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IMDbPro

One Hour with You

  • 1932
  • Passed
  • 1h 18min
CALIFICACIÓN DE IMDb
7.0/10
3.1 k
TU CALIFICACIÓN
Maurice Chevalier and Jeanette MacDonald in One Hour with You (1932)
ComediaMusicalRomance

Agrega una trama en tu idiomaAn unhappily married couple try to come between a happy one.An unhappily married couple try to come between a happy one.An unhappily married couple try to come between a happy one.

  • Dirección
    • George Cukor
    • Ernst Lubitsch
  • Guionistas
    • Lothar Schmidt
    • Samson Raphaelson
    • Léopold Marchand
  • Elenco
    • Maurice Chevalier
    • Jeanette MacDonald
    • Genevieve Tobin
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.0/10
    3.1 k
    TU CALIFICACIÓN
    • Dirección
      • George Cukor
      • Ernst Lubitsch
    • Guionistas
      • Lothar Schmidt
      • Samson Raphaelson
      • Léopold Marchand
    • Elenco
      • Maurice Chevalier
      • Jeanette MacDonald
      • Genevieve Tobin
    • 38Opiniones de los usuarios
    • 34Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Nominado a 1 premio Óscar
      • 4 premios ganados y 1 nominación en total

    Fotos21

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    Elenco principal33

    Editar
    Maurice Chevalier
    Maurice Chevalier
    • Dr. Andre Bertier
    Jeanette MacDonald
    Jeanette MacDonald
    • Colette Bertier
    Genevieve Tobin
    Genevieve Tobin
    • Mitzi Olivier
    Lili Damita
    Lili Damita
    • Mitzi Olivier
    Pierre Etchepare
    Pierre Etchepare
    • Adolphe
    Charles Ruggles
    Charles Ruggles
    • Adolph
    Ernest Ferny
    • Le professeur Olivier
    Roland Young
    Roland Young
    • Professor Olivier
    André Cheron
    • Le commissaire de police
    Josephine Dunn
    Josephine Dunn
    • Mademoiselle Martel
    Richard Carle
    Richard Carle
    • Henri Dornier - Private Detective
    Barbara Leonard
    Barbara Leonard
    • Mitzi's Maid
    George Barbier
    George Barbier
    • Police Commissioner
    Mary Bracken
    • Girl
    • (sin créditos)
    Sheila Bromley
    Sheila Bromley
    • Colette's Downstairs Maid
    • (sin créditos)
    Jack Byron
    • Party Guest
    • (sin créditos)
    Jack Chefe
    • Party Guest
    • (sin créditos)
    Lita Chevret
    Lita Chevret
    • Party Guest
    • (sin créditos)
    • Dirección
      • George Cukor
      • Ernst Lubitsch
    • Guionistas
      • Lothar Schmidt
      • Samson Raphaelson
      • Léopold Marchand
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios38

    7.03.1K
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    Opiniones destacadas

    8bkoganbing

    Mitzi Wants House Calls

    In the second of their four films together and the only one in which they start out as man and wife, Maurice Chevalier and Jeanette MacDonald play a happily married couple who face a comic crisis in their marriage when Jeanette announces she's going to be visited by an old friend in Genevieve Tobin in One Hour With You.

    What she doesn't know is that Tobin and Maurice have had a flirtatious rendezvous in one of those legendary speedy Paris taxi cabs. Tobin as Mitzi is one saucy wench whose marriage to Roland Young is coming to an end. The only question remaining is who will be caught in a compromising position first for the sake of the alimony.

    The whole thing is directed with typical continental charm by Ernest Lubitsch replete with various things in the film identified as the Lubitsch touch. My favorite of those is when Genevieve gets Dr. Chevalier to make a house call, you see a shot of her feet kicking off her shoes and then wiggling in anticipation.

    Oscar Straus and Leo Robin wrote most of the music, but the title song was written Richard Whiting with lyrics by Leo Robin. It's introduced during a nightclub scene by radio singer Donald Novis who occasionally did film and stage roles and then sung by nearly all the principals in the cast. Jeanette made a good selling RCA Victor recording of it.

    Maurice Chevalier got to sing Oh That Mitzi which both advances the plot of the film as he tells of his dilemma between his wife Colette{MacDonald), but Oh That Mitzi and is a number perfectly suiting his style. It was part of his nightclub act forever after.

    Genevieve Tobin is great as the saucy Mitzi and filmgoers probably know her best as the dowager Mrs. Chisholm who was held captive by Duke Mantee in The Petrified Forest. Tobin had to be one talented lady, that's quite a difference in parts between One Hour With You and The Petrified Forest.

    One cannot ignore Charlie Ruggles a rather timid suitor who is so hoping to get Jeanette on the rebound from Maurice. He's got some very funny scenes with her.

    One Hour With You is one of those sophisticated comedies depicting a world gone by. I'm not even sure in Europe if they still dress in tuxedo for dinner.
    7lasttimeisaw

    A fine hour with this one!

    Lubitsch's musical remake of his THE MARRIAGE CIRCLE (1924), with George Cukor as the original director, another case of creativity discord for insiders to dig, stars Maurice Chevalier and Jeanette MacDonald as a happily married middle class couple. It comes off as an accomplished guidance of how to manage your marriage while encountering flirtation or crazed suitors, a tad old school but it is pure fun.

    Constantly breaking the fourth wall with self-revealing asides, the smooth-talker Chevalier's obtrusive French accent and mellow chanson are contagiously prepossessing, an honest man cannot withhold his feelings towards a seductress (Tobin), his wife's best friend, on the other hand, a demure MacDonald, famous for her high-pitch soprano lilt, is an excellent option to cast as his high-strung wife, who in turn is the love interest of his husband's best friend (Ruggles), but generally she only fences with him and only becomes intimate with him as an eye for an eye and a tooth for a tooth to Chevalier's philandering. So see the double standard here? Wife is not allowed to exude her real affection toward a third man while husband is granted full amnesty since Chevalier asks in our face "what will you do?", it's merely biological. But it is made in 1932, what do we expect?

    One singling-out scene is the awkward moment between Chevalier and Tobin's divorce-seeking husband (Young) when they first meet, Young's self-claim of himself as a man with absolute no sense of humour puts a preposterous veil of parody in this chamber comedy, all 6 main characters are well-selected, Genevieve Tobin is a natural force as a temptress with her heavily eye-lined vixen eyes, moreover, her singsongy communication with her husband is so naturalistically phoney. The mockery of woman's self-praising instinct is largely exculpatory, all the way, the film possesses an uplifting comical rhythm without overblown theatricality, and the musical numbers are soothingly intoxicating, you can have a wonderful one hour (and a bit more) with it.
    8theowinthrop

    But Oh That Mitzi....

    In the second of the four Chevalier - MacDonald films the leads are a married couple (Chevalier is a upper class doctor, of all things) who are happy together. In fact they are first seen preparing for their anniversary party. Both have friends who can spoil this. Chevalier's closest friend is Charlie Ruggles, who secretly loves MacDonald (but who is usually too nervous or intense to get anywhere with her - if she were interested). MacDonald is close to an old school friend, Genevieve Tobin, who is a continuous flirt (one can even consider her a nymphomaniac). She is married to Roland Young, but their marriage is on the rocks because of her affairs (his too - he wants to marry their maid). So MacDonald invites her friend into her home, and Tobin soon is being coquettish towards Chevalier. When she returns home, she asks him to see her on a professional (i.e. medical) problem, and proceeds to try to seduce him. This upsets Chevalier, who tries to remain faithful to MacDonald, but she (blind as she is to what Tobin is doing) insists he help her friend. Young is delighted. He is closing in on a divorce with Tobin. Finally, being weak, Chevalier gives in. MacDonald learns of this, and turns to Ruggles (!). And the film is set for some kind of resolution of these problems in sexual politics.

    The music is best recalled for the title tune, "One Hour With You". It would pop up for years in Paramount film musicals (in DUCK SOUP, it is played in the sequence when Harpo Marx is doing a "Paul Revere" ride to rally the countryside, only to stop at his girlfriend's for "one hour with her."). It also appeared as the national love song of Klopstokia in MILLION DOLLAR LEGS, with Jack Oakie singing the words, "Woof bootle gik..." instead of the original words to it. However, the number that gets me is the one mentioned in the "Summary" line, which Chevalier sings to explain to the audience his dilemma regarding his loyalties to his wife versus the fascination of the beguiling Tobin. In all of his films in the 1930s he would sing some tune that dealt with the heroine or another woman: "Mimi" in LOVE ME TONIGHT is an example, as is "Louise". "MITZI" is another example of this.

    The Lubitsch touch is shown throughout. One of the best moments is when Ruggles is talking to MacDonald about attending a party at their home, and learns it is a dinner party, not the costume party he is dressed for. He turns to his butler, and demands to know why he told Ruggles it was a costume party. "Oh sir," says the giggling butler, "I so wanted to see you in tights!" With bits like that sprinkled about, this film is a small treasure.
    7Doylenf

    Musical farce with the Lubitsch touch...

    Ernst Lubitsch (with some "assist" from George Cukor) directs this charming and witty farce which gives Maurice Chevalier a chance to steal the film from his very talented co-stars, including Jeanette MacDonald and Genevieve Tobin.

    His rendering of "Oh, that Mitzi!" (he breaks the fourth wall to speak directly to the camera--as in "Gigi" years later), and "Three Times A Day" remain the highlights of the film. The story itself is pure fluff, a tale about a happily married couple who each have a fling but remain faithful to each other for the finale. Of course, it's all pre-code morality done with style and wit.

    The sprinkling of songs also includes some rhyming dialogue, always a clever mix of words and music. Jeanette's voice sounds tinny here and there's no use made of her operatic range as the songs are simple and sweet, but she's charming and appealing as Chevalier's happily married wife. It's hard to see why she couldn't suspect that her best friend Genevieve Tobin would want to seduce her husband when the woman is such an obvious flirt. But of course, the story is strictly fluff and full of many improbable moments. The rather abrupt ending seems an awkward way to resolve the whole marital situation.

    Worth viewing to watch Maurice Chevalier deliver one of his most satisfying performances, especially good when addressing the audience with his problems. The catchy title song by Richard Whiting gets some nice singing moments from several players.
    7planktonrules

    Good, but a lesser Lubitsch film

    Director Ernst Lubitsch made some marvelous films during the 1930s. Because they were so deftly created and the films seemed so magical and perfect, many have dubbed these films as having "the Lubitsch touch". Well, ONE HOUR WITH YOU does have many of these touches, but to me it just didn't have the magic that his best films, such as TROUBLE IN PARADISE, had--though it is still a very good film.

    The film begins with a deliriously happy married couple, Maurice Chevalier and Jeanette MacDonald. They defy the stereotype that married people are dull and their love wanes--that is, until MacDonald's best friend, Mitzi (Genevieve Tobin), arrives. Mitzi is man-crazy and again and again Jeanette foolishly forces her husband to be with Mitzi alone. Eventually, he succumbs to her horny overtures--though the film seems to imply they didn't go very far. In retaliation, Jeanette grabs the first pipsqueak she can find (Charlie Ruggles) and sows a few (a very few) oats of her own. Can this couple survive? Will they live happily ever after? Sure, you betcha.

    This film is a musical. While none of the numbers are especially memorable and occasionally Ms. MacDonald hit some notes that made my skin crawl, the songs were very good--very light and simple with excellent lyrics. In addition, at times the dialog was spoken in rhyme--though this confused me. At times, they rhymed beautifully (almost like a Dr. Seuss book) but then the dialog became much more normal. Later, they started rhyming again. I think they should have either stuck with this or dropped it altogether. As it was, it just seemed like they lost interest in this and forgot to keep rhyming. One thing I really did like, though, was how Chevalier occasionally broke character and spoke to the camera--like he was having a dialog with the audience. This was clever and the film had enough good moments to recommend it, but still it doesn't rank among the director's very best.

    By the way, I saw this on DVD but was saddened to see it only had the American version. According to IMDb both MacDonald and Chevalier also filmed a French version at the same time, as Ms. MacDonald was apparently fluent in French!

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    Argumento

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    • Trivia
      A French-language version of the film ("One More Hour With You") was filmed simultaneously. Maurice Chevalier and Jeanette MacDonald (who both spoke French fluently) played the same parts as in the English version, and Lili Damita replaced Genevieve Tobin.
    • Citas

      Dr. Andre Bertier: Madame! You may think I'm a coward. I am!

    • Versiones alternativas
      Original release prints of "One Hour With You" contained a number of scenes tinted in amber and blue (for interior and exterior night-time scenes). These tints were restored by UCLA, and the tinted version of the film was used in the laserdisc release "The Lubitsch Touch".
    • Conexiones
      Referenced in Hollywood: City of Celluloid (1932)
    • Bandas sonoras
      One Hour with You
      (uncredited)

      Music by Richard A. Whiting

      Lyrics by Leo Robin

      Performed by The Coconut Orchestra with vocal by Donald Novis

      Sung by Genevieve Tobin and Maurice Chevalier

      Sung by Charlie Ruggles and Jeanette MacDonald

      Sung by Maurice Chevalier and Jeanette MacDonald

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    Preguntas Frecuentes

    • How long is One Hour with You?
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    Detalles

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    • Fecha de lanzamiento
      • 25 de marzo de 1932 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Francés
    • También se conoce como
      • Jedan sat ljubavi
    • Locaciones de filmación
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Ángeles, California, Estados Unidos(Studio)
    • Productora
      • Paramount Pictures
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 18 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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