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Mad Youth

  • 1939
  • Approved
  • 1h 16min
CALIFICACIÓN DE IMDb
4.9/10
316
TU CALIFICACIÓN
Mad Youth (1939)
Ver Official Trailer
Reproducir trailer1:03
1 video
15 fotos
Drama

Una madre adinerada contrata a un acompañante masculino, pero él se enamora de su hija. El conflicto madre-hija hace que la joven huya con una amiga que está atrapada en una red de prostituc... Leer todoUna madre adinerada contrata a un acompañante masculino, pero él se enamora de su hija. El conflicto madre-hija hace que la joven huya con una amiga que está atrapada en una red de prostitución.Una madre adinerada contrata a un acompañante masculino, pero él se enamora de su hija. El conflicto madre-hija hace que la joven huya con una amiga que está atrapada en una red de prostitución.

  • Dirección
    • Melville Shyer
  • Guionista
    • Willis Kent
  • Elenco
    • Mary Ainslee
    • Betty Compson
    • Willy Castello
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    4.9/10
    316
    TU CALIFICACIÓN
    • Dirección
      • Melville Shyer
    • Guionista
      • Willis Kent
    • Elenco
      • Mary Ainslee
      • Betty Compson
      • Willy Castello
    • 19Opiniones de los usuarios
    • 2Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Official Trailer
    Trailer 1:03
    Official Trailer

    Fotos14

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    Elenco principal26

    Editar
    Mary Ainslee
    Mary Ainslee
    • Marian Morgan
    Betty Compson
    Betty Compson
    • Lucy Morgan
    Willy Castello
    Willy Castello
    • Count DeHoven
    Betty Atkinson
    • Helen Johnson
    Tommy Wonder
    Tommy Wonder
    • Harry
    Lorelei Readoux
    • Beth
    Margaret Fealy
    Margaret Fealy
    • Helen's Grandmother
    Donald Kerr
    • Taxi Driver
    Ray Hirsch
    • Jitter Bug
    Patti Lacey
    • Jitter Bug
    Eugene Taylor
    • Jitter Bug
    Caren Marsh
    • Jitter Bug
    • (as Aileen Morris)
    Maxine Taylor
    • Jitter Bug
    Pearl Tolson
    • Jitter Bug
    Monte Collins
    • Stewart - Singing Bridge Player
    • (as Monty Collins)
    Brooks Benedict
    Brooks Benedict
    • Party Guest
    • (sin créditos)
    Steve Clemente
    Steve Clemente
    • Knife-Thrower in Club Act
    • (sin créditos)
    Glen Dennison
    • Jitter Bug
    • (sin créditos)
    • Dirección
      • Melville Shyer
    • Guionista
      • Willis Kent
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios19

    4.9316
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    Opiniones destacadas

    4Leofwine_draca

    Sleazy morality story

    MAD YOUTH is another morality fable which looks at the plight of young girls caught up in vice and prostitution. As usual it tells the tale of an innocent young girl who, through no fault of her own, ends up being imprisoned inside a brothel. Who can save her and will they manage to do it in time?

    This film has a slightly different angle to the rest in that the focus of the drama is on the relationship between mother and daughter. In fact, it's the mother's actions - in particular her cavorting with male prostitutes (!) - that causes the daughter to flee from her familial situation and fall into something even worse. Thus the film's erstwhile moral question is whether parents are responsible for the behaviour of their offspring.

    There's some cheesy, heavy-handed moralising here, alongside the usual low-rent production values common in such sensationalist dramas. The acting is fairly average, although a little better than I've seen elsewhere. The film also picks up in the last twenty minutes, becoming something of a suspense thriller, and it even offers up some fun fight scenes; sadly it's not enough to make this a good film overall.
    7CatherineYronwode

    Castello, not Costello

    This movie is quite mature in its themes, and i recommend it as a better than average "exploitation" film. It stars Willam (Willy) Castello, the suave, often villainous Dutch-born actor, as the Count de Hoven. This is not the same actor as William Costello, born in Rhode Island, USA, who voiced Popeye. It is also of interest to note that some scenes from "Mad Youth" were later excerpted and used alongside other Willy Castello exploitation film clips to make an entirely new feature, "Confessions of a Vice Baron," in which the Castello character narrates his life of crime and multiple name-changes -- as if every character he had played in each of the earlier movies had been one man in disguise. I have never seen another movie that uses this device, and so i have made an effort to watch every film that contributed to "Confessions of a Vice Baron." So far, "Mad Youth" is by far the best of the lot.
    3dwpollar

    Mediocre drama about a battling mother and daughter...

    1st watched 2/19/2007 - 3 out of 10(Dir-Melville Shyer): Mediocre drama about a battling mother and daughter over the affections of a gigolo named "Count." Advertised as an exploitation movie about the horrors of youth but instead it's just a run-of-the-mill romance where it just happens that the mother and daughter are the competitors. The mother is trying to live out her youth all over again by hiring young escorts to take her to wonderful places but one young suitor is more impressed with her daughter. After a spat, the daughter decides to move out and hooks up with an old friend of hers who happens to be trapped in a brothel. The "Count" then comes to the rescue and the rest is cinema history(kind of…)!! This is a very bland drama with professional dancing thrown in to keep us entertained around the silly story. The problem is that the dancing is better than the story, so I guess they should have made the movie around them instead of using them as window-dressing. Of course, that would have been a different movie but possibly a better one.
    6wes-connors

    In the Mood for the Forties

    Shapely sweater-clad Mary Ainslee (as Marian Morgan) enjoys wild nights partying while "lonesome" mother Betty Compson (as Lucy) prefers quieter evenings playing bridge with "dedicated and refined" gigolos like accented immigrant Willy Castello (as "Count" DeKoven). With her alimony check spent, Ms. Compson can't afford the extra charge for Mr. Castello's "love" on their first date, but future funds mean "necking" sessions. Then, when Castello meets Ms. Ainslee, both mother and daughter desire the same man. Are Castello's intentions good, or "strictly dishonorable?"

    "Mad Youth" takes an unexpected turn for a last act, after skirting with some actual depth. The performances of Ainslee and Compson become quite good, and intriguingly natural. It's nice to see women portrayed as interested in sex (for a change). After the rival mother and daughter share a marvelous scene, the story returns to its lurid roots. The dissolve and double exposures used for Ainslee's "drunk scene" and Compson's discovery of her daughter's diary are well done. The uninhibited dancing of Tommy Wonder and the "Jitter Bugs" is another highlight. Watch for the slinky blonde prostitute to stand in front of a revealing lamp, and one of the fighters to split his pants, in the film's final minutes.

    ****** Mad Youth (5/5/40) Melville Shyer ~ Mary Ainslee, Betty Compson, Willy Castello, Tommy Wonder
    6jdfoster-1

    pretty good

    I enjoyed this movie it was nice look at the teens of the late 30's and early 40's. It had great dance scenes and good music to go with it. with had a very realistic and intense fight scene for it's time. some scenes were a little long and drawn out.it is a good midnight movie it's a drive in style movie fine for the whole family. If you can find a copy you should see it there is not much more to say about it is just OK. it's not memorable but it's good, I mean don,t go out of your way to fine it but if you come across it pick it up for me. If you like black and white movie on a Saturday night you will like this.

    love, Steve

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Orchestra and all acts by courtesy of La Golondrina Cafe, Los Angeles.
    • Citas

      Count DeHoven: You mean to tell me you let your daughter go and visit Helen without even knowing where she lives?

      Lucy Morgan: Well, yes. She said she'd write in a few days.

      Count DeHoven: But all we know about Helen is that she ran away to marry a man she had never seen. A man she met through a matrimonial agency advertisement.

      Lucy Morgan: Yes, I... I guess that is so.

      Count DeHoven: Don't you know that some of those agencies are the worst kind of traps? That many of the customers are criminals, morons, white slavers, or people who are mentally or physically diseased?

      Lucy Morgan: Oh, I've never given it a thought.

      Count DeHoven: Oh, you American mothers, with your Bridge parties, and beauty shops, and your silly flirtations. Wasting your lives and neglecting your duties. Letting your children run wild for lack of sensible parental supervision.

      Lucy Morgan: Oh, you don't know American children. They're spoiled and disobedient, and drunken.

      Count DeHoven: Drunken? Yes, drunk with the exuberance of youth and sheer joy of living. There's nothing really wrong with the children of today. Nothing that proper environment and congenial home life wouldn't correct.

      Lucy Morgan: What do you expect us modern mothers to do?

      Count DeHoven: Quit trying to be butterflies. Get back to the business of being mothers, like your mother, and your grandmother, and generations of mothers before them.

    • Conexiones
      Edited into Confessions of a Vice Baron (1943)
    • Bandas sonoras
      I'd Rather Be a Bum on Broadway Than an Angel in the Sky

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 5 de mayo de 1940 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Girls of the Underworld
    • Productora
      • Willis Kent Productions
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 16 minutos
    • Color
      • Black and White
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.37 : 1

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