La mansión de Drácula

It is an open house for the Frankenstein monster, Dracula, and the wolfman again in this follow-up to House of Frankenstein, again directed by Erle C. Kenton. Though not as polished and exciting as HOF, House of Dracula is by no means a disappointment. This time round a kindly doctor played by Onslow Stevens agrees to help not only Dracula with blood transfusions and the like but also Larry Talbot, played again by Lon Chaney. Assisted by his hunchbacked nurse, nicely played by Jane Adams, and his other nurse, the luscious Martha O'Driscoll, Stevens works hard to help both monsters with success and failure. John Carradine again plays Dracula, and he is enigmatic. The story deals mostly again with helping Talbot fight the curse of the full moon. Dracula's role is larger here than in HOF, and Carradine plays the vampire with subtlety. Glenn Strange is back as the monster, but his part is smaller than it was in HOF. As with most of Universal's horror pictures, there is a generous dose of eerie settings and dark atmospheres. A lot of fun!

MORD39 RATING: **1/2 out of ****

HOUSE OF DRACULA is a small notch below the previous HOUSE OF FRANKENSTEIN, mostly because the novelty of the three monsters theme feels repetitive. Just the same, it's much fun and a fitting conclusion to the "serious" monster pictures in a beloved series.

John Carradine is capable again as Dracula, but Lon Chaney's Wolfman stint is really automatic by now. Once again, Glenn Strange is an impressive Frankenstein Monster, albeit a brief one for the last minute or two. The real attraction this time is Onslow Stevens in the role of a kindly sympathetic doctor who sets out to "cure" Dracula and the Wolfman, but ultimately becomes a sort of Jekyll/Hyde as a result of his efforts. Stevens is excellent in this film, and takes center stage.

Still, there is a feeling of "yesterday's leftovers" with the film. Stock footage is lifted again from GHOST OF FRANKENSTEIN and BRIDE OF FRANKENSTEIN, and there is a general aura around the proceedings which suggests that it was thrown together more hastily.

These negative comments in no way make for an unsatisfactory view, however...HOUSE OF DRACULA is the last of its line, and still an essential Universal Horror.

Much of what is written here is useful, but I'd like to add a few comments. Interestingly for Universal horror fans, House of Dracula is the only film in the Frankenstein series that does not star Karloff or Lugosi. The absence of these two horror heavyweights makes the film seem more disjointed than other entries (though still fun.) (John Carradine, I think scores best, while Mr. Chaney, Jr., is merely repeating himself. House of D also introduces a female hunchback!) I wonder if Karloff and Lugosi are both absent because they were working on "The Body Snatcher," which was released the same year and is arguably Karloff's last great horror film.

This creepy sequel to 'House of Frankenstein', has a doctor (Onslow Stevens) trying to revive the monsters (Glenn Strange and Lon Chaney, Jr.) after becoming infected with the blood of Dracula.

All the atmospheric effects are present and there's a chilling performance by John Carradine whose gaunt appearance makes him a perfect choice for the Dracula part. The special effects involving his transformation are smoothly handled, as of course are the Wolfman's makeup change under the full moon. By this time, Universal had perfected many of these techniques and the effects are sometimes startlingly realistic. Lionel Atwill has a brief part as the village police chief and Martha O'Driscoll and Jane Adams provide the feminine interest.

But the main honors go to Onslow Stevens as the doctor who mistakenly inherits vampire tendencies--a sort of Dr. Jekyll and Mr. Hyde role that he does extremely well. A fright film that doesn't disappoint, entertaining all the way.

Baron Latos appears to Dr. Edelman (Onslow Stevens) in the middle of the night and reveals that he's really Count Dracula (John Carradine). He seeks a cure for his vampirism. A trip to the basement shows that Dracula has already taken the liberty of moving in - there's his coffin, filled with the dirt from his own grave. Dr. Edelman takes this brazenness in stride while refusing to believe in the supernatural. Later, Lawrence Talbot (Lon Chaney, Jr.) shows up, asking for a cure for his lycanthropy. He can't bear to change into a werewolf one more time. Edelman must save Talbot from a suicide attempt when Talbot throws himself into the ocean and gets swept into a cave. While in the cave, Edelman and Talbot find Frankenstein's monster (Glenn Strange). Edelman decides to revive him, but Talbot and Edelman's hunchbacked female assistant (Jane Adams) talk him out of it. Meanwhile, Edelman's other assistant (Martha O'Driscoll) finds herself seduced by Count Dracula; while Edelman finds the evil count has an even more powerful influence over his own life.

Dracula's corruption of Edelman adds a Jekyll-and-Hyde type story to this already over-monstered brew. Why didn't they throw in the Mummy and the Invisible Man for the hell of it?

Of all the Universal Horror films that are wacky-idiotic, this is the most entertaining. Stevens is very enjoyable as Edelman; the plot moves fast; a certain character gets his first happy ending; and it's fun to imagine that the real reason Frankenstein's monster is angry is that he sees the movie is almost over and he hasn't even done anything yet.