Campanas de Santa Rosa

In many of Roy Rogers' pictures, he plays characters named Roy or even Roy Rogers. In "Bells of Rosarita", however, he plays a fictional version of the movie cowboy star! Sounds confusing? I'll try to explain:

When the film starts, Gabby (Gabby Hayes...but he's NOT playing Gabby Hayes the actor...just a guy named Gabby) and Sue (Dale Evans) meet up and head west to Hollywood. On the way, they wander into the middle of the filming of a Roy Rogers film and they soon make friends with the gosh-darned nice actor. However, a jerk is trying to steal out the circus from underneath a nice lady. Roy responds by calling the other B-western stars from Republic Studios and they plan on putting on a charity event to help her.

It is a bit strange to see Roy playing an idealized version of the actor, Roy Rogers...and Dale and Gabby NOT playing themselves! Odd...but also interesting and fun...like most Rogers' films. And, while not among his best, it's quite good and great for his fans.

Here is a pacey work that employs standard elements to be found in Republic Pictures' contemporary Western films starring Roy Rogers, including the familiar plot artifice of shooting a movie within another, cowboys on horseback chasing motor vehicles bearing villains, musical interludes that interrupt the action at random, et alia, with an additional device utilized herein: "cameos" from cowpoke stars under contract with Republic: Wild Bill Elliott, Robert Livingston, Allan Lane, Don "Red" Barry, and Sunset Carson. Sue Farnum (Dale Evans) has been willed her father's traveling circus but his erstwhile partner Bill Ripley (Grant Withers) intends to take it from her as she cannot locate a receipt confirming that her sire had repaid a loan enabling him to gain title to the big top company, and when she and her employee and friend Gabby Whittaker (Gabby Hayes) accept aid from her dad's pal Slim Phillips (Addison Richards), the three, along with Slim's daughter and troupe entertainer Patty (Adele Mara), entrain to the southern California fictional town of Cabrillo wherein Slim believes he will locate the missing receipt, thereby ending Sue's plight. The Forces of Evil soon kidnap Slim but subsequent events are but ill-explained by a slapdash screenplay that accords space for eight musical numbers (not counting repeats) and while Rogers plainly is tasked, as is his wont, with rescuing a city-bred damsel in distress, he is equally motivated by a primal need to burst into song, a predilection shared with, among others, Evans, Mara, Janis Martin, and the baritone Bob Nolan-led Sons of the Pioneers. This lower case effort benefits from a panoply of Republic casting roster supporting players from whom, despite the film's following the accepted trend of Rogers "B" Westerns, a number of telling performances will be enjoyed from uncredited actors (including dancing girls!); Hayes reprises his wearisome shtick that he displays in each of his movies, even to the phrases, but Evans has a clamp on the acting laurels with a vivacious turn, while able editing supervised by Arthur Roberts makes for a snappily moving although somewhat goofy picture.

Roy rogers, dale evans, and gabby hayes, of course. He was in just about every western ever made. When sue farnum inherits a circus, she tries to make a profit, in spite of those working against her! Lots of film within-a-film stuff. It's pretty dated at this point, but good to see the big stars of hollywood westerns. The boys choir sings a couple songs. Directed by frank mcdonald. He had started in talkies, then moved into television series. Story by jack townley. Songs by robert mitchell boy choir and sons of the pioneers. Under a blanket of blue by...dale evans! Roy sings "singing down the road". And in a bizarre bit, we see trigger's back end kind of swinging back and forth while roy sings. Weirdest thing ever. It's exactly what you expect from a roy rogers western. A sixty eight minute shortie from republic pictures.

This is a very good Roy Rogers feature, perhaps among the best of his many B-Westerns. It is, as usual, primarily light entertainment, with a lot of humor and music, and this time there is some clever irony deriving from the setting - Roy plays himself, acting in a cowboy feature and at the same time getting involved in a situation that in some respects parallels his film. Dale Evans and Gabby Hayes complete the picture, and there are short appearances by several other Western stars of the era.

The story starts with Dale and Gabby heading west to try to save a circus that belonged to the father of Dale's character, while the unscrupulous Ripley (Grant Withers) has plans to take it over himself by any means necessary. As soon as Dale and Gabby arrive, they find themselves mixed up in a scene from the movie (whose title is also "Bells of Rosarita") that Roy and Bob Nolan are shooting. It's a funny scene, and cleverly done, and it sets up the story that follows as well as establishing the connection between film and reality. Most of the actual plot is not to be taken too seriously - the villains are, as usual, pretty incompetent - but it has a very pleasant tone, and a pretty good variety of action and entertainment.

This is very good for a B-Western, and certainly recommended for any fan of Roy Rogers or for those who like Westerns of the era.

In Bells Of Rosarita Roy Rogers steps out of any character and simply plays himself, Roy Rogers singing cowboy movie star. He's asked by Dale Evans who is playing a character to help save her circus and her ranch which the circus uses as headquarters from the clutches of the evil Grant Withers.

It's not a request directly from Dale. Rather it comes from the kids who make up the Robert Mitchell Boys Choir who love the circus and love the Roy Rogers films. What they want him to do is be the cowboy hero in real life that he is on the screen. Whatever else he was, Roy does feel an obligation to his public.

In a move worthy of a Mickey Rooney/Judy Garland film, Roy offers his services and that of fellow Republic cowboy heroes, Wild Bill Elliott, Allan Lane, Don Barry, Bob Livingston, and Sunset Carson for a show. The climax involves a robbery and a chase and these guys all form a posse with Roy. Would any gang of outlaws stand a chance with this posse?

The film also has a bit of humor with Roy remarking at one point after shooting off a tin chimney from a cabin where the outlaws are held up that he did that in a film once. And two of the others remark that in the final shootout that the blanks in their western guns aren't going to cut it. That was refreshing that these guys didn't take this all that seriously. Gave something for the adults in the audience to enjoy besides Dale Evans and her sidekick Adele Mara.

Bells Of Rosarita was a good one from Republic with Roy aided and abetted by the best posse any cowboy hero ever had. As Gabby Hayes would remark, 'you're durn tootin'.