CALIFICACIÓN DE IMDb
6.1/10
3.4 k
TU CALIFICACIÓN
Una biografía ficticia del compositor Cole Porter desde sus días en Yale en la década de 1910 hasta la cima de su éxito en los años 40.Una biografía ficticia del compositor Cole Porter desde sus días en Yale en la década de 1910 hasta la cima de su éxito en los años 40.Una biografía ficticia del compositor Cole Porter desde sus días en Yale en la década de 1910 hasta la cima de su éxito en los años 40.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 2 nominaciones en total
Opiniones destacadas
If you want a biography of Cole Porter you better go to the library, you won't find it here. This is a highly entertaining but strictly fictional version of his life--played by no less than Cary Grant, in his usual debonair style, perhaps just a shade understated so as to appear more like Porter. Whatever, he's still Cary Grant (playing himself in a minor key) and since the music is what makes this film tick, you'll forgive whatever liberties the scriptwriters have taken. It all looks wonderful in glowing technicolor.
Alexis Smith never was able to make a warm presence on the screen despite her talent and striking good looks. She seems even more remote here as the woman Porter woos and marries. Monty Woolley has a fine time playing himself. The musical moments are handled nicely by some talented people: Ginny Simms, Eve Arden, Jane Wyman and Mary Martin doing her "My Heart Belongs to Daddy" routine. All of the Porter standards are nicely done.
Interesting tidbit: Was Oscar nominated for "Best Scoring of a Musical" but lost to "The Jolson Story".
Relaxing entertainment. Just don't expect a truthful bio.
Alexis Smith never was able to make a warm presence on the screen despite her talent and striking good looks. She seems even more remote here as the woman Porter woos and marries. Monty Woolley has a fine time playing himself. The musical moments are handled nicely by some talented people: Ginny Simms, Eve Arden, Jane Wyman and Mary Martin doing her "My Heart Belongs to Daddy" routine. All of the Porter standards are nicely done.
Interesting tidbit: Was Oscar nominated for "Best Scoring of a Musical" but lost to "The Jolson Story".
Relaxing entertainment. Just don't expect a truthful bio.
Good musical that could have been even better if it had better editing.Starts slow and then builds momentum.The directing style was inconsistent where in there are scenes that are top quality and then there are scenes that are just done in a rushed and sloppy way which is weird because those bungled scenes are those that are easily done.Despite these faults,the MUSIC here to any big music fan will certainly encourage you to forgive and enjoy.Grant is very stiff here but this is due to his capturing Porter's mannerisms.The biography is toned down/adjusted to Porter's version for the mainstream audience,so if one really wishes to dig into his real life which is very x-rated stuff,read his bio books instead.The production of this film coupled with it's great music will be great for one who wants uncontroversial musical entertertainment.I love the 1940's color technique here too.Only for early 2oth century POP music fans and big fans of the lead actors......
Thanks to the TCM channel, we can easily view old classics like this. Although nicely shot in Technicolor, the print is just a shade pastel, and looks better with the TV's color cranked up just a little bit. The movie starts in 1914, with Porter at Yale and already writing songs, even though he was a law student. However, at Christmas break, after he told his mother that he wasn't going back, he was going to focus on writing music instead, 'Oh, I could be a lawyer, but not a very good one. When I look at a lawbook I think of a song. When I read a legal case, I hear a melody.' Like almost any biographical movie, certain parts are fictionalized, and many things have to be left out. But this movie gives us the pleasure of many Cole Porter classics and a glimpse into the man behind the songs. A good movie for anyone who is a fan of Porter's, or American musical history in general.
Cary Grant was 41/42 when this was filmed, so it is a bit of a stretch imagining him, in the beginning, as a college student. This movie came out the same year (1946) as 'Notorious', and one year before one of my favorite Cary Grant movies, where he plays an angel in 'The Bishop's Wife (1947).'
Cary Grant was 41/42 when this was filmed, so it is a bit of a stretch imagining him, in the beginning, as a college student. This movie came out the same year (1946) as 'Notorious', and one year before one of my favorite Cary Grant movies, where he plays an angel in 'The Bishop's Wife (1947).'
I enjoyed seeing Cary Grant in a movie that I had not seen this movie before. I noticed a lot of good actors as well. I understand Cole Porter wished Cary Grant to be cast to play the famous composer. It's impossible to anticipate if you will like this movie, those who wish to be more critical always find fault in every movie, but fans of Cary Grant, Cole Porter, and the many other fine actors found in this movie may be quite happy watching it. I recommend watching it to judge for yourself. You will find Monty Woolley, whose fine personality is not in enough films. Always beautiful Alexis Smith is never more beautiful. Jane Wyman plays a substantial role worth viewing. Keep an open mind and enjoy the movie!
After suffering through "Delovely", I had to feel good again about Cole Porter's music. Where Delovely focuses on Porters Homosexuality, a subject that Night and day ignores, Night and day performs his music in brilliant fashion. Forget the corny fictionalized screenplay and just sit back and enjoy:
Mary Martins version of My Heart Belongs to Daddy.
Cary Grant singing "Your The Tops".
Cole Porter's stirring "Night and Day", "Begin the Beguine". A song that Delovely totally butchers.
"It was Just One of Those Things" The Haunting "In the Still of the Night"
And so many more.
This is strictly for Cole Porter's music. If your interested in how he enjoyed his spare time, Delovey is for you. For me, I just enjoy his music.
Mary Martins version of My Heart Belongs to Daddy.
Cary Grant singing "Your The Tops".
Cole Porter's stirring "Night and Day", "Begin the Beguine". A song that Delovely totally butchers.
"It was Just One of Those Things" The Haunting "In the Still of the Night"
And so many more.
This is strictly for Cole Porter's music. If your interested in how he enjoyed his spare time, Delovey is for you. For me, I just enjoy his music.
¿Sabías que…?
- TriviaAfter attending the premiere of the film, Cole Porter supposedly remarked to his wife, Linda, "if I could survive that, I can survive anything."
- ErroresWhen in England, there are street performers singing "Rosalie". The accordion player's hands never press the keys; in fact, his right hand is static throughout the whole scene.
- Citas
Monty Woolley: Haven't you ever wanted to be alone?
Gracie Harris: Yes, but with somebody.
- ConexionesEdited from No me acorrales (1945)
- Bandas sonorasNight and Day
(1932) (uncredited)
Written by Cole Porter
Played during the opening credits and often in the score
Sung by Bill Days
Reprised by passengers on a train
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Night and Day?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Night and Day
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 4,445,000 (estimado)
- Tiempo de ejecución
- 2h 8min(128 min)
- Relación de aspecto
- 1.37 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta