La legión del desierto

I enjoy watching Alan Ladd films but I still will be the first to admit that his choice of acting assignments was often suspect. For every exceptional film he made like "This Gun for Hire" or "Shane", he made a half a dozen movies that were essentially B-movies with A- movie budgets. So, they look great but are pretty much mindlessly entertaining...and that's how I see "Desert Legion".

When the film begins, French Foreign Legionnaire Paul Lartal is in command of troops who are attacked and massacred in the desert. Somehow Lartal is knocked unconscious and spared. When he awakens he sees a sexy redhead (sure, there must be millions of them in the North African desert) and then he lapses back out of consciousness...and now finds himself with the Legion. His superiors think he's imagining seeing the sexy redhead (Arlene Dahl) but when he realizes it must be true, he takes off looking for the hidden city of Madara, as the hot redhead, the Princess, needs his help. There he must fight against the evil Crito (Richard Conte) who is an amazingly jerky jerk! Lartal gets locked in mortal combat with Crito and spares him...and almost instantly Crito tries to kill him! What's next? See the film...or not.

If you're looking for an excellent Foreign Legion pic, I suggest you keep looking. This one is just silly with redheads and none of the Madarans looking even remotely North African. Overall, it's once again Ladd going through the motions to pick up a paycheck and it's far from his best work.

A Legionnaire's regiment patrols the Algerian mountains in North Africa. They are trying to locate the leader of a gang of killers, Omar Ben Kalif. As they travel along the mountains they are ambushed by Kalif' and his soldiers. Incredibly the Legionnaires become surrounded as if Kalif's men have come straight out of the mountain. Only one Legionnaire survives the ambush, Captain Lartal (Alan Ladd), but he is badly injured. He wakes for a few moments to see a beautiful woman (Arlene Dahl), who says she needs his help. He loses consciousness and later wakes to find himself being rescued by a Legionnaire patrol. He tells his story to his commanding officer, but no one will believe his tale of the beautiful woman.

Captain Lartal decides to find the mysterious woman and also get revenge on Kalif. He and a partner (Akim Tamiroff) make their way to the city. There, they meet a stranger who takes them on a journey to the mountains. The stranger takes them through a secret passage that leads to a hidden city. There Captain Lartal meets the beautiful woman. Her father, Si Khalil, rules the city with ideals of peace and brotherhood. But there is an uprising brewing within and violence is feared. Captain Lartal is asked to help stop the violent uprising. The rebel leader is Damou, a man determined to lead the city by his own values.

I thought it was a great little movie. The color is rich, the scenes beautifully shot. The score really added to my enjoyment of the film. The acting was delightful. Ladd and Conte, 40 and 43 respectively, are fit and vibrant. Dahl is extremely beautiful. And the character roles played by Tamiroff, Anthony Caruso and Oscar Beregi are top notch. It's an adventure film aimed at a younger audience and it packs a punch.

Desert Legion was Alan Ladd's second film after leaving his nurturing studio of Paramount. It was hoped he would get better parts by his agent and wife Sue Carol. But sad to say this was the run of film he got.

It's a typical action potboiler with Alan Ladd in the French Foreign Legion on patrol and in pursuit of a local Algerian bandit who no one can seem to locate. On patrol one day after a couple of raiders, Ladd and his patrol are surprised by reinforcements who come from out of nowhere and everyone is killed, but Ladd. He wakes up and finds desert princess Arlene Dahl nursing him back to health. The next thing he knows he's back at Legion headquarters with this wild tale of a lost city in the desert.

Ever since Universal made Arabian Nights with Jon Hall and Maria Montez they had these middle eastern sets and so you could depend year after year on one or two pictures with that setting. So on this one shot deal Alan Ladd got to do Desert Legion with those same sets.

Maureen O'Hara in her memoirs said no one thought she was more ludicrous cast in these films as a redheaded Middle Eastern princess. But I will say that Desert Legion did provide some explanation why redheaded Swede Arlene Dahl was in North Africa.

Had this film been done a decade earlier it might have made great material for a serial. It has all the ingredients and you just write a bunch cliffhanger semi-climaxes and it would have done well.

Looking like he's having a great old time is Akim Tamiroff as Ladd's sidekick who deserts with him to find this lost city. Richard Conte however just doesn't come off as an Arab.

Desert Legion is the kind of film Alan Ladd should have been done with at his stage of life and career.

French Foreign Legion Captain Paul Lartal (Alan Ladd) travels to the hidden city of Madara in Northern Africa after a request for help he receives from local princess Morjana (Arlene Dahl). He met the woman under mysterious circumstances after his regiment suffered a deadly ambush at he hands of Omar Ben Calif's bandit gang. Lartel is convinced that Calif is in Madara under an undercover personality.

"Desert Legion" is an unpretentious adventure film with a fine cast, great color, acceptable settings and lots of action.

Alan Ladd doesn't add much to his carrier with his movie but it doesn't hurt it either. Arlene Dahl was made for Technicolor and plays her part fine. But perhaps the most interesting role is that of Richard Conte as Crito in one of the usual villain characters he played decently so often (no surprise there). The spears duel between Ladd and Conte is a highlight of the film most of all because of its originality back in 1953.

Light entertainment but enjoyable if you like adventure films.

The legion étrangère has always been a topic that makes people dream.Lots and lots of movies were made ,not only in France.Here,the most famous are probably Duvivier's "la bandera" and Jacques Feyder's "le grand jeu".Twas also one of Edith Piaf's favorite subjects of song (le fanion de la légion,mon légionnaire). This is a pretty ridiculous movie.At the beginning,I was thinking it was a remake of Pierre Benoit's "l'atlantide"(two most famous versions being Pabst 's (1932)with Brigitte Helm-Metropolis- ,and Edgar G Ulmer's (1963))It was certainly influenced big-time by Benoit's book.The blond officer lost in the desert who's taken in by a beautiful lady from a mysterious city of the sands,we've seen that movie before. After,Joseph Pevney and Pierre Benoit go different ways.THe director,abetted by unimaginative scriptwriters ,turn what could have been a trip into the fantastic element,à la "thief of Bagdad" or "lost horizons",into the run-of -the- mill hero-heroine-villain.The rest is so predictable :you can see where the characters are up to from a mile off."Desert Legion" fills its quota of treasons,duels,torture,and glamour.The setting is not impressive, a two-bit cardboard desert city,and for good measure,exotic dances.