Más fuerte que el orgullo

Viewed solely as a movie, this version of "Pride and Prejudice" is quite enjoyable, and has plenty of strengths. Since it was adapted from a stage play that was in turn based on the novel, it is perhaps inevitable that there would be a lot of differences from the original, both in the characters and in the events (plus a few anachronisms). Most of the time, these fit in all right with the story, but it is hard not to feel that it would have been an even better film if they had stayed closer to the original in the later parts. In all honesty, though, none of this prevents it from being a very good movie in its own right.

For the most part, the main story is the familiar one, following the hopes and anxieties of the Bennet family as they look for husbands for their five daughters. Greer Garson might be slightly different from the Elizabeth of the novel, but she is very appealing, and her character is quite effective. Laurence Olivier works very well as the prideful Darcy. Most of the supporting cast also is good, especially Edmund Gwenn as the perpetually bemused Mr. Bennet. It does a good job of illustrating the main themes in the relationships amongst the characters, while also providing many light and humorous moments. It's an entertaining and effective mix that makes it a satisfying movie despite the departures from the novel.

Pride and Prejudice is a familiar story - if not read in high school literature class, one can see the theme in dozens of other films: A meddling mother tries to marry off her daughter(s) to "suitable" man, the man and woman fight and all turns out at the end with mayhem ensuing between the first and final acts.

There have been several versions of Pride and Prejudice, two of which I had seen before this film and after viewing the 1940 version starring Greer Garson and Laurence Olivier it is clear that this is the standard. Is there a better actor than Olivier in these period dramas? And Greer Garson is radiant as Elizabeth. Their performances and the pace of the film is such that while I knew the story I was still sucked into the romance and laughter - not an easy task for a hard-core cynic like me. This movie garnered 4 stars and for good reason - if you are looking for a charming, witty and romantic film, this is a must-see.

--Shelly

It does not run along the lines of the Jane Austen classic, but the 1940 movie was actually based on the stage adaption, eventually purchased by the MGM studio as what could have become another Norma Shearer expensive spectacle. Like many other projects at the studio, this collected dust after the death of Irving Thalberg, head of MGM.

Thankfully, new casting was decided on. Shearer of course is really too old for the role. The result was what I believe to be one of the most memorable movies of the 1940s. Austen's classic comedy of manners still has all its light touches of romance and humour, with the horrors of English 1800s, loss of estate, inheritance and destined sinking with no worldly stature for a family of five girls with no male heirs.

Amicably backed by a competent supporting cast including Edmund Gwenn and Mary Boland, the star of the show is really Greer Garson. Fresh from her successful debut as Robert Donat's wife in "Goodbye Mr Chips", Garson is really like Lizzy Bennett herself, charming, high spirited and strong willed. It is one of her best roles, just before she became the 'first lady' of MGM. Olivier, brooding and snobbish as the high classed Darcy, also performs well, but is still outshone by Garson.

Tasteful sets, costumes, music and art decoration helped to make this such a huge success in its day. All the right elements of acting, script and direction have made this a production that should be better remembered. We don't relate to the dilemnas of costume period drama days, but "Pride and Prejudice" is great cinematically to have lost little of its charm or its timeless appeal.

Rating: 9/10

This film is really just 'based on' the novel and enthusiastically takes liberties with the costumes, characters, time period, etc. But if you can set aside your expectations of accuracy, and imagine this film as a stand-alone piece, you won't be disappointed. After all, if the basic Pyramus and Thisbe romance can be remade and reworked a hundred different ways, why shouldn't Bennet and Darcy? Aldous Huxley's screenplay is razor sharp, the plot gallops along, the characters are wisecracking and witty, and though I have probably watched this film more often than any other film I own, It still feels fresh and surprisingly modern. Only 'His Girl Friday' can best the deliciously quick dialog Huxley penned for his female lead.

The last movie I watched before this one was the Mystery Science Theater edition of Devil Doll, and I'm hard pressed to say which movie has less to do with Jane Austen. Everything about this film screams MGM Assembly-Line, from the astonishing banality of the script (Huxley Shmuxley!) to the insufferable "music" to the look-at-us-we're-vaguely-19th-century costumes. Olivier's performance is so fey it's a wonder he doesn't float off the screen, Garson tiptoes around Lizzy as though terrified she might say something offensive, and Melville Cooper accomplishes the superhuman task of making Mr. Collins unfunny. This monstrosity is to the 1995 BBC mini-series as a comic-book version is to the novel itself.