CALIFICACIÓN DE IMDb
7.1/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaLaurel and Hardy patrol the streets as the city's newest cops. This can't possibly end well--except for the criminals who can now safely commit crime.Laurel and Hardy patrol the streets as the city's newest cops. This can't possibly end well--except for the criminals who can now safely commit crime.Laurel and Hardy patrol the streets as the city's newest cops. This can't possibly end well--except for the criminals who can now safely commit crime.
- Dirección
- Guionistas
- Elenco
Harry Bernard
- Jail Visitor
- (sin créditos)
Billy Bletcher
- Radio Dispatcher
- (voz)
- (sin créditos)
Frank Brownlee
- Police Chief Ramsbottom
- (sin créditos)
Al Corporal
- Butler
- (sin créditos)
Edgar Dearing
- Policeman
- (sin créditos)
Eddie Dunn
- Police Sergeant
- (sin créditos)
Charlie Hall
- Tire Thief's Partner
- (sin créditos)
Bob Kortman
- Tire Thief
- (sin créditos)
James C. Morton
- Policeman
- (sin créditos)
Tiny Sandford
- Policeman
- (sin créditos)
Frank Terry
- Safecracker
- (sin créditos)
Opiniones destacadas
We've seen Laurel and Hardy as bums, unionized workers, manual laborers, Christmas tree sales man, and men soon to be married, but never before have we seen them as police officers (that work was presumably left to the Keystone Cops). The Midnight Patrol shows Laurel and Hardy as two late night police officers, who are informed of a burglary at a nearby mansion. After being completely oblivious to another thief attempting to crack a safe at a local store until he tries to steal the boys' car, Laurel and Hardy arrive at the aforementioned mansion and need to find a way inside. The boys attempt to use a solid stone bench as a battering ram to break the door down, which results in one of the funniest Laurel and Hardy stunts in any of their shorts, as they cause complete destruction to property and end up in a barrel of sauerkraut (don't ask) before being scolded by their superiors in the harshest, most evil way.
The Midnight Patrol is a much more downtrodden, morbid short by the boys, dark and noir-ish in lighting and tone, only complimenting the early 1930's time period. Laurel and Hardy are intensely watchable here, but the humor is traded for a much more casual approach to a narrative that isn't always funny nor interesting, and, frankly, sometimes boring. However, the frightening and unexpected ending and the setup here are unique enough for Laurel and Hardy standards that The Midnight Patrol merits a watch in some respect.
Starring: Stan Laurel and Oliver Hardy. Directed by: Lloyd French.
The Midnight Patrol is a much more downtrodden, morbid short by the boys, dark and noir-ish in lighting and tone, only complimenting the early 1930's time period. Laurel and Hardy are intensely watchable here, but the humor is traded for a much more casual approach to a narrative that isn't always funny nor interesting, and, frankly, sometimes boring. However, the frightening and unexpected ending and the setup here are unique enough for Laurel and Hardy standards that The Midnight Patrol merits a watch in some respect.
Starring: Stan Laurel and Oliver Hardy. Directed by: Lloyd French.
This is most definitely not one of the best or most memorable Laurel & Hardy shorts. It doesn't really have enough slapstick in it and the comical situations, although good, feel far fetched and perhaps a bit awkward, especially toward the ending.
They could have done something more interesting with the concept of Stan Laurel and Oliver Hardy joining the police force. They get themselves into some comical and dumb situations but it all is perhaps a bit too formulaic. That is the main reason why "Midnight Patrol" is an enjoyable but at the same time very forgettable Laurel & Hardy shorts.
Lloyd French never was the best or most consistent director of Laurel & Hardy movies. His movies are certainly enjoyable but lacking in originality or true creativity at the same time.
I'm beginning to sound negative but of course this movie is not an horrible one to watch. Mainly the Laurel & Hardy fans will still find plenty to enjoy in this movie, although also they have to admit that this is far from the best and/or most memorable Laurel & Hardy shorts.
7/10
http://bobafett1138.blogspot.com/
They could have done something more interesting with the concept of Stan Laurel and Oliver Hardy joining the police force. They get themselves into some comical and dumb situations but it all is perhaps a bit too formulaic. That is the main reason why "Midnight Patrol" is an enjoyable but at the same time very forgettable Laurel & Hardy shorts.
Lloyd French never was the best or most consistent director of Laurel & Hardy movies. His movies are certainly enjoyable but lacking in originality or true creativity at the same time.
I'm beginning to sound negative but of course this movie is not an horrible one to watch. Mainly the Laurel & Hardy fans will still find plenty to enjoy in this movie, although also they have to admit that this is far from the best and/or most memorable Laurel & Hardy shorts.
7/10
http://bobafett1138.blogspot.com/
A LAUREL & HARDY Comedy Short.
Novice cops Stan & Ollie are THE MIDNIGHT PATROL, guardians of the night. Their complete incompetence dealing with crime, however, soon leaves a trail of chaos & destruction.
A funny little film, although ending it with two murders is a bit much. Highlight: Ollie in the fishpond. That's Frank Brownlee as the Chief, Walter Plinge as the gentlemanly crook and Charlie Hall as one of the tire thieves.
Novice cops Stan & Ollie are THE MIDNIGHT PATROL, guardians of the night. Their complete incompetence dealing with crime, however, soon leaves a trail of chaos & destruction.
A funny little film, although ending it with two murders is a bit much. Highlight: Ollie in the fishpond. That's Frank Brownlee as the Chief, Walter Plinge as the gentlemanly crook and Charlie Hall as one of the tire thieves.
When I first started watching this short, I kept asking myself what type of police force is THAT stupid or short-sighted to give Laurel and Hardy jobs as cops?! Having the boys play policemen is a nice departure from the norm and it seems ironic that they played jailbirds in many more films! Regardless, the team behave much as you'd expect in this new role--they completely miss obvious crimes right in front of their faces but manage to apprehend the one person they meet who is actually minding his own business! Along the way, Stan and Ollie bumble and break stuff and act pretty much their usual selves. In a way, it's a real shame that aside from them being cops, this film is so very conventional and doesn't offer that many new ideas or gags. This isn't to say this is a bad film--just not anything extraordinarily different from the norm.
After decades of watching this classic, I still can't figure out what the chief of police is doing with a "barrel" of sauerkraut in his basement --which Laurel and Hardy promptly fall into!
This short is OUTRAGEOUS, and has some history behind it. Here, the boys are rookie cops who answer a variety of calls on their first night. This comedy is peppered with some of the best stock players who worked with Laurel and Hardy, including Tiny Sanford and James Morton as cops and Charlie Hall as a guy who tries to steal the rear tire off the boy's police car! Stan Laurel made it a point to include actors who appeared with him back on the London stage.
Case in point is Frank Terry, who plays the wily safecracker who argues with Stan as which day is best for "him" to appear in court? In case you didn't know, the man with the deep, deep voice on the police radio is Frank Brownlee. Brownlee became famous --or at least his voice did --when he auditioned and won parts in Walt Disney cartoons. He moved to Warner Brothers and did many voices for Bugs Bunny cartoons and the like, however.... he NEVER got credit because there was a clause in Mel Blanc's contract to only give HIM credit. Lloyd French directed this short who also went to Warner Brothers and headed hundreds of popular big band musical and comedy shorts.
Get the Laurel and Hardy dvd short subject box set. Some have been produced in the UK, so beware as they will not play on American made dvd players. Check the details.
This short is OUTRAGEOUS, and has some history behind it. Here, the boys are rookie cops who answer a variety of calls on their first night. This comedy is peppered with some of the best stock players who worked with Laurel and Hardy, including Tiny Sanford and James Morton as cops and Charlie Hall as a guy who tries to steal the rear tire off the boy's police car! Stan Laurel made it a point to include actors who appeared with him back on the London stage.
Case in point is Frank Terry, who plays the wily safecracker who argues with Stan as which day is best for "him" to appear in court? In case you didn't know, the man with the deep, deep voice on the police radio is Frank Brownlee. Brownlee became famous --or at least his voice did --when he auditioned and won parts in Walt Disney cartoons. He moved to Warner Brothers and did many voices for Bugs Bunny cartoons and the like, however.... he NEVER got credit because there was a clause in Mel Blanc's contract to only give HIM credit. Lloyd French directed this short who also went to Warner Brothers and headed hundreds of popular big band musical and comedy shorts.
Get the Laurel and Hardy dvd short subject box set. Some have been produced in the UK, so beware as they will not play on American made dvd players. Check the details.
¿Sabías que…?
- TriviaThe title sequence of this short is filmed to look like a police car racing West at night on Wilshire Boulevard in Los Angeles, with siren blaring, and a windshield wiper 'erasing' each set of credits and 'sweeping in' the next. Along the route, mostly on the left (South) side of Wilshire, we see a Cut Rate drug store; a billboard (or perhaps a building logo) for Mullen & Bluett clothiers; a billboard ad for R&H Pilsner Beer. An apparent 'jump cut' puts us a few blocks farther West on Wilshire, where, again on the left, we see a movie theatre marquee (probably the Fox Ritz at 5214 Wilshire); a large, billboard-sized Coca-Cola sign in lights on the right; and in the distance, on the left, a rooftop lighted sign on the Myer Siegel building at 5410 Wilshire.
- ErroresStan and Ollie argue about their last day off, but at the end of the film they claim it's their first day on the job.
- Citas
Car Dispatcher: Calling Car Thirteen.
Oliver: That's us.
Car Dispatcher: Calling Car One-Three.
Stanley: I thought he said Thirteen.
Oliver: Shut up.
Car Dispatcher: Look out, boys, somebody's stealing your spare tire. That is all.
- Versiones alternativasThere is also a colorized version.
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Calling All Cars
- Locaciones de filmación
- Wilshire Boulevard, Los Ángeles, California, Estados Unidos(opening credits, beginning of which became known as "The Miracle Mile")
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 20min
- Color
- Relación de aspecto
- 1.37 : 1
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