CALIFICACIÓN DE IMDb
7.6/10
5.6 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaA talented boxer's young career hits difficult terrain when an unethical promoter takes interest in him.A talented boxer's young career hits difficult terrain when an unethical promoter takes interest in him.A talented boxer's young career hits difficult terrain when an unethical promoter takes interest in him.
- Dirección
- Guionista
- Elenco
- Ganó 1 premio Óscar
- 3 premios ganados y 4 nominaciones en total
Lloyd Gough
- Roberts
- (as Lloyd Goff)
Larry Anzalone
- Fighter Being Knocked Out
- (sin créditos)
Al Bain
- Club Patron
- (sin créditos)
Steve Benton
- Fight Spectator
- (sin créditos)
Eddie Borden
- Fight Spectator
- (sin créditos)
Paul Bradley
- Fight Spectator
- (sin créditos)
James Burke
- Arnold
- (sin créditos)
George M. Carleton
- Prizefight Doctor
- (sin créditos)
James Carlisle
- Fight Spectator
- (sin créditos)
Steve Carruthers
- Dancer at After-Fight Party
- (sin créditos)
Wheaton Chambers
- Ben's Doctor
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This boxing picture deals with the seedier side of the business; (is there any other?). It helps that it was written by Abraham Polonsky whose script is suitably cynical and hard-boiled. John Garfield is the pugnacious fighter easily swayed by the prospects of easy money and not adverse to taking a dive. It's a fine, hard-nosed performance. Garfield was always at his best in roles that required him to battle with his conscience.
The whole movie is well cast. The under-rated Lilli Palmer is fine as the 'nice' girl who loves him as is Hazel Brooks as the 'bad' girl who seduces him while the villains are ably taken care of by Lloyd Gough and William Conrad. Best of all there is Anne Revere as Garfield's mother. (Did Revere play everybody's mother movies?). It's another of her no-nonsense roles. Revere was one tough cookie who kept her heart of gold well-hidden. The climatic fight scene is very well staged and Robert Parrish and Frances Lyon's editing won the Oscar while James Wong Howe's cinematography adds considerably to the realism.
The whole movie is well cast. The under-rated Lilli Palmer is fine as the 'nice' girl who loves him as is Hazel Brooks as the 'bad' girl who seduces him while the villains are ably taken care of by Lloyd Gough and William Conrad. Best of all there is Anne Revere as Garfield's mother. (Did Revere play everybody's mother movies?). It's another of her no-nonsense roles. Revere was one tough cookie who kept her heart of gold well-hidden. The climatic fight scene is very well staged and Robert Parrish and Frances Lyon's editing won the Oscar while James Wong Howe's cinematography adds considerably to the realism.
I always thought that John Garfield was one of the most under-rated of actors; he made some great films - and this is one of them. He is the down at heel, amateur boxer "Charley" who lives with his decent and upstanding mother "Anna" (Anne Revere) pretty much hand to mouth. When he wins an amateur bout, promoter "Quinn" (William Conrad) picks him up and starts him earning a little from his fights. Accompanied by his friend "Shorty" (Joseph Pevney) and his gal "Peg" (Lilli Palmer) he starts to attract attention, and when the big time looms he agrees a deal with "Roberts" (Lloyd Goff) and suddenly finds that his standards of morality and decency start to become compromised. His new found mentor is ruthless and his friends are gradually marginalised or ignored. Can a tragedy very close those to home open his eyes? This is a great story of grit and determination, of love, loyalty and manipulation and Robert Rossen keeps the pace moving really well. The cast is small, and the story tightly woven around some strong characters and a moral many can easily understand - money being the root of all evil, however well intentioned the earning of it. It's well scored and the production is photographed cleverly, at times intimately, making for a superior tale well worth watching.
One especially noteworthy aspect of this movie is the character of Ben Chaplin, played by the criminally underappreciated African American actor Canada Lee. A trademark of Lee's few but memorable screen roles is how his characters transcend the racial stereotypes of the day (see also his role in "Lifeboat"). Where Chaplin is black, his race is never mentioned, and is never even made an issue. There's no assumption of deferrence to the white characters. He is treated as an equal, which, especially for 1947, is an amazing breakthrough.
The other strengths of the movie, particularly Garfield's performance and James Wong Howe's cinematography, have been duly mentioned in other posts.
The other strengths of the movie, particularly Garfield's performance and James Wong Howe's cinematography, have been duly mentioned in other posts.
In many ways, 'Body and Soul' is a very typical Hollywood story. It has the 'local boy makes it big', the 'vamp and the virgin', the 'corrupt businessmen' and of course the final moral fight. However, James Wong Howe's brilliant cinematography and John Garfield's solid acting lift this movie above the norm. Every emotion is heart-felt, and the tension at the end is perfectly presented. One of the best boxing movies.
A vintage tale of corruption in boxing world with a fine message and nice production design. A kind young boxer called Charlie Davis (John Garfield) living in poor conditions attempts to carry out a boxing career . As Garfield is a Jewish boxer whose mother (Anne Revere) wants him to quit the ring and get an education. Instead, he rises quickly to the world championship , thanks in part to a mobster protector . Along the way , he becomes involved with an unethical gangster promoter (Lloyd Gough) and falls in love for a good girl (Lilli Palmer) and a bad girl (Hazel Brooks) . Depicting the triumphs and misfortunes in the seedy world of the professional boxing . It details the story of a fighter who'll do anything to get to the top and does , with tragic results . As the good boxer with a certain ambition has to fight against nasty people , cheats and corruption in politics .
One of the best boxing movies ever , and almost impressionistic in its development , as it contains a thoughtful and thought-provoking approach . A classic Forties' boxing film that defines deeply the genre . Resulting in a well made , grim and stunning drama , adequately photographed by James Wong Howe , evocative musical score by Hugo Friedhofer , magnetically interpreted and dynamically directed . This is an allegorical work that covers everything from the importance of honor personal to fight for life . It displays stark realism with appropriate boxing combats and intense drama including top-notch performance. John Garfield gives his best acting , he has a perfect character as the pugilist starring who becomes involved with crime and corruption in his quest to box his way out his ghetto environment . Being accompanied by a very fine cast , such as : Lilli Palmer , Hazel Brooks , Anne Revere , William Conrad , Joseph Pevney , Lloyd Gough and special mention mention for Canada Lee as an injured boxer with cerebral damage. Although many of whose participants were to fall foul of the House UnAmerican Activities Committee within the ensuing few years . The picture had many imitators but few peers . Remade in 1981 by George Bowers with Leon Isaac Kennedy , Peter Lawford, Muhammad Ali , Perry Lang .
This 1947 gem was competently directed by Robert Rossen and attractive script by the black-listed Abraham Polonsky . This is a great film by a stunning filmmaker , Robert Rossen , who delivers an exciting rematch that artfully milks it for all it's worth. Rossen was a pretty good film writer by writing a lot of interesting and notorious storylines for prestigious directors and he also made a few important pictures , such as : ¨Lilith¨, ¨They came to Cordura¨, ¨Island in the sun¨, ¨Alexander Magno¨ , ¨Mambo¨, ¨The Brave Bulls¨ , ¨All the King's Men¨, ¨Johnny O'Clock¨. Rating : 7.5/10. Better than average . Worthwhile watching .
One of the best boxing movies ever , and almost impressionistic in its development , as it contains a thoughtful and thought-provoking approach . A classic Forties' boxing film that defines deeply the genre . Resulting in a well made , grim and stunning drama , adequately photographed by James Wong Howe , evocative musical score by Hugo Friedhofer , magnetically interpreted and dynamically directed . This is an allegorical work that covers everything from the importance of honor personal to fight for life . It displays stark realism with appropriate boxing combats and intense drama including top-notch performance. John Garfield gives his best acting , he has a perfect character as the pugilist starring who becomes involved with crime and corruption in his quest to box his way out his ghetto environment . Being accompanied by a very fine cast , such as : Lilli Palmer , Hazel Brooks , Anne Revere , William Conrad , Joseph Pevney , Lloyd Gough and special mention mention for Canada Lee as an injured boxer with cerebral damage. Although many of whose participants were to fall foul of the House UnAmerican Activities Committee within the ensuing few years . The picture had many imitators but few peers . Remade in 1981 by George Bowers with Leon Isaac Kennedy , Peter Lawford, Muhammad Ali , Perry Lang .
This 1947 gem was competently directed by Robert Rossen and attractive script by the black-listed Abraham Polonsky . This is a great film by a stunning filmmaker , Robert Rossen , who delivers an exciting rematch that artfully milks it for all it's worth. Rossen was a pretty good film writer by writing a lot of interesting and notorious storylines for prestigious directors and he also made a few important pictures , such as : ¨Lilith¨, ¨They came to Cordura¨, ¨Island in the sun¨, ¨Alexander Magno¨ , ¨Mambo¨, ¨The Brave Bulls¨ , ¨All the King's Men¨, ¨Johnny O'Clock¨. Rating : 7.5/10. Better than average . Worthwhile watching .
¿Sabías que…?
- TriviaTo get a more fluid camera movement in the boxing ring, cinematographer James Wong Howe filmed the fight while holding the camera and being pushed by an assistant wearing roller skates.
- ErroresThe story takes place in the early to mid-1930s, but all of the women's hair styles and costumes are strictly 1947, as are the fashion design sketches in Peg's apartment.
- Citas
Charlie Davis: Get yourself a new boy. I retire.
Roberts: What makes you think you can get away with this?
Charlie Davis: What are you gonna do? Kill me? Everybody dies.
- ConexionesFeatured in Jimmy Hollywood (1994)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Body and Soul?Con tecnología de Alexa
Detalles
- Tiempo de ejecución
- 1h 44min(104 min)
- Color
- Relación de aspecto
- 1.37 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta