Siempre en mi corazón

Barbara Stanwyck and Otto Kruger star in "Ever in My Heart," a 1933 film directed by Archie Mayo and also starring Ralph Bellamy.

Stanwyck plays Mary Archer, who, in 1909, falls in love with a young German, Hugo Wilbrandt (Otto Kruger), a friend of her cousin Jeff (Ralph Bellamy). They get married right away and settle down, and eventually have a baby boy. Hugo proudly becomes an American citizen.

Tragedy strikes the couple. When World War I occurs, the anti-German sentiment forces Hugo out of his teaching job and unable to find any other work. Mary's family wants them to move back in with them, but they want Hugo to change his name, which he won't do.

He talks Mary into staying with them, saying he will join her in a week. He doesn't; he turns his back on America and returns to Germany to fight the war with the Germans.

Mary divorces Hugo and later goes overseas to work for the war effort. There, she runs into Hugo.

I knew the plot of this film, but there were elements of it that I did not know, so I found the film even more profoundly depressing than I expected.

Barbara Stanwyck is wonderful, going from a fresh, young, happy woman to one who has to endure horrible sadness. Otto Kruger is very effective as well, but this is really Stanwyck's film. She'll break your heart.

Beautifully done film, but be prepared!

Ever in My Heart (1933)

*** (out of 4)

Surprising powerful and effective drama from Warner has Otto Kruger playing Hugo Wilbrandt, a German man who comes to live in New England where he's accepted into American society and eventually marries Mary Archer (Barbara Stanwyck), a woman from a proud American family. All is well for the couple and their young son until WWI breaks out and soon they find themselves subject to many who now can't accept their ties to Germany. There's no question that this was made on the budget of a "B" movie but at the same time you can tell that the studio, directors, actors and writers cared so much about the subject and every inch of the film bleeds a certain love that you can't help but get caught up in their story, feel the pain of the family and at times breathe a bit of hatred for those treating the family in such a bad way. It's funny to think that at one time filmmakers were ripped apart for showing any type of sympathy towards the German people but I guess after ALL QUIET ON THE WESTERN FRONT, filmmakers were allowed to show things differently. It's funny that this movie tries to show the evils of what some Americans did while back in the days that this story actually took place Hollywood were turning out all sorts of propaganda, which probably helped fuel the fire of many Americans. With that said, this is an extremely powerful movie at times and this is especially true in a couple scenes that once you see you'll unlikely to ever forget. I'm not going to directly spoil either one of them but one happens with Kruger in bed with his son and the other happens at the end. Both are so true in their emotions that you're rather shocked to see the filmmakers be brave enough to show them. The performances are certainly a major plus with Kruger turning in one of the best performances I've seen from him. He was always a great character actor but he really shines in the leading role here. I always say being able to act with your eyes is a very difficult thing to do but I was constantly watching Kruger's eyes, which said so much during the various important parts of the film. Stanwyck is also extremely good in her role of the wife who finds your life falling apart when just months before it was perfect. The supporting cast includes nice work by the always reliable Ralph Bellamy and Ruth Donnelly is good as the housekeeper. EVER IN MY HEART lasts just under 70- minutes and one would think that wouldn't be enough time to really get deep into the serious subject matter but it actually works out perfectly because the mind frames of people in this country turned on a dime back when the war started and I think the film, running as fast as it does, did a terrific job showing this.

The First World War saw the debut not only of new military technology, but also new weapons of psychological warfare. It was the first war fought with means of mass persuasion as well as mass production. To get the American public in the proper fighting spirit for their inevitable entry into the war, the authorities deliberately and uncritically passed along British propaganda which wildly exaggerated or just plain fabricated German atrocities. (Sadly for all concerned, real German acts of brutality, especially in the conquered Low Countries, gave this propaganda an air of plausibility.)

It's unfortunate that, given its time and circumstances, this movie can only hint at the pervasive ugliness of these manufactured images of the gleefully nun-raping, baby-bayoneting "Bestial Hun", and the vicious persecution it inspired against German immigrants.

Though the glimpses it does show are often harrowing, as the story tracks the collapse of the blissful marriage between a professor (Otto Kruger) from Germany who teaches at a small college, and his American wife (Barbara Stanwyck), under the pressure of the growing hatred and intolerance they face from almost everyone around them. Even if the plot's predictable and the final twist is pretty contrived, and with few exceptions the acting and direction are about what you'd expect from a time when talking pictures were only four years old, I still have to give Warner Brothers some credit simply for having made a film -- even a low-budget "weeper" like this -- showing at least in some small way how war can corrode our humanity on the home front, too.

The other major thing this picture has going for it from my point of view is, of course, Barbara Stanwyck: In the moments when she subtly transcends what could otherwise have been just another mawkish, pedestrian melodrama, you can clearly see a great actress who's just beginning to hit her stride. She even manages to make the somewhat over-the-top final moments watchable, if not quite believable.

Barbara Stanwyck, the gal who could play any role, is American Mary Archer, who is fawning over her cousin "Jeff" (Ralph Bellamy), until she meets the dashing German Hugo Wilbrant (Otto Kruger). They get married, and soon Germany is invading countries during WW I , which causes turbulence and troubles for the married couple and their family.

Its a shortie, at 68 minutes. I had seen Stanwyck in Ten Cents a Dance in 1931, and in that one, she was still very much a young girl, in style and appearance; in this film "Ever in my Heart", even though only two years has gone by, she is much more grown up, in looks and in sophistication. Too bad Donald Meeks scenes were deleted - he would have spiced up the plot, which could use some humor, with more than its share of sadness. Interesting scene where the little old ladies in the sewing circle giggle and gasp over the horrible things the enemy does to captured prisoners. Technically, the acting and story here are just fine, and I guess the plot would soon be a current event again with the coming of WW II, much less still be an issue with world events going on today. Producer Hal Wallis and Archie Mayo (director) would make eleven movies together in the 1930s.

TCM showed this film and I saved it on my DVR for later viewing. Barbara Stanwyck, World War I, Germans and throw in mystery...sounded like a good old war themed movie. Turns out it was a movie that could have only been made around 1933. It was sandwiched just right between the two World Wars to deal with the issues in the film. It showed the life of a German who married an American in the years before the Great War. Later in the film the War became a major focus and impact upon his life and his family. My grandfather was of German heritage. He was born in the US but both his parents were from Germany. When he became of age he attempted to enlist in WW I but was turned down because he was 'German'. Didn't matter that his family had arrived before the Civil War and had fought for the Union. When my family finished viewing this film we all thought - this film is 'different'. The theme was not something I was expecting and not something I had every seen in other films. A young Barbara Stanwyck was a bonus. Worth watching if you enjoy older films.