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8.0/10
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Un detective privado escapa de su pasado para dirigir una gasolinera en un pequeño pueblo, pero su pasado lo atrapa. Ahora debe volver al mundo de la gran ciudad del peligro, de la corrupció... Leer todoUn detective privado escapa de su pasado para dirigir una gasolinera en un pequeño pueblo, pero su pasado lo atrapa. Ahora debe volver al mundo de la gran ciudad del peligro, de la corrupción, de las dobles cruces y de las duplicidades de las mujeres.Un detective privado escapa de su pasado para dirigir una gasolinera en un pequeño pueblo, pero su pasado lo atrapa. Ahora debe volver al mundo de la gran ciudad del peligro, de la corrupción, de las dobles cruces y de las duplicidades de las mujeres.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
Brooks Benedict
- Kibitzer in Blue Sky Club
- (sin créditos)
Oliver Blake
- Tillotson - Night Clerk
- (sin créditos)
Eumenio Blanco
- Mexican Waiter
- (sin créditos)
Wesley Bly
- Harlem Club Headwaiter
- (sin créditos)
Mildred Boyd
- Woman at Harlem Club
- (sin créditos)
Hubert Brill
- Car Manipulator
- (sin créditos)
James Bush
- Doorman
- (sin créditos)
Ted Collins
- Man at Harlem Club
- (sin créditos)
Opiniones destacadas
10funkyfry
Terrific exotic adventure/melodrama with gothic undertones. Douglas follows Mitchum following Greer to Mexico; murder and robbery follow everywhere femme fatale Greer goes. She's excellent; vulnerable eyes revealing the fear motivating her totally irrational, greedy actions. She and Mitchum are made for each other (it's a shame that this and the less exciting "The Big Steal" are their only films together as far as I know, although Greer did make a good pairing with the comparably skilled Richard Widmark in "Run for the Sun"). Every step of their twisted journey feels inevitable, painful, and joyous, like a death-row inmate smoking his last cigarette. Mitchum is at his best here as the patsy for Greer and Doublas' schemes, who plays along as if he knows better but is truly seeking absolution from death.
One of the best films ever made by Hollywood, all the more amazing considering it was made almost on the fly (what people today call a "film noir" but what the producers though of as a "B" movie).
Tourneur is one of the best low budget directors in the business; fans of good film will seek out his movies, which cover all the different genres of film. His father was one of the creators of film style, and he has a striking sense of visual composition himself, which he puts to excellent use in this, possibly his best film.
One of the best films ever made by Hollywood, all the more amazing considering it was made almost on the fly (what people today call a "film noir" but what the producers though of as a "B" movie).
Tourneur is one of the best low budget directors in the business; fans of good film will seek out his movies, which cover all the different genres of film. His father was one of the creators of film style, and he has a striking sense of visual composition himself, which he puts to excellent use in this, possibly his best film.
Full of atmosphere and heat, "Out of the Past" is a classic film noir, directed by a master, Jacques Tourneur. Although considered only an above-average B movie at the time of release, it's doubtful anyone thinks of it that way today, as it is superior to many "A" films. With a top-notch cast and a deceptively easy pace that belies the tension and danger underneath, "Out of the Past" makes for an intriguing, absorbing film.
Robert Mitchum and Jane Greer make a great pair - both are sultry, sexy, hard to read, and gorgeous. I found Greer's performance quite interesting. In the beginning, she appears quite warm, frightened, and sincere, as opposed to, say, Lizabeth Scott in "Dead Reckoning." When she turns hardboiled, it's subtle, with only a change in her eyes and voice, when she comments that Fisher isn't going to say anything to anybody. I love the way Mitchum sizes up women. He absolutely smolders, and 40 years later, in "The Winds of War," he was still smoldering.
Kirk Douglas is appropriately edgy in his supporting role as Whit. Rhonda Fleming has a small role, but no one that incredibly beautiful was going to go unnoticed for long.
What a wonderful film, what a perfect example of a genre.
Robert Mitchum and Jane Greer make a great pair - both are sultry, sexy, hard to read, and gorgeous. I found Greer's performance quite interesting. In the beginning, she appears quite warm, frightened, and sincere, as opposed to, say, Lizabeth Scott in "Dead Reckoning." When she turns hardboiled, it's subtle, with only a change in her eyes and voice, when she comments that Fisher isn't going to say anything to anybody. I love the way Mitchum sizes up women. He absolutely smolders, and 40 years later, in "The Winds of War," he was still smoldering.
Kirk Douglas is appropriately edgy in his supporting role as Whit. Rhonda Fleming has a small role, but no one that incredibly beautiful was going to go unnoticed for long.
What a wonderful film, what a perfect example of a genre.
Out of the Past came at a time for Robert Mitchum after one of the worst films in his career, Desire Me which he did on a loan out to MGM. He must have been grateful to get back to RKO studios and to do one of the best noir films ever done.
Mitchum plays the luckless Jeff Bailey, private eye who has the ill fortune to fall under the feminine charms of Jane Greer after gambler/racketeer Kirk Douglas hires him to find her and $40,000.00 she stole from him after shooting him. Mitchum trails her to Mexico, but when he meets her, let's just say he easily sees why Kirk Douglas wants her back so bad. It's one piece of intrigue after another at this point until there's tragedy all around.
This was Kirk Douglas's second picture and he showed his range as a player after playing a weakling in his debut film, The Strange Loves of Martha Ivers. Douglas and Mitchum got good notices, but this film really belongs to Jane Greer. The sheer scope of this woman's evil will leave you gasping. Out of the Past gave Jane Greer her career role and she made the most of it. Two of post World War II Hollywood's biggest leading men and several others in tow. It's breathtaking when you think of it.
Out of the Past is a real downer of a film, but mesmerizing as a study of how a man can get hooked on feminine charms applied right.
Mitchum plays the luckless Jeff Bailey, private eye who has the ill fortune to fall under the feminine charms of Jane Greer after gambler/racketeer Kirk Douglas hires him to find her and $40,000.00 she stole from him after shooting him. Mitchum trails her to Mexico, but when he meets her, let's just say he easily sees why Kirk Douglas wants her back so bad. It's one piece of intrigue after another at this point until there's tragedy all around.
This was Kirk Douglas's second picture and he showed his range as a player after playing a weakling in his debut film, The Strange Loves of Martha Ivers. Douglas and Mitchum got good notices, but this film really belongs to Jane Greer. The sheer scope of this woman's evil will leave you gasping. Out of the Past gave Jane Greer her career role and she made the most of it. Two of post World War II Hollywood's biggest leading men and several others in tow. It's breathtaking when you think of it.
Out of the Past is a real downer of a film, but mesmerizing as a study of how a man can get hooked on feminine charms applied right.
In a small town in California, the mysterious Jeff Bailey (Robert Mitchum) owns a small gas station and is in love with the local Ann (Virginia Huston). When a stranger just arrived in town meets him, Jeff is ordered to travel to meet the powerful criminal Whit Sterling (Kirk Douglas). Before traveling, Jeff calls Ann and tells her the story of his life, when he was a private eyes hired by Whit for US$ 5,000.00 to find his former mistress Kathie (Jane Greer) that had shot Whit and stolen US$ 40,000.00. The competent Jeff finds Kathie in Acapulco, but she tells that she had not taken Whit's money and they fall in love for each other and escape from Whit. When the former partner of Jeff, Fisher (Steve Brodie), finds the couple living in an isolated cabin, Kathie kills him and Jeff buries his corpse. Jeff accidentally finds the receipt of deposit of the amount in Kathie's purse and leaves her forever. When Jeff meets Whit, he surprisingly finds Kathie living with him; Whit asks Jeff one last job to get even and release Jeff from his debt. But Jeff finds that Whit is actually framing him.
"Out of the Past" is an excellent film-noir, with a melancholic story and a magnificent and amoral female fatal. The direction of Jacques Tourneur is outstanding and the cinematography is very beautiful. Robert Mitchum and Jane Greer have top-notch performances, showing great chemistry. However, the fantastic screenplay is certainly the best in this movie, disclosing a complex plot with the use of flashback and great lines. My vote is eight.
Title (Brazil): "Fuga do Passado" ("Escape from the Past")
"Out of the Past" is an excellent film-noir, with a melancholic story and a magnificent and amoral female fatal. The direction of Jacques Tourneur is outstanding and the cinematography is very beautiful. Robert Mitchum and Jane Greer have top-notch performances, showing great chemistry. However, the fantastic screenplay is certainly the best in this movie, disclosing a complex plot with the use of flashback and great lines. My vote is eight.
Title (Brazil): "Fuga do Passado" ("Escape from the Past")
This film established the Robert Mitchum screen persona. In it he established the easy going laconic style that was to become his trademark. His Jeff Bailey is the epitome of the 1940s tragic hero.
The story is told in flashback, a Film Noir tradition. Bailey owns a gas station in a small California town. But he is a man with a past, a past that comes back to haunt him(as in Hemingway's "The Killers")
Bailey tells us that he was a detective in his previous life. He was hired by a gambler to find a girl who had stolen $40,000 from him. Bailey found the girl and the money , but love got in the way.
To reveal anymore of this convoluted plot would ruin it for those who have not had the pleasure of not seeing this masterpiece.
In addition to Mitchum, the rest of the cast excels as well. Jane Greer is the perfect Femme Fatal. Kirk Douglas is mean and sadistic as the gambler. Rhonda Fleming, Virginia Huston, Steve Brodie and Paul Valentine provide excellent support.(Greer and Valentine were in the 1985 remake "Against the Odds".
Jacques Tourneur one of the great Noir directors does a fine job with Daniel Mainwaring's story and script(using the pseudonym Geoffery Homes) and the Roy Webb music is the perfect compliment.
A lot of young talent went into the making of this classic. Many of the people involved went on to bigger and better things. It is easy to understand why.
The story is told in flashback, a Film Noir tradition. Bailey owns a gas station in a small California town. But he is a man with a past, a past that comes back to haunt him(as in Hemingway's "The Killers")
Bailey tells us that he was a detective in his previous life. He was hired by a gambler to find a girl who had stolen $40,000 from him. Bailey found the girl and the money , but love got in the way.
To reveal anymore of this convoluted plot would ruin it for those who have not had the pleasure of not seeing this masterpiece.
In addition to Mitchum, the rest of the cast excels as well. Jane Greer is the perfect Femme Fatal. Kirk Douglas is mean and sadistic as the gambler. Rhonda Fleming, Virginia Huston, Steve Brodie and Paul Valentine provide excellent support.(Greer and Valentine were in the 1985 remake "Against the Odds".
Jacques Tourneur one of the great Noir directors does a fine job with Daniel Mainwaring's story and script(using the pseudonym Geoffery Homes) and the Roy Webb music is the perfect compliment.
A lot of young talent went into the making of this classic. Many of the people involved went on to bigger and better things. It is easy to understand why.
¿Sabías que…?
- TriviaRobert Mitchum told Roger Ebert he smoked so much that when the camera was rolling and Kirk Douglas offered him a pack and asked, "Cigarette?" Mitchum, realizing he'd carried a cigarette into the scene, held up his fingers and replied, "Smoking." His improvisation saved the take and they kept it in the movie.
- ErroresLeonard Eels' apartment at 114 Fulton Street would be part of the block then occupied by the main branch of the San Francisco Public Library (now the Asian Art Museum).
- Versiones alternativasAlso available in a computer colorized version.
- ConexionesEdited into American Cinema: Film Noir (1995)
- Bandas sonorasThe First Time I Saw You
(uncredited)
Music by Nathaniel Shilkret
From The Toast of New York (1937)
Used as main theme in score
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Out of the Past
- Locaciones de filmación
- East side of Sonora Pass, California, Estados Unidos(Water fall and stream shot)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 37 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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