CALIFICACIÓN DE IMDb
5.4/10
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TU CALIFICACIÓN
Enviada a Luisiana, la momia Kharis de Egipto deambula por el pantano, atormentada por su amor prohibido por la princesa Ananka.Enviada a Luisiana, la momia Kharis de Egipto deambula por el pantano, atormentada por su amor prohibido por la princesa Ananka.Enviada a Luisiana, la momia Kharis de Egipto deambula por el pantano, atormentada por su amor prohibido por la princesa Ananka.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Lon Chaney Jr.
- Mummy
- (as Lon Chaney)
Eddie Abdo
- Pierre
- (sin créditos)
Enrique Acosta
- Bit
- (sin créditos)
Julius Aicardi
- Bit
- (sin créditos)
Nina Bara
- Young Cajun Woman in Cafe
- (sin créditos)
Alfredo Berumen
- Workman
- (sin créditos)
Opiniones destacadas
This was the fifth and last of the original series. We find the undead Mummy, Kharis (Lon Chaney Jr.) in the Louisiana swampland, how he got there from Egypt is weakly explained away as American archeologists accidently looking for Princess Ananka, instead finding the Mummy. Since this is horror, it's no big deal.
The problem is the whole thing looks like something Universal wanted to put out fast and cheap and be done with. The acting is wooden, with bad Cajun accents. Nothing really stands out. The only wrinkle is Ananka's anthropomorphism. The poor girl is being stalked by jealous boyfriend Kharis, so she hides out with the mortals, amazing everyone with her knowledge of Egyptology! In fact, Kharis isn't the worst villain; that honor belongs to the High Priest's acolyte, who becomes drunk with power upon learning the history of the Mummy and the elixir that are tana leaves. There is a positive though: the 63 minute running time.
The problem is the whole thing looks like something Universal wanted to put out fast and cheap and be done with. The acting is wooden, with bad Cajun accents. Nothing really stands out. The only wrinkle is Ananka's anthropomorphism. The poor girl is being stalked by jealous boyfriend Kharis, so she hides out with the mortals, amazing everyone with her knowledge of Egyptology! In fact, Kharis isn't the worst villain; that honor belongs to the High Priest's acolyte, who becomes drunk with power upon learning the history of the Mummy and the elixir that are tana leaves. There is a positive though: the 63 minute running time.
Even in America we're not safe as bulldozers unearth the ancient Egyptian mummy and his favorite obsession, Princess Ananka
Kharis is on the loose again. Of course, being on the loose for this mummified foot-dragger means he's a danger only to those too dumb to run. Fortunately, these movies are loaded with slow-learners. Actually, this is one of the better of the series, with lots of shadowy atmosphere and a really nubile Mrs. Folger otherwise known as Princess Ananka (Virginia Christine). No wonder Kharis is so anxious to carry her off, especially in that flowing white gown. I'd trade for his bandages and gimpy foot any day. And catch her rising jerkily from the swamp. These moves are enough to make you doubt whether she's human or not.
Too bad the rest of the cast seems at times to be sleep walking, except for Addison Richards (Maj. Walsh) and Kay Harding (Betty) who manage some lively personality. Peter Coe is a particularly unfortunate choice as the high priest. He sounds about as scary and exotic as my next-door neighbor. But who cares. It's old tangle foot and the moody gloom that keeps fans like me tuned in.
Kharis is on the loose again. Of course, being on the loose for this mummified foot-dragger means he's a danger only to those too dumb to run. Fortunately, these movies are loaded with slow-learners. Actually, this is one of the better of the series, with lots of shadowy atmosphere and a really nubile Mrs. Folger otherwise known as Princess Ananka (Virginia Christine). No wonder Kharis is so anxious to carry her off, especially in that flowing white gown. I'd trade for his bandages and gimpy foot any day. And catch her rising jerkily from the swamp. These moves are enough to make you doubt whether she's human or not.
Too bad the rest of the cast seems at times to be sleep walking, except for Addison Richards (Maj. Walsh) and Kay Harding (Betty) who manage some lively personality. Peter Coe is a particularly unfortunate choice as the high priest. He sounds about as scary and exotic as my next-door neighbor. But who cares. It's old tangle foot and the moody gloom that keeps fans like me tuned in.
Coming after THE MUMMY'S GHOST, this limp and repetitive last entry in the Kharis series may be the weakest of all four, and it's kind of gratifying that Universal finally stopped the cookie cutter here. It's by no means awful, but by now there's a severe case of "been here, done that" festering about and there isn't much new to help us along. Lon Chaney merely goes through the motions to get his paycheck and gives the most listless of his three mummy performances. Peter Coe takes the award as the worst high priest, but Martin Kosleck is an okay choice as his treacherous assistant even though he isn't given enough to do. The script is little more than a plodding chase which has the clumsy Kharis always coming within inches of seizing his beloved princess, only to narrowly miss her time and time again as she manages to escape from his grasp.
One redeeming quality is Virginia Christine's first appearance as the reincarnated Princess Ananka. Her resurrection sequence from a muddy swamp is not only the high spot of this picture, but it's one of the best in the entire saga. By the way, what's interesting is that if keen viewers of THE MUMMY'S HAND recognized from a quick hotel receipt shot that the story began in 1940, and then you add up the "30 years" later of THE MUMMY'S TOMB & THE MUMMY'S GHOST, and top it off with the "25 years later" of THE MUMMY'S CURSE, you'd see that this entry would take place in 1995 ... !?!?
** out of ****
One redeeming quality is Virginia Christine's first appearance as the reincarnated Princess Ananka. Her resurrection sequence from a muddy swamp is not only the high spot of this picture, but it's one of the best in the entire saga. By the way, what's interesting is that if keen viewers of THE MUMMY'S HAND recognized from a quick hotel receipt shot that the story began in 1940, and then you add up the "30 years" later of THE MUMMY'S TOMB & THE MUMMY'S GHOST, and top it off with the "25 years later" of THE MUMMY'S CURSE, you'd see that this entry would take place in 1995 ... !?!?
** out of ****
This entry in the "Mummy series" is unlike all the others, but that's what makes it interesting!
One of THE most interesting sequences in this film is when the Princess awakens in the bog (due to the sunlight), and slowly rises to her feet, totally covered with mud, and staggers to town. A very dramatic scene!
One of THE most interesting sequences in this film is when the Princess awakens in the bog (due to the sunlight), and slowly rises to her feet, totally covered with mud, and staggers to town. A very dramatic scene!
There is still life in this curse, barely. The premise has ran its course. Too many familiar scenes and the thrill is just hanging on. This although is still creepy to watch and fun for a rainy night. The living mummy Kharis(Lon Chaney Jr)now seeks his lost love(Virginia Christine) in the bayous of Louisiana. Also notable are Kurt Katch and Jackie Lou Harding. A "mummy" fan's must.
¿Sabías que…?
- TriviaAccording to actress Virginia Christine, when Lon Chaney Jr. carried her, she was attached to a harness that went around his neck and her waist. The actress has stated that Chaney was drunk through most of the picture. In the scenes where he carries her up the steep, crooked, worn steps of the shrine, "he is absolutely stoned" and was "weaving , going side-to-side on these uneven steps." Because they were attached, Christine was concerned what would happen if the inebriated, husky Chaney fell. She was very relieved when the director stopped the shoot and replaced Chaney with a stand-in.
- ErroresThe previous installment, La princesa y la momia (1944), ended with Kharis and Ananka sinking into a marshy swamp in Massachusetts. Approximately 25 years later, while draining a swampy Louisiana bayou, Kharis and Ananka are freed from their muddy tomb, allowing Kharis to resume his reign of terror among the bayou dwelling Cajuns. It is never explained how the swamp, containing the Mummies, was moved from Massachusetts to Louisiana over the passing years.
- ConexionesEdited from La momia (1932)
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Detalles
- Tiempo de ejecución
- 1h(60 min)
- Color
- Relación de aspecto
- 1.37 : 1
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