La avalancha

I'm obsessed with the Third Man, and forever looking for similar movies. I get the impression that Carol Reed never made anything comparable to that classic, but this is an interesting, unusual film that is worth seeing in its own right.

It is a political drama about the struggle to control the means of production - no, really. Michael Redgrave and Emlyn Williams play two young men from a dour north-east mining town who escape, separately, to the bright lights of Newcastle. Redgrave's character is a scholarship kid at the university, while Williams plays a spiv who starts out working as a bookie but soon finds other dubious business interests.

They return home for different reasons, and clash over the future of the mine, which the workers suspect is unsafe. It's a surprisingly anti-establishment film for 1940, when Britain was deep into the Second World War, especially given Churchill's famously harsh treatment of striking miners in the 1920s.

I recently purchased this outstanding movie on video. Michael Redgrave has always been one of the finest actors of his generation and his performance in this film only serves to strenghten my opinion. I was very surprised by the way a film of this era, concentrated so much on the social and economic deprivation of the mining community in Great Britan, surely one of the largest workforce of the time. The struggle for better conditions and the respect of their employers as workers and human beings is perhaps the crux of this story but the underlying sub-plots of human greed and subterfuge made sure my interest never waned. It is to me most memorable as a story of the ordinary man, struggling through adversity, always with dignity and self-respect. Despite the often bleak surroudings and the fact that it is also shot in B&W to maximize this atmosphere, it never depressed me and left me feeling good,long after the last of the credits had rolled.

The story in this feature is pretty interesting, but even a description of the story by itself would probably not communicate how thoughtful and atmospheric the movie is. It also has some particularly compelling stretches that are hard to forget afterward. Director Carol Reed shows good insight into the characters and the story, the cast make the characters believable and worth caring about, and the technical aspects help you to feel almost part of the action.

Michael Redgrave stars as a young idealist, determined to get an education so that he can improve conditions in the mining town where he lives. Redgrave's performance quietly brings out a lot about his character, as he learns about reality while fighting for the truth. Emlyn Williams is also effective as Redgrave's boyhood friend, who takes an entirely different, amoral approach to the same situation. Margaret Lockwood, well-cast as the rather vain young woman who captivates both of them, adds an important dimension. Several of the supporting cast members also do a good job in limited screen time.

The highlight is the extended rescue sequence in the second half, and it is very effectively done. But one of the reasons that it works so well is that it was prepared by such a solid foundation, establishing the characters and issues carefully so that, when the crisis hits, everything takes on more meaning.

Many of the topics touched upon by the movie are still of significance in themselves, but even beyond that, it creates a good deal of worthwhile drama about society and human nature in general.

I have to begin this review by saying I saw the U.S. edit of the movie. According to wikipedia, the unfortunate intro and outro are not in the English version, and there's an extra scene at the end.

Once you get past the useless introductory speech, this movie begins quite well, portraying a grim world and immediately giving one a feel for the plight of the miners.

For me, a difficulty came with the introduction of Margaret Lockwood's character. I admit there are selfish, empty headed people in the world, but they make for poor film characters. Fortunately it's a fairly small role, but it felt unnecessary to have her at all. She represents a melodramatic streak that unfortunately runs through the movie and lessens the overall impact.

While some parts were problematic, other parts are terrific, such as the mother's stoic attitude as her son goes off to college in which you see her feelings only when no one is looking. And the inevitable disaster is impressively handled.

I also didn't find Michael Redgrave complete believable. I'm not convinced he could develop such an upperclass accent no matter how hard he studied at the local schools.

While worth seeing, this could have been a better movie with a little less melodrama.

Director Carol Reeds version of A.J. Cronins novel of poverty, greed and unfulfilled dreams still seems fresh today despite its sixty years.

Michael Redgrave stars as Davey Fenwick, a bright man from a poor mining background, who wins a scholarship to university. He hopes to graduate and then enter politics, so as to work to end the suffering of his kith and kin and their ilk.

However, his plans change when he meets and falls in love with Jenny Sunley (played by Margaret Lockwood), a strikingly beautiful but manipulative and materialistic little minx who has just been cruelly dumped (why???) by her boyfriend, Daveys old friend, the ruthlessly ambitious Joe Gowlan (Emlyn Williams). Understandably smitten, Davey marries the lovely but self-centred Jenny and, at her instigation, quits university and moves home to work as a schoolteacher. But his world is turned upside down when trouble at the pit, Jennys restlessness and the reappearance of Joe, whom Jenny still loves and who is now flashily well-to-do,combine.

At the time, this was one of the most expensive films ever made in Britain. But it was well worth the investment. It assured Carol Reeds reputation and gave to film audiences and to posterity a grimly realistic picture of life at the sharp end in 30s Britain. The all-star cast too got a chance to show their ability, giving terrific performances; Redgrave is superb as the disillusioned idealist, Williams is thoroughly unpleasant as the unfeeling, cynical Joe while Margaret Lockwood, one-time screen ingénue in her first wicked girl role, gives a wonderful performance as the drop-dead gorgeous, vixenish, gold-digging Jenny.

As social commentary this is a great movie, but, on another, more profound level,it works as a dark, despairing canvas depicting the often destructive nature of human relationships. Essential viewing!