Un reportero ve la oportunidad de su vida cuando un acusado de asesinato escapa de la horca.Un reportero ve la oportunidad de su vida cuando un acusado de asesinato escapa de la horca.Un reportero ve la oportunidad de su vida cuando un acusado de asesinato escapa de la horca.
- Dirección
- Guionistas
- Elenco
- Nominado a 3 premios Óscar
- 4 premios ganados y 3 nominaciones en total
- Murphy
- (as Walter L. Catlett)
- Sheriff Hartman
- (as Clarence H. Wilson)
- Schwartz
- (as Freddie Howard)
- Endicott
- (as Gene Strong)
Opiniones destacadas
I absolutely love HIS GIRL_FRIDAY and wasn't expecting much from this earlier and lesser-known version. But I must say that THE FRONT PAGE is itself a terrific film that, though slightly different (but mostly similar), is just as great as HIS GIRL_FRIDAY. (The wonderful humor must be inherent in the original play.)
The ensemble cast is superb, including Pat O'Brien as the soon-to-be-married star reporter, Adolphe Menjou as his big shot editor, Clarence Wilson as the harassed sheriff, George E. Stone as a condemned man, and a roomful of reporters including Frank McHugh, Walter Catlett, and Edward Everett Horton.
Made in 1931, early on in the sound era, the movie certainly looks pretty old. But I thought it was great. The script is very witty and the direction (by Oscar-winner Lewis Milestone) is good. I particularly enjoyed the direction in the pressroom scenes, with all of the reporters and all of the phones and the various snippets of conversation.
Also, being a "pre-code" comedy, there are some bits that might have been deemed too vulgar had the film been made only a few years later. There are some allusions to promiscuity, some almost swear words, and even a brief instance of "flipping the bird".
HIS GIRL_FRIDAY (1940) is an all-time classic screwball comedy. But if you enjoyed that film, you're sure to love THE FRONT PAGE (1931). The story is basically the same (there's less of a romantic angle as the star reporter is a man in this version), but a lot of the jokes are fresh. And this version offers wonderful performances by Menjou, Catlett, Horton, et al. Both movies are delightful comedies, and it's too bad that this earlier version isn't as well remembered as its remake.
THE FRONT PAGE is a classic in its own right, and was nominated for three big Academy Awards: Best Actor, Best Director, and Best Picture. I'd definitely recommend checking it out whenever you can find it.
"The Front Page" was held in high regard for the way director Lewis Milestone made a staid, one-room stage play really MOVE on the big screen. There were "Academy Award" nominations for "Best Picture", "Best Director", and "Best Actor". The later went to Mr. Menjou, although O'Brien is arguably the film's leading actor. Menjou had taken over the role when Louis Wolheim died; either man would have been up for a "Supporting Actor" award, had they been given.
"This story is laid in a mythical kingdom," by Ben Hecht and Charles MacArthur, the writers who deserved "The Front Page" award.
******* The Front Page (3/19/31) Lewis Milestone ~ Pat O'Brien, Adolphe Menjou, Mary Brian, Edward Everett Horton
Fast and funny--the first cinematic version of this story. It shows its age at times and some of it is wildly overacted but O'Brien and Menjou are both just great in their roles. Also director Lewis Milestone uses some very unusual camera tricks to keep the story moving and there's lots of action and running around which is unusual for an early talkie.
This was remade in 1940 with a sex change making Johnson a woman. That was "His Girl Friday" with Rosalind Russell and Cary Grant. That one is better than this but this is better than the 1974 version (that had Jack Lemmon and Walter Matthau) and 1988 remake called "Switching Channels" (with Kathleen Turner and Burt Reynolds). They're all good to varying degrees but this one came first. Worth seeing.
I too am a devoted fan of His Girl Friday, but these are two very different films. Front Page is a masterpiece of old school ensemble character acting, and without it to break new ground, I don't believe His Girl Friday would have had nearly the breakneck pacing and out of the bottle genius that it is rightfully remembered for. The Front Page should take an esteemed place in film history for being the fertile breeding ground of screwball comedy in general and many of its masterpieces, including His Girl Friday, in particular. A must see for 1930's film buffs and screwball comedy fanatics!
All the clichés about newspapers as portrayed on film originate with this work. Lewis Milestone assembled a great cast of character actors as the gang in the press room and the lines they toss back and forth at each other are priceless. Even better were some of the lines at the expense of the self important political and law enforcement figures they cover.
I suppose it's the nature of the job that makes newsmen cynical. But this group takes it to an exponential level. Frank Capra did something very similar in Mr. Smith Goes to Washington. When newly appointed interim Senator James Stewart arrives in town and they make him out a buffoon, Stewart goes around punching out all of them he can find. When he does reach the Capitol Press Room, the whole group of them Thomas Mitchell, Jack Carson, Charles Lane, etc. bring him up quite short. That group of correspondents could easily have been in the press room in The Front Page. I have no doubt that Capra was inspired by Milestone's work in The Front Page.
The casting of the leads is quite a story. Pat O'Brien had played Walter Burns on stage and someone in the Howard Hughes organization got their wires crossed and signed him for Hildy Johnson. O'Brien made the switch effortlessly though.
Lewis Milestone originally wanted Louis Wolheim with whom he'd worked the year before in All Quiet on the Western Front. But then Wolheim died suddenly right before filming was to start. Adolphe Menjou was hurriedly substituted and he proved to be an inspired choice.
When The Front Page was done on the Broadway stage the roles of Johnson and Burns were played by Lee Tracy and Osgood Perkins. I could see either of them in their respective parts. Both got to Hollywood, but too late to do either part for the screen.
The two female roles of note were Johnson's fiancé Peggy and the streetwalker who had befriended convicted killer George E. Stone who's execution the reporters are covering. Mae Clarke as the prostitute is just fine. A tough year for Mae, she jumps through a window here and gets slugged with a grapefruit later on in Public Enemy.
Mary Brian is the fiancé and in an underwritten part, she's dull as dishwater. Not her fault because the film is about the guys. But seeing this, no wonder Howard Hawks got the inspired idea to eliminate her, create THE Ralph Bellamy part and make Hildy Johnson a woman for His Girl Friday.
Of course The Front Page has the look and feel of the era that birthed it. But the portrait of newspapermen is still fresh and the issues raised about crooked politicians running on "law and order" platforms is probably even more relevant today than back then.
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- TriviaThe last line of the stage play had to be partly obliterated in the film version by the sound of a typewriter being accidentally struck because the censors --even of that day--wouldn't allow the phrase "son-of-a-bitch" to be used in a movie.
- Errores(at around 1h 9 mins) Hildy types furiously at a typewriter; however, with his right hand he only uses his index finger and pushes the same key over and over again.
- Citas
Irving Pincus: Can we help it if the people rise to support this administration's stand against the Red menace!
Sheriff Hartman: Personified by Mr. Earl Williams. The guy who loses his job he's held for 14 years, joins a parade of unemployed, and, because he's goofy from lack of food, waves a red handkerchief.
Irving Pincus: Williams is a dangerous radical! And he killed a policeman.
Jimmy Murphy: Williams is a poor bird who had the tough luck to kill a colored policeman in a town where the colored vote counts!
- Créditos curiososThe end credits consist of Walter and Hildy above a big 'THE END,' covering a large question mark, while the sound of the train is heard and music plays. There is also laughter, presumably coming from Walter Burns.
- ConexionesFeatured in Sprockets: Ready When You Are... (1991)
- Bandas sonorasBy the Light of the Silvery Moon
(1909) (uncredited)
Music by Gus Edwards
Played on banjo early in the film
Selecciones populares
- How long is The Front Page?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 1,526,000
- Tiempo de ejecución1 hora 41 minutos
- Color