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Vidocq, el bribón de París

Título original: A Scandal in Paris
  • 1946
  • Approved
  • 1h 40min
CALIFICACIÓN DE IMDb
6.5/10
1.3 k
TU CALIFICACIÓN
George Sanders, Signe Hasso, and Carole Landis in Vidocq, el bribón de París (1946)
Official Trailer
Reproducir trailer0:58
1 video
89 fotos
AdventureComedyCrimeRomance

Nacido en una prisión francesa en 1775, François Eugène Vidocq se convierte en ladrón profesional y más tarde es nombrado jefe de la policía parisina.Nacido en una prisión francesa en 1775, François Eugène Vidocq se convierte en ladrón profesional y más tarde es nombrado jefe de la policía parisina.Nacido en una prisión francesa en 1775, François Eugène Vidocq se convierte en ladrón profesional y más tarde es nombrado jefe de la policía parisina.

  • Dirección
    • Douglas Sirk
  • Guionistas
    • Ellis St. Joseph
    • Eugène-François Vidocq
  • Elenco
    • George Sanders
    • Signe Hasso
    • Carole Landis
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.5/10
    1.3 k
    TU CALIFICACIÓN
    • Dirección
      • Douglas Sirk
    • Guionistas
      • Ellis St. Joseph
      • Eugène-François Vidocq
    • Elenco
      • George Sanders
      • Signe Hasso
      • Carole Landis
    • 26Opiniones de los usuarios
    • 28Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    A Scandal in Paris
    Trailer 0:58
    A Scandal in Paris

    Fotos89

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    Elenco principal25

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    George Sanders
    George Sanders
    • Eugéne François Vidocq
    Signe Hasso
    Signe Hasso
    • Therese De Pierremont
    Carole Landis
    Carole Landis
    • Loretta de Richet
    Akim Tamiroff
    Akim Tamiroff
    • Emile Vernet
    Gene Lockhart
    Gene Lockhart
    • Prefect of Police Richet
    Alma Kruger
    Alma Kruger
    • Marquise De Pierremont
    Alan Napier
    Alan Napier
    • Houdon De Pierremont
    Jo Ann Marlowe
    Jo Ann Marlowe
    • Mimi De Pierremont
    Vladimir Sokoloff
    Vladimir Sokoloff
    • Uncle Hugo
    Pedro de Cordoba
    Pedro de Cordoba
    • Priest
    Leona Maricle
    Leona Maricle
    • Owner of Dress Shop
    Fritz Leiber
    Fritz Leiber
    • Painter
    Skelton Knaggs
    Skelton Knaggs
    • Cousin Pierre
    Fred Nurney
    Fred Nurney
    • Cousin Gabriel
    Gisela Werbisek
    Gisela Werbisek
    • Aunt Ernestine
    • (as Gisella Werbiseck)
    Marvin Davis
    • Little Louis
    Barbara Bates
    Barbara Bates
    • Girl by Pool
    • (sin créditos)
    George Bruggeman
    George Bruggeman
    • Stage Show Spectator
    • (sin créditos)
    • Dirección
      • Douglas Sirk
    • Guionistas
      • Ellis St. Joseph
      • Eugène-François Vidocq
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios26

    6.51.3K
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    Opiniones destacadas

    dbdumonteil

    A "Vidocq" not like the other ones...

    How many "Vidocq" versions are there ? Probably more than you'd want to see.The last one was released a couple of years ago (feat Depardieu) and was a commercial and artistic flop.French versions galore are up for grabs including a miniseries in the sixties.

    This American version of the thief-turned -cop is a different matter cause it is probably as far as the real life character as it can be.George Sanders' suave portrayal is actually close to Arsene Lupin the French gentleman-burglar invented by Maurice Leblanc.After all Detlef Sierck (Douglas Sirk) was European .Aunt Ernestine is some kind of equivalent of Lupin's old nanny Victoire.The parallel with Saint George and the dragon is a good idea ,when a man has actually to fight against himself on the way to redemption.

    The film is highly praised in Vidocq's native France:Jacques Lourcelles writes that ,"lost in Hollywood ,Sirk is at home again in an old tale of good old Europa.

    I must confess I find "scandal in Paris" a bit cold and sometimes dull and I like Sirk best in his "Melodrames Flamboyants".
    7arthur_tafero

    Sanders at Top of Game - A Scandal in Paris

    I love George Sanders; he is actually my favorite actor of all time; and that is quite a list I have. His droll, sarcastic delivery made even the most mundane line of dialogue crackle with wit. There has not been an actor before or since who could do romantic comedy or even romantic drama as well. Cary Grant came close, as did Errol Flynn, but they both took a back seat to Sanders. There is no such thing as a romantic lead that could hold up against him; no female actress could come close to his delivery of lines. Bette Davis was about as close to him as any great actress could get; but even she paled in comparison when he was delivering lines on the big screen. This silly story of the 18th century France could have been set in any century or time period and Sanders would still have made it work. The rest of the characters are quite forgettable, but people will remember this film just for Sanders.
    trpdean

    Very good, funny, far better than expected

    I was already a fan of George Sanders - but this film really gives him the witty language that he can spin under his breath better than any actor in movies. The story itself is far more interesting in its twists and turns than expected. Listen carefully - and you hear real style and imagination.
    6ldeangelis-75708

    Good Entertainment

    Romanticized and not entirely historically accurate, but nevertheless an entertaining movie about Eugene Francois Vidocq, (based on his memoirs, which were probably not entirely accurate either) who goes from thief to Chief of Police in Paris, with quite a lot of adventure in between. (there's a funny scene where he's posing in armor on a horse, for a portrait of St. George, then steals the horse and runs off, later committing another theft by stealing a bejeweled garter from a lovely singer/gold digger, played by Carole Landis. Meanwhile, his portrait is admired by Theresa (Signe Hasso), granddaughter of the Marquise de Pierremont, who soon falls for the real man.

    There's a couple of touching scenes. In one, Eugene tells Teresa the difference between her and Loretta, is that in Loretta's eyes he sees the man he is, but in Theresa's, he sees the man he could be. In another, Theresa steals some jewelry (ones that will belong to her anyway) to let him know that she'll love him no matter what, and wants to be part of his life, even if it means becoming like him.

    I won't give away any more details, except to say that Jo Ann Marlowe gives a great performance as Theresa's precocious little sister, who tells Eugene she knew all about him from the start.

    A fun movie!
    10broadway_melody_girl

    Very witty, Lubitsch-like comedy from Sirk

    This film is excellent! I don't understand why anyone would call this the "nadir" of Sirk's career, as it is far more intelligent than any of Sirk's famous melodramas. While I enjoy those films, this remains my favorite Sirk picture. The story chronicles the misadventures of pretty rascal turned gentleman thief, Eugene Vidocq, played by the eternal screen cad George Sanders. This is one of Sanders' best caddish roles, as he sidles around chateaux and graveyards, uttering lines such as "sometimes the chains of marriage as so heavy they must be carried by three". In addition to the witty, frothy humour, there is a dark undercurrent to the film that is evidenced in its noirish photography and the amorality of the lead characters. High recommended to fans of Old Hollywood who enjoy the more eclectic films of that period!

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    Argumento

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    • Trivia
      The real Francois-Eugene Vidocq, 1775 to 1857, was born and died in Paris. He was an adventurer and a brash youth who spent time in frequent jail sentences, mostly for petty thefts. He served admirably in the army and fought in early battles of the Revolutionary Wars in 1792. He was hired by the government in 1809 for his experience and knowledge of crime, and helped create the security police (Police de Sûreté) in France. In 1832 he was fired for allegedly planning a theft, and he set up the very first private police agency. That became the model for modern private detective firms. He is considered by historians to be the "father" of modern criminology and is credited with the introduction of undercover work, ballistics, criminology and a record-keeping system to criminal investigation. He made the first plaster cast impressions of shoe prints. He created indelible ink and unalterable bond paper with his printing company to combat forgery. Several books, including Mémoires de Vidocq (1828-1829), Les Voleurs (1837), and Les Vrais Mystères de Paris (1844), were published under his name but may have been ghost-written by others. In later life, Vidocq published two volumes of his memoirs. According to the Encyclopedia Britannica, he was friends with several leading authors of the day - Hugo, Balzac, Dumas and others.
    • Errores
      Vidocq is seen reading the memoirs of Casanova at the time of Napoleon's Egyptian campaign (1798-1801). The memoirs were not published until 1822.
    • Citas

      Eugéne François Vidocq: Sometimes the chains of matrimony are so heavy they have to be carried by three.

    • Créditos curiosos
      [prologue] Vidocq, Eugene Francois, born 1775, spent the first thirty years of his life in every kind of villainy, probably as a preparation for the work of detecting criminals which was to occupy the remainder of his life. He published two volumes of what purported to be the true history of his adventurous career...Encyclopedia Britannica.
    • Conexiones
      Referenced in Le cavalier de Croix-Mort (1948)
    • Bandas sonoras
      Flame Song
      Music by Hanns Eisler

      Lyrics by Paul Francis Webster

      Sung by Carole Landis

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    Preguntas Frecuentes14

    • How long is A Scandal in Paris?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 25 de diciembre de 1946 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • A Scandal in Paris
    • Locaciones de filmación
      • Hollywood, California, Estados Unidos
    • Productora
      • Arnold Pressburger Films
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 40 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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