Capitanes Valientes

I saw this for the first time, just last night, on American Movie Classics. After watching the film, I couldn't help but wonder where it's been all my life. What a beautiful film! Robert Osborne made a few opening remarks to the film, as he usually does on this channel. I didn't know that Spencer Tracy won his first Oscar for this film, but it was certainly well deserved. His portrayal of Manuel is really pivotal to the success of the film, I think. I'm not too sure about his accent, but it wasn't really distracting or anything. If you haven't seen this, watch it! You won't be disappointed -- especially if you enjoy pictures where ships and the sea are the setting for the action.

I truly enjoy the old classic films and although the first 30 minutes of this film starts off a bit slower than I would have preferred director Victor Fleming certainly makes up for it with a classic tale of a young man's spiritual and mature growth during the remaining 87 minutes.

The story features a young boy named Harvey Cheyne (Freddie Bartholomew) whose wealthy industrialist father Mr. Cheyne (Melvyn Douglas) spoils his young son with money and supplies his son with his own personal staff to allow Mr. Cheyne to focus on his business empire all the while his neglected son decides to take advantage of every situation. In many situations the young Harvey is bribing his way through life at such an early age in a way that most of us just could not fathom. The director has done a good job in showing us what can happen to a young man who is not receiving the proper guidance and little attention from his single parent.

So young Harvey who is sailing on the high waters and again neglected by his father is not playing fairly with some other youngsters when he accidentally falls off of his father's ship and into the ocean without any life raft or rescue ring buoy. As he realizes he might drown a Portuguese sailor named Manuel (Spencer Tracy) scoops him out of the hands of death and brings him back on to a 20 man crew fishing vessel. Over the next few months at seas we see a very slow but gradual change in the way that the spoiled and bratty Harvey looks at life.

You see, Harvey first gets a hard backhander slap directly across the side of his face from the ship's Captain Disko (Lionel Barrymore who is the great Uncle of current actress Drew Barrymore) for talking back to the captain inappropriately. Gradually as Harvey spends every waking moment on this smelly, slimy, wet fishing vessel with his savior Manuel as his only guide and conscious how he must behave amongst men of fishermen, Harvey has a transformation for the betterment of mankind. Harvey learns what team work, sacrifice, and hard work can do for a young man as he interacts with Manuel, Captain Disko and his son Dan (a 17 year old Mickey Rooney), and fellow seaman Long Jack (John Carradine) as they fish in the ocean and face the high seas and mother nature.

This film is not all about a happy ending but more about life's hard lessons and reality that we can learn more about ourselves and who we really are by allowing others to show us the way, as our fathers and grandfathers, and mothers and grandmothers showed us. This is a memorable film not only for its time some 80 years ago, but the message this film still holds true today. "Life is not about who wins the race...but more about how memorable your journey was and who remembers you when you are gone.

Harvey Cheyne (Freddie Bartholomew) is a spoiled brat used to having his own way. When a prank goes wrong on board an ocean liner Harvey ends up overboard and nearly drowns. Fortunately he's picked up by a fishing boat just heading out for the season. He tries to bribe the crew into returning early to collect a reward but none of them believe him. Stranded on the boat he must adapt to the ways of the fishermen and learn more about the real world.

Frank S. Nugent of The New York Times called the film "another of those grand jobs of movie-making we have come to expect of Hollywood's most prodigal studio. With its rich production, magnificent marine photography, admirable direction and performances, the film brings vividly to life every page of Kipling's novel and even adds an exciting chapter or two of its own." This really is a great film. I went in knowing nothing about it, and came out really impressed. For the first quarter or so of the film, I was increasingly annoyed with the spoiled boy, and did not now where things were going to go. But once it shifted gears, that build-up of annoyance paid off. In fact, it would not have been nearly as effective if they didn't convince me of how awful this boy was. Perfect execution.

This is my favorite movie of all time. I have seen thousands of movies but none can come near Captains Courageous for its warmth, compassion, drama and meaningfulness. A wonderful story of single-parent bonding and hero worship.

Spencer Tracy as Manuel the Portugese fisherman was absolutely fantastic. Just looking at the sparkle in his eyes when mentoring Harvey (Freddie Bartholomew) was beautiful. I have shown this film to my senior class in Strategic Management and they all loved it. And what a supporting cast, Lionel Barrymore, Melvin Douglas, Mickey Rooney, John Caradine. It was also one of the first Hollywood movies to treat a black character with dignity and respect. The ship's cook was even bilingual, speaking both English and Portugese, and was a respected member of the crew, not just an Uncle Tom.

They don't make them any better than this--and not a single word of profanity, no sex or sexual episodes, must a wonderful story, well acted, sad but uplifting.

A movie like this could only have been made in the early days of cinema. Before the days when fancy camera angles, careful editing, and computer-effects combine to make any pretty-boy a big star, movies had to rely on genuine talent on the part of child actors.

Nowhere is this more evident than with Freddie Bartholomew. The character he plays is a spoiled rich-kid, used to getting his own way and obnoxious with everyone he meets. Yet he plays the role in such a way that we can sympathize with him, rather than detest him. We understand the character, but we do not hate him.

Watch any similar movie made today, and the child actors will whine and sneer and have smart-mouthed replies to everything. In this movie, however, the character is not taken to that extreme, and when he makes his transition in the film we are able to love him, and are able to forget how horrid he was before.

The boy can truly act. When he cries for his loved ones, we cry with him. When he is happy, we are able to smile. And when he does something foolish, we do not get the urge to punch him in the face. The character is attractive by the end of the film, and that is a quality which few (if any) child actors possess today.

If you want to see a touching movie with superb acting and genuine emotion, this is the one.