the film at least explains her accent.The story of an amnesiac who gradually becomes her true self is OK but why oh why does Hollywood insist on producing "twee" versions of "little 'ole England" in California complete with "gargoyles"? Surely English actors playing English characters in England would have been more authentic.Just to throw in a few English actors (Gladys Cooper and a boy in the London Journal reading room plus stock film company footage of London England, is not convincing enough to the film connoisseur).Also how could a private home have a view overlooking Trafalgar Square!This is unsubtle image - fixing on innocent susceptible eyes.I am sure Americans cringe just as much when they hear unconvincing American accents from non-U.S. nationals.Jo Cotten had the great good fortune to appear to my knowledge with Ms Jones also in Duel in the Sun (1946)/Portrait of Jennie (1948) and Since you went away (1944).Therefore they had already done a film together and their scenes worked well and I almost found myself forgetting his "English" accent! JJ never looked more lovely than in this 1945 picture and there is a very memorable scene when Alan (Jo Cotton) comes back to his house in Essex and receives a call from Dilly Carson (Ann Richards) that "Singleton" appears to have gone missing.Suddenly there is a giggle and the lovely "Singleton" a.k.a.Victoria Moreland, (JJ), pops up from the sofa to surprise Alan- JJ looks absolutely stunning!

    Más como esto

    Jennie
    7.6
    Jennie
    Desde que te fuiste
    7.5
    Desde que te fuiste
    Mi adorable rival
    7.2
    Mi adorable rival
    La seductora Madame Bovary
    7.0
    La seductora Madame Bovary
    Carrie
    7.3
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    Fugitivos del destino
    7.0
    Fugitivos del destino
    El ocaso de un alma
    7.0
    El ocaso de un alma
    Sinfonía otoñal
    6.7
    Sinfonía otoñal
    We're Only Human
    6.0
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    Cena de medianoche
    7.3
    Cena de medianoche
    El pecado de Cluny Brown
    7.4
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    El valle de la abnegación
    7.3
    El valle de la abnegación

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      The role of Victoria Morland/Singleton was initially planned for Ann Richards, but after Jennifer Jones became available, Richards ended up playing Dilly, Singleton's friend.
    • Errores
      When Alan sees the archived newspaper article, the first brief paragraph is on topic. The second paragraph is unrelated and everything else on the page is gibberish.
    • Citas

      Allen Quinton: You are so calm, it is so contagious, you... you are so happy.

      Victoria Morland: I will tell you the secret, just two words, "Be yourself". You are afraid of that, everybody is. But I have no choice, I can't be anything but myself.

    • Conexiones
      Referenced in Mamita querida (1981)

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    Preguntas Frecuentes16

    • How long is Love Letters?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 21 de diciembre de 1945 (México)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Italiano
    • También se conoce como
      • Love Letters
    • Locaciones de filmación
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Ángeles, California, Estados Unidos(Studio)
    • Productora
      • Hal Wallis Productions
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 41min(101 min)
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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