Scram!

Convicted of vagrancy, Laurel and Hardy are give one hour to get out of town or be jailed. On their way out of town they meet a drunk who has lost his car keys. They help him find them and he takes them to his house, but given the trouble they have getting inside, is it even his house?

As usual Stan and Oliver are homeless and workless. Here they are forced out of a town but think they've landed on their feet when a drunk takes them into his luxury home. This plot gives the leads only really one type of humour to concentrate on – physical routines. That isn't a major problem as they are pretty funny is never exactly setting the world on fire.

However I always liked their dialogue together as it is often hilarious and well written to make them both look foolish. Here there is none of this worth speaking of. Both the leads do well and there's no doubting their abilities when it comes to falling over in amusing way.

Overall this is funny if you like L&H's physical stuff which I do, but I did feel like the job was only half done when their was none of their usual banter.

I have seen all the films of L & H sometimes over and over. There are some weak shorts, but this is the one I keep coming back to to watch repeatedly. It is, in MHO, one of a handful of the best of their work in shorts.

It is brilliantly planned, masterfully timed, perfectly acted, and expertly edited. I often tell folks who are not familiar with the boys to watch this one as their introduction to the boys. It is THAT funny.

One of my favorite things about it is watching perpetually drunk Arthur Houseman utter what appear to be ad-libs that almost crack up Stan and Babe.

The boys have stood up Arthur and are going through his pockets trying to find the key to his house. He has a lot of pockets to go through. After a moment he tells Ollie, "Someday I'm gonna have all my pockets indexed." Cracks me up every time.

Vivian Okland is unforgettable as the judge's wife.

It was a sign of the boys generosity as actors that allows supporting players to get as many laughs as they get. They are the stars but not the only funny people in this.

This is a "vintage" Stan and Ollie film in more than one sense of the word as four of the five main characters in the story are innebriated for a large portion of the proceedings.

Token Hollywood drunk Arthur Houseman (an...ahem...method actor) is at his career best, and the boys are also on form. Watch for Stan's bewildered reply to the judge's question: "On what grounds?". It's a classic.

Richard Cramer is truly menacing as the judge, and the scenes featuring the judge's wife (played by Vivien Oakland) made me laugh out loud along with the characters.

8/10

The Laurel and Hardy short Scram! feels less like a new skit from the lovable and timeless comedy duo but a highlight reel of their most famous moments from all of their shorts. This particular short is packed with all the zaniness you can predict going into a Laurel and Hardy film, from repeated stumbles, difficulty getting sneaking into places, and a seriously deranged mix-up serving as the cherry on the sundae.

Scram! opens with Laurel and Hardy being ordered out of town by a judge after finding them sleeping on a park bench. In the process of leaving town, they run into a congenial drunk (Arthur Housman, who plays a wildly convincing drunk) who invites them back to his home to spend the night after they retrieved his key when it fell into a sewer. Despite being incoherent, the man manages to drive the two of them to the home of Mrs. Beaumont (Vivien Oakland), mistaking it for his own home. While the drunk mindlessly stands outside searching for the key to his home, Laurel and Hardy barge in through the window, being greeted with Mrs. Beaumont and proceeding to get drunk themselves when they inform her they know her husband, who happens to really be someone Laurel and Hardy have already found themselves acquainted with.

Scram! is all too familiar for a dedicated Laurel and Hardy fan, especially one who has seen their admittedly short range of physical comedy. All the aforementioned tropes make an appearance here or there, and their geniality could easily be mistaken for genuine humor. The moral of this particular short is just because you recognize the sight-gag or the ploy doesn't mean it's necessarily funny. If anything, the funniest part of the film is how much it got away with in 1932: drunk driving, breaking and entering, philandering, and two men in the same bed with one woman. Did the Motion Picture Association of America fall asleep when looking over the contents of the film making sure it was in line with the Hays Code?

Starring: Stan Laurel, Oliver Hardy, Arthur Housman, Vivien Oakland, and Richard Cramer. Directed by: Ray McCarey.

Scram! (1932)

*** 1/2 (out of 4)

Since the jail is too full a judge orders Laurel and Hardy to get out of town within a hour. Outside the courthouse they help a drunk man who then offers to let them spend the night with him but the drunk takes them to the wrong house. Plenty a gags from start to finish in this very good short. The highlights include trying to get a key from a drain and the terrific ending where L&H get drunk with another man's wife.

Saps at Sea (1940)

*** 1/2 (out of 4)

Terrific Laurel and Hardy feature has Hardy suffering a nervous breakdown so Laurel suggests they go to the sea for peace of quiet. This doesn't work as planned but things get worse when an escaped killer kidnaps them. Clocking in at just around 57-minutes this here basically plays out as two shorts with the first half taking place at home and the second half at sea. The first half is a lot funnier but the ending is among the funniest stuff I've seen from any L&H film.