El joven Edison

Mickey Rooney stars as the teenaged Thomas Edison in this wonderfully entertaining MGM biopic. The movie covers the young inventor's struggles to fit in with a town full of people who don't understand him. He makes mistakes but proves his worth and ultimately becomes a hero.

Rooney is his usual likable self. He tones his high energy down some and shows his dramatic skills. He really was a phenomenal star and a great actor. Superb supporting cast includes Fay Bainter and George Bancroft as Edison's parents, Virginia Weidler as his sister, and Eugene Palette as a railroad conductor. I really like the MGM sets and the 19th century American style. Lovely music, pleasant tone, and good cast. Script is a nice mix of humor, drama, and action.

This is the first of two MGM biopics of Edison released in 1940. The other is Edison, the Man starring Spencer Tracy. That movie covers Edison's adult years so it's like a sequel to this picture. Both are excellent. These old biopics were usually solid, uplifting character-driven stories. Yes they take liberties with the details but the more cynical defamatory biopics we get these days do the same. I'll take an inspirational biography that builds people up and leaves you with the warm fuzzies over some deconstructionist tabloid trash any day.

Thomas Edison (Mickey Rooney) is a young boy with many gadgets. He's protective of his younger sister Tannie. His experimenting sometimes causes mayhem and he often gets the blame. He is not only ingenious but also entrepreneurial. During the Civil War, he creates his own paper and sells it on the trains. Despite his many heroic efforts, he is constantly maligned and dismissed by his father and many in town until he rescues a train full of passengers.

This is a biopic of Thomas Edison as a young boy. I won't assume any of this is actually true. It certainly builds up Edison as an American hero and icon. I really like the sibling relationship. The constant and outright anger directed at Thomas is a little over the top but it's obviously used to create the underdog story. I can forgive that but I would do it more skillfully. This is a Rockwellian telling of the Edison origins story.

In this film, Mickey Rooney very capably plays the title role. His energy, very good acting and 'aw, shucks' attitude worked well in this film. That combined with the usual MGM polish and writing made this an enjoyable movie. As for this interpretation of Edison, he's a combination of Jimmy Neutron (or Dexter) and a Horatio Alger character--full of schemes to earn a buck as well as an abiding love of science.

When I watch biopics from Hollywood's golden age of the 1930s-1940s, I always assume that the truth took a back seat to entertainment and drama. More often then not, the facts have been 'adjusted' to make a more enjoyable film--regardless if it strays pretty far from the truth. So, as I watched "Young Tom Edison", I naturally assumed it was once again a very highly fictionalized account. This seemed even more obvious when Tom jumps onto the train tracks to save a little boy's life. However, imagine my surprise when I did some reading and found this film was actually pretty close to the truth! Sure, they took a few liberties here and there, but for the most part it was real. Sometimes the truth really is stranger than fiction! Overall, it's quite enjoyable and a nice companion piece to MGM's other Edison film that came out the same year, "Edison, the Man"--which shows the adult life of the great inventor.

MGM opens the first film in the studio's Edison biography project by promising, "This is a story of courage. The courage and triumph of a typical American boy. In all its essential facts, it is a true story. The boy actually did experience the adventures - the joys and sorrows portrayed here. His name might have been John Jones or Bill Smith. It happened to be Thomas A. Edison."

Mickey Rooney plays "Young Tom Edison", and the movie ends with a cameo appearance by Spencer Tracy, star of "Edison, the Man" (released shortly). They weren't much like Thomas Edison or each other, but Mr. Rooney and Mr. Tracy were the #1 and #2 "Box Office" stars of 1940, according to Quigley Publications - so, these films were both very well-produced.

"Young Tom Edison" focuses on the Edison family (who disappear for the Tracy film): likewise precocious little sister Virginia Weidler (as Tannie), misunderstanding father George Bancroft (as Sam), and mysteriously ailing mother Fay Bainter (as Nancy). Rooney's adversary is "Dead End Kid" Bobby Jordan (as Joseph "Joe" Dingle), who gets repeatedly gets kicked in the shins.

In the strangest scene, Ms. Bainter pretends to take over the beating of her sixteen-year-old son while his proud father listens to Rooney's painful cries. Later, gravel-voiced train conductor Eugene Palette (as Nelson) smacks Rooney so hard he develops an earache. Doctor Lloyd Corrigan says, "Sometimes there's nothing like a good box in the ears to sharpen a boy's senses."

Edison subsequently suffered from deafness.

***** Young Tom Edison (2/10/40) Norman Taurog ~ Mickey Rooney, Virginia Weidler, Fay Bainter, George Bancroft

Captivating Americana based on the boyhood of the famed inventor, played here by Mickey Rooney, who is kicked out of school for his intense inquisitiveness - and his habit of staring out the window, and that big explosion - is branded "addle-pated" by the townsfolk, but ultimately comes good. Rooney's stock persona was as a brash, cartoonish know-it- all who gets a lesson in humility (at which point he starts crying and saying sorry), but his best performances came when he was asked to calm down and actually act, doing extraordinary work in The Human Comedy and National Velvet. He's superb here - using slightly broader strokes than in those seminal later performances - and surrounded by a cast of top character actors, including Virginia Weidler as his affectionate sister, Fay Bainter as his protective mother and George Bancroft as a stern patriarch with impressive sideburns but an unfortunate propensity to ignore his son's protestations of innocence. It's a wonderfully-mounted production, with a literate script that mixes things that actually happened, things you wish had happened and MGM staples like the family sing-along. And it climaxes with two extraordinary, unbearably tense suspense sequences. If you're a cynic, just don't bother. For everyone else, this is a rosy primer on Edison's early years and a poignant, exciting and flavourful example of MGM at its absolute best.