CALIFICACIÓN DE IMDb
8.0/10
38 k
TU CALIFICACIÓN
Un columnista de Broadway fuerza a un agente de prensa sin escrúpulos a romper la relación de su hermana con un músico de jazz.Un columnista de Broadway fuerza a un agente de prensa sin escrúpulos a romper la relación de su hermana con un músico de jazz.Un columnista de Broadway fuerza a un agente de prensa sin escrúpulos a romper la relación de su hermana con un músico de jazz.
- Dirección
- Guionistas
- Elenco
- Nominada a1 premio BAFTA
- 3 premios ganados y 3 nominaciones en total
Martin Milner
- Steve Dallas
- (as Marty Milner)
Chico Hamilton
- Self
- (as The Chico Hamilton Quintet)
Buddy Clark
- Self
- (as The Chico Hamilton Quintet)
Jay Adler
- Manny Davis
- (sin créditos)
Mary Bayless
- Bar Patron
- (sin créditos)
Nicky Blair
- Patron at Toots Shor's
- (sin créditos)
Nick Borgani
- Waiter
- (sin créditos)
Opiniones destacadas
The fact that in 1957 this film was made at all is proof that Walter Winchell's decline was already setting in. Burt Lancaster's J.J. Hunsecker based on Winchell and very frightening accurately portrays the columnist and the power he wielded.
For those who are interested in how Winchell got to where he was J.J. Hunsecker I would recommend Neal Gabler's biography of him which came out a few years ago. Sweet Smell of Success is the story of a day in the life of this monster who everyone on the planet it seems is terrified of offending. Like Winchell at the Stork Club, Hunsecker holds court like some monarch at a nightclub where people are obsequiously asking for some recognition in his column.
One of these is Sidney Falco, press agent and bootlicking dog extraordinaire. Hunsecker is mad at him because he sent him on an errand to break up a romance his younger sister is having with a jazz musician he doesn't approve of. The film is essentially Falco's attempts to carry out his master's wishes.
Burt Lancaster had already received critical acclaim as an actor, but this was a breakthrough role for Tony Curtis as Sidney Falco. Up to then Curtis was the handsome romantic lead in many lightweight films for his home studio of Universal. Sidney Falco was a lot of things, but heroic wasn't one of them. Next year Tony Curtis would get an Oscar nomination for The Defiant Ones. How Lancaster and Curtis were ignored by the Academy for nominations is beyond me.
The young lovers are Susan Harrison and Martin Milner. This was probably Marty Milner's finest screen role. As Lancaster was also the producer he personally cast Milner in the part having worked with him on Gunfight at the OK Corral. Susan Harrison strangely enough never had much of a career after a promising debut. She ultimately wreaks a terrible vengeance on one of our protagonists.
One of the ironic lines in the film is Lancaster saying that he'd fold up if he had to exist on a press agent's tidbits. But ironically that's how Winchell/Hunsecker did exist. Winchell had no real skill as a reporter as Gabler's biography pointed out. When the tidbits stopped, he dried up and blew away.
Sweet Smell of Success was a commercial flop, movie audiences did not take to the offbeat casting of the leads nor to the gritty realistic story. Today the film is a deserved classic.
For those who are interested in how Winchell got to where he was J.J. Hunsecker I would recommend Neal Gabler's biography of him which came out a few years ago. Sweet Smell of Success is the story of a day in the life of this monster who everyone on the planet it seems is terrified of offending. Like Winchell at the Stork Club, Hunsecker holds court like some monarch at a nightclub where people are obsequiously asking for some recognition in his column.
One of these is Sidney Falco, press agent and bootlicking dog extraordinaire. Hunsecker is mad at him because he sent him on an errand to break up a romance his younger sister is having with a jazz musician he doesn't approve of. The film is essentially Falco's attempts to carry out his master's wishes.
Burt Lancaster had already received critical acclaim as an actor, but this was a breakthrough role for Tony Curtis as Sidney Falco. Up to then Curtis was the handsome romantic lead in many lightweight films for his home studio of Universal. Sidney Falco was a lot of things, but heroic wasn't one of them. Next year Tony Curtis would get an Oscar nomination for The Defiant Ones. How Lancaster and Curtis were ignored by the Academy for nominations is beyond me.
The young lovers are Susan Harrison and Martin Milner. This was probably Marty Milner's finest screen role. As Lancaster was also the producer he personally cast Milner in the part having worked with him on Gunfight at the OK Corral. Susan Harrison strangely enough never had much of a career after a promising debut. She ultimately wreaks a terrible vengeance on one of our protagonists.
One of the ironic lines in the film is Lancaster saying that he'd fold up if he had to exist on a press agent's tidbits. But ironically that's how Winchell/Hunsecker did exist. Winchell had no real skill as a reporter as Gabler's biography pointed out. When the tidbits stopped, he dried up and blew away.
Sweet Smell of Success was a commercial flop, movie audiences did not take to the offbeat casting of the leads nor to the gritty realistic story. Today the film is a deserved classic.
The main characters in "Sweet Smell Of Success" are two of the most unpleasant, unprincipled and unsympathetic people imaginable. Both are utterly corrupt and would do whatever it takes to achieve their own perverse ends.
J J Hunsecker (Burt Lancaster) is a gossip columnist who wields enormous power in New York and has the ability to make or break the careers of anyone who features in his articles. He plies his vicious trade without any concern for those whose lives he damages and frequently influences people to do his bidding by threatening to expose some unflattering or scandalous information about them. Sidney Falco (Tony Curtis) is a press agent who makes his living by providing material for Hunsecker's column. When Hunsecker becomes unhappy about a relationship that has developed between his sister and a jazz guitarist, he orders Falco to do whatever's necessary to break them up. Hunsecker racks up the pressure on Falco by not accepting any of his contributions for the column until he succeeds in his mission.
Hunsecker's power and threatening manner preclude him from having any genuine or meaningful relationships with other people. He is unconcerned about this but has an unnaturally close relationship with his sister, who on various occasions, he describes as being all that he's got.
In his efforts to get a smear about the guitarist published, Falco threatens to blackmail one columnist by telling his wife about one of his indiscretions with a cigarette girl and also provides another columnist with an inducement to print the story by getting his girlfriend to prostitute herself. He later plants marijuana in the guitarist's pocket and tips off a corrupt police officer who has the guitarist arrested.
Hunsecker thrives on the amount of power and control that he is able to use and it's ironic that he has such a hard time using his power successfully in the area of his life which is most personal and important to him.
"Sweet Smell Of Success" is expertly directed by Alexander Mackendrick and the story and it's characters are considerably more original in nature than those found in the vast majority of movies. The dialogue is impressively incisive throughout and some of the remarks made by Hunsecker are delivered with great panache. When he says "I love this dirty town", the comment exemplifies what he's all about and also highlights the source of his power. His remarks that Falco is a "cookie full of arsenic" and "lives in moral twilight" are typical quick-fire put-downs. These and his "40 faces speech" could seem pretentious and contrived if uttered by some characters but sound perfectly credible when said by Hunsecker, who is clearly very literate and well practised in coining such bitter and brutal insults. Lancaster and Curtis both contribute exceptional performances which must rank among the greatest achieved in their illustrious careers.
J J Hunsecker (Burt Lancaster) is a gossip columnist who wields enormous power in New York and has the ability to make or break the careers of anyone who features in his articles. He plies his vicious trade without any concern for those whose lives he damages and frequently influences people to do his bidding by threatening to expose some unflattering or scandalous information about them. Sidney Falco (Tony Curtis) is a press agent who makes his living by providing material for Hunsecker's column. When Hunsecker becomes unhappy about a relationship that has developed between his sister and a jazz guitarist, he orders Falco to do whatever's necessary to break them up. Hunsecker racks up the pressure on Falco by not accepting any of his contributions for the column until he succeeds in his mission.
Hunsecker's power and threatening manner preclude him from having any genuine or meaningful relationships with other people. He is unconcerned about this but has an unnaturally close relationship with his sister, who on various occasions, he describes as being all that he's got.
In his efforts to get a smear about the guitarist published, Falco threatens to blackmail one columnist by telling his wife about one of his indiscretions with a cigarette girl and also provides another columnist with an inducement to print the story by getting his girlfriend to prostitute herself. He later plants marijuana in the guitarist's pocket and tips off a corrupt police officer who has the guitarist arrested.
Hunsecker thrives on the amount of power and control that he is able to use and it's ironic that he has such a hard time using his power successfully in the area of his life which is most personal and important to him.
"Sweet Smell Of Success" is expertly directed by Alexander Mackendrick and the story and it's characters are considerably more original in nature than those found in the vast majority of movies. The dialogue is impressively incisive throughout and some of the remarks made by Hunsecker are delivered with great panache. When he says "I love this dirty town", the comment exemplifies what he's all about and also highlights the source of his power. His remarks that Falco is a "cookie full of arsenic" and "lives in moral twilight" are typical quick-fire put-downs. These and his "40 faces speech" could seem pretentious and contrived if uttered by some characters but sound perfectly credible when said by Hunsecker, who is clearly very literate and well practised in coining such bitter and brutal insults. Lancaster and Curtis both contribute exceptional performances which must rank among the greatest achieved in their illustrious careers.
From the opening credits to the climatic ending, the scintillating dialogue and the magnetic performances from both Burt Lancaster and Tony Curtis this is Hollywood at its cerebral best. The king of the thinking mans cinema. Has better dialogue ever been written, the meetings between all the different characters that inhabit this world of shadows and intrigue, constantly draw the viewers attention to this masterpiece. When the so called film buffs compile there lists of the "best" films and so on, this should always be talked of in the top five and yet though recognised more as the years go by this is still a highly overlooked film. That Marlon Brando, De niro, Nicholson and the like should be recognised so often in said lists when Burt Lancaster in this film and in so many others has equalled or surpassed there best performances is a real scandal. Perhaps because this film strikes at the very heart of the establishment and shows the media and press up for the unscrupulous scum they are that this is one those fellows would like to forget. It is always difficult to look the truth of oneself in the mirror and this is one mirror the media should look very closely at. A masterpiece from Lancaster, who's courage never failed when making films and was always ready to tackle the kind of film making that lesser men would not have dared to, not to mention casting himself in a "bad guy" role that defied his heroic, handsome leading man status. Let us not forget that this is the same man who through out his life was never afraid to speak out on subjects that were important to him, a life long liberal and contemptuous of anyone who excepted limitation. I love this film and both Lancaster and the picture were far ahead of their time.
Another poster "stole" the one line summary I wanted to use: "Match me, Sidney." Damn. It's one of the best lines in the movie. Oh, well.
"Sweet Smell of Success" is a great, wildly entertaining movie. It reminds me of "Dangerous Liasons" in both it's subject ("bad" people making life worse for more decent folk) and how swiftly and imaginatively directed it is. It's juicy from beginning to end. Burt Lancaster is once again terrific as J.J. Hunsecker, Walter Winchell-esque writer of a "society" column which is more of a tool of destruction for those who cross his path.
But it's Tony Curtis who holds the movie together. Always scheming and plotting and never letting a decent human emotion take precedence over his drive to succeed at any cost. He's Marvelous and was never again to achieve what he did here.
But there's a third star to this production and it's New York City itself. The on location photography is stunning. What is amazing is that at the time the movie was made (1957) on location filming was just becoming "in vogue". For a film like this, it HAD to filmed on location or else it's power would be substantially diluted. I work in Manhattan near where a lot of this film was made (J.J. lives in the Brill Building which is on Broadway between 49th and 50th Streets, right around the corner from me). To see what the neighborhood looked like over 40 years ago is amazing. Surprisingly, it's the astonishing on site photography that prevents the film from really feeling dated. Also, the themes in the film are timeless as well.
"Sweet Smell of Success" is a classic from top to bottom.
"Sweet Smell of Success" is a great, wildly entertaining movie. It reminds me of "Dangerous Liasons" in both it's subject ("bad" people making life worse for more decent folk) and how swiftly and imaginatively directed it is. It's juicy from beginning to end. Burt Lancaster is once again terrific as J.J. Hunsecker, Walter Winchell-esque writer of a "society" column which is more of a tool of destruction for those who cross his path.
But it's Tony Curtis who holds the movie together. Always scheming and plotting and never letting a decent human emotion take precedence over his drive to succeed at any cost. He's Marvelous and was never again to achieve what he did here.
But there's a third star to this production and it's New York City itself. The on location photography is stunning. What is amazing is that at the time the movie was made (1957) on location filming was just becoming "in vogue". For a film like this, it HAD to filmed on location or else it's power would be substantially diluted. I work in Manhattan near where a lot of this film was made (J.J. lives in the Brill Building which is on Broadway between 49th and 50th Streets, right around the corner from me). To see what the neighborhood looked like over 40 years ago is amazing. Surprisingly, it's the astonishing on site photography that prevents the film from really feeling dated. Also, the themes in the film are timeless as well.
"Sweet Smell of Success" is a classic from top to bottom.
There are three reasons that movie fans should check this film out, if you haven't seen it yet:
1 - Outstanding dialog. I can't recall a film in which I heard so many clever film-noir lines as this one. Almost everyone in the movie has a unique way of expressing their feelings. It makes the movie one that you want to go back and HEAR again. Clifford Odets and Ernest Lehman wrote the screenplay and deserve special recognition as well as the people below.
2 - Fabulous acting, led by the two male leads: Tony Curtis and Burt Lancaster. Curtis is the star of the film with many more lines than anyone else, and many consider this to be his greatest acting achievement. I have no quarrel with that. It's one of the finest acting jobs I've ever witnessed by anyone. It's that good.
Lancaster is memorable and plays to his strengths as a tough guy, not only with his physical presence but his tactless and cutting verbal assaults. He has the best and most brutal lines in the film.
The minor characters in here, from the cop to the comedian to the cigarette girl to the young romantic couple are all top-notch.
3 - The cinematography. A big name in the film business, James Wong Howe, more than lives up to his reputation. This is beautifully photographed and looks absolutely stunning on DVD. I have watched hundreds and hundreds of black-and-white films and this ranks with the best of them. He captured nighttime New York City as well as anybody ever has done.
"Well," you might ask, "if this movie is so great, why haven't I heard more about it?"
Maybe because it never did well at the box office. It wasn't promoted a lot, from what I heard, and the storyline is not a pleasant one. Basically, this is about two immoral people who smear a nice guy so that it will ruin the romance between he and Lancaster's sister.
Lancaster plays an absolutely ruthless newspaper columnist who makes and breaks careers and Curtis plays his slimy press-agent who will do anything to please his powerful boss, including doing the worst of his dirty work.
Furrther details of the film can be read by many of the other fine reviewers here on this website, so no need to go into that.
I am not one who generally likes films that feature mostly nasty people but this was done so well that it fascinates me every time. A final tip of the hat to director Alexander Mackendrick. Why he wasn't given more films to direct is a mystery to me. Highly-recommended.
1 - Outstanding dialog. I can't recall a film in which I heard so many clever film-noir lines as this one. Almost everyone in the movie has a unique way of expressing their feelings. It makes the movie one that you want to go back and HEAR again. Clifford Odets and Ernest Lehman wrote the screenplay and deserve special recognition as well as the people below.
2 - Fabulous acting, led by the two male leads: Tony Curtis and Burt Lancaster. Curtis is the star of the film with many more lines than anyone else, and many consider this to be his greatest acting achievement. I have no quarrel with that. It's one of the finest acting jobs I've ever witnessed by anyone. It's that good.
Lancaster is memorable and plays to his strengths as a tough guy, not only with his physical presence but his tactless and cutting verbal assaults. He has the best and most brutal lines in the film.
The minor characters in here, from the cop to the comedian to the cigarette girl to the young romantic couple are all top-notch.
3 - The cinematography. A big name in the film business, James Wong Howe, more than lives up to his reputation. This is beautifully photographed and looks absolutely stunning on DVD. I have watched hundreds and hundreds of black-and-white films and this ranks with the best of them. He captured nighttime New York City as well as anybody ever has done.
"Well," you might ask, "if this movie is so great, why haven't I heard more about it?"
Maybe because it never did well at the box office. It wasn't promoted a lot, from what I heard, and the storyline is not a pleasant one. Basically, this is about two immoral people who smear a nice guy so that it will ruin the romance between he and Lancaster's sister.
Lancaster plays an absolutely ruthless newspaper columnist who makes and breaks careers and Curtis plays his slimy press-agent who will do anything to please his powerful boss, including doing the worst of his dirty work.
Furrther details of the film can be read by many of the other fine reviewers here on this website, so no need to go into that.
I am not one who generally likes films that feature mostly nasty people but this was done so well that it fascinates me every time. A final tip of the hat to director Alexander Mackendrick. Why he wasn't given more films to direct is a mystery to me. Highly-recommended.
¿Sabías que…?
- TriviaPublicity materials for the film noted cinematographer James Wong Howe spread a film of Vaseline on Lancaster's glasses to create a shine and make his stare more menacing.
- Errores(at around 2 mins) When Sidney peruses J.J. Hunsecker's 'The Eyes of Broadway' column on page 21 of the New York Globe newspaper, it can be seen that several of the paragraphs are repeated. Of the nine paragraphs visible, it can be seen that paragraph 7 is an exact copy of paragraph 2; 8 is a copy of 5, and 9 is a copy of 4.
- Citas
J.J. Hunsecker: I'd hate to take a bite outta you. You're a cookie full of arsenic.
- Créditos curiososintroducing Susan Harrison
- ConexionesFeatured in Mackendrick: The Man Who Walked Away (1986)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Sweet Smell of Success
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 3,400,000 (estimado)
- Total a nivel mundial
- USD 8,025
- Tiempo de ejecución1 hora 36 minutos
- Color
- Relación de aspecto
- 1.66 : 1(original ratio)
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