CALIFICACIÓN DE IMDb
7.3/10
2.7 k
TU CALIFICACIÓN
El editor municipal de un tabloide sórdido va en contra de su propia ética periodística para resucitar un caso de asesinato de hace veinte años - con trágicos resultados.El editor municipal de un tabloide sórdido va en contra de su propia ética periodística para resucitar un caso de asesinato de hace veinte años - con trágicos resultados.El editor municipal de un tabloide sórdido va en contra de su propia ética periodística para resucitar un caso de asesinato de hace veinte años - con trágicos resultados.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 3 premios ganados y 1 nominación en total
James P. Burtis
- Reporter
- (sin créditos)
Richard Carlyle
- First Newstand Proprietor
- (sin créditos)
Frank Darien
- Schwartz
- (sin créditos)
James Donlan
- Reporter in Speakeasy
- (sin créditos)
Evelyn Hall
- Isobel Weeks
- (sin créditos)
Gladys Lloyd
- Miss Edwards
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This largely forgotten film stars Edward G. Robinson and was one of the Best Picture Oscar nominees in 1931-1932. Robinson plays the editor of a newspaper whose publisher instructs Robinson to come up with a story that will increase circulation. Robinson's solution is to track down a woman who killed the father of her child twenty years before when he refused to marry her, but she was acquitted, largely because of her child. She has since married, and her daughter is on the eve of her own marriage and has no idea of her mother's past. Robinson's "what ever happened to" idea is a success, but at a horrible cost to the family involved.
Not on DVD or VHS, the film uses some techniques that were rather odd for Warner Bros at the time, considering that their urban dramas usually were very fast-paced. To begin with, the film makes a big production of introducing Robinson to the audience, having the other players talk about him at length, and even showing a shot of just his hands as he washes up before he makes his big entrance. Then - the whole movie proceeds to switch its dramatic center more to the family that Robinson's newspaper is writing a scandal piece on and its tragic effect on them.
Robinson and Boris Karloff - in an odd turn as an alcoholic reporter just prior to his star-making role in Frankenstein - have acting in the age of sound down to a fine art. However, the actors playing the roles of the family targeted by Robinson's scandal sheet seem to be hold-overs from the silent era, the best known being silent star H.B. Warner. Their speech is somewhat slow and over-dramatic, and their gestures exaggerated, but not ridiculously so. This might have been to contrast them with the hard-boiled occupants of the newsroom, but it makes the film look like it has two entirely different directors.
Not on DVD or VHS, the film uses some techniques that were rather odd for Warner Bros at the time, considering that their urban dramas usually were very fast-paced. To begin with, the film makes a big production of introducing Robinson to the audience, having the other players talk about him at length, and even showing a shot of just his hands as he washes up before he makes his big entrance. Then - the whole movie proceeds to switch its dramatic center more to the family that Robinson's newspaper is writing a scandal piece on and its tragic effect on them.
Robinson and Boris Karloff - in an odd turn as an alcoholic reporter just prior to his star-making role in Frankenstein - have acting in the age of sound down to a fine art. However, the actors playing the roles of the family targeted by Robinson's scandal sheet seem to be hold-overs from the silent era, the best known being silent star H.B. Warner. Their speech is somewhat slow and over-dramatic, and their gestures exaggerated, but not ridiculously so. This might have been to contrast them with the hard-boiled occupants of the newsroom, but it makes the film look like it has two entirely different directors.
Five Star Final (1931)
*** (out of 4)
An editor (Edward G. Robinson) at a sleazy newspaper makes a mistake by bringing a 20-year-old murder case back to the headlines. Earlier this year I watched the remake One Fatal Hour with Bogart, which pretty much followed this film word for word but this one here is slightly better due to the rich performance from Robinson and a powerful ending attacking the media. Some racy Pre-Code dialogue centered around a gay reporter is pretty eye catching as is the pre-Frankenstein performance by Boris Karloff as a drunken reporter.
*** (out of 4)
An editor (Edward G. Robinson) at a sleazy newspaper makes a mistake by bringing a 20-year-old murder case back to the headlines. Earlier this year I watched the remake One Fatal Hour with Bogart, which pretty much followed this film word for word but this one here is slightly better due to the rich performance from Robinson and a powerful ending attacking the media. Some racy Pre-Code dialogue centered around a gay reporter is pretty eye catching as is the pre-Frankenstein performance by Boris Karloff as a drunken reporter.
The story holds true just as much today as it did when it was made. Powerful newspapers will stop at nothing, it seems, in the name of circulation. Scandal sells. The best scene in the whole movie is when Jenny confronts each of the three protagonists with the question, "Why did you kill my mother?". Randall, realizing what he has caused to happen, attempts to kill the story, then turns in his resignation. (Or maybe he realized just how much power he held in his hands and wanted no more of it.) This movie shows that the pen, indeed, is mightier than the sword.
Viewed this film years ago on a late late T.V. show and was able to tape it. The author of the original play, Louis Weitzenkorn, was once the managing editor of the New York Evening Graphic, a yellow journalism tabloid which gave him the idea for the main character of Hinchecliffe former publisher of the New York Mirror. The film was remade as Two Against the World in 1936. Bernard Hinchecliffe(Oscar Apfel) owner of the notorious scandal sheet, the GAZETTE and his managing editor, Joseph Randall(Edward G. Robinson), is ordered to boost the circulation by doing a story on the Vorhees case. Years ago, Nancy Vorhees(Francis Starr) murdered the man who betrayed her. Randall seeks the services of T. Vernon Isopod (Boris Karloff), an expelled divinity student. Isopod disguises himself as a clergyman and enters the Townsend home, gaining their confidence. Ona Munson, veteran film actress of the 1930's and 1940's along with Boris Karloff fullfil their newspaper duties perfectly. Five Star Final is a great film classic because of the great acting of Edward G. Robinson.
This Oscar-nominated film (Best Picture) shows the dark side of journalism as a paper delves into the past of a woman (Frances Starr) who was impregnated by her boss and acquitted of his murder.
Edward G. Robinson (Little Caesar) is a newspaper editor that is interested in boosting circulation and is not concerned with the lives he destroys in the process. He goes after Nancy Voorhees (Starr), who is now Nancy (Voorhees) Townsend and is not concerned that she has not told her daughter (the doll-faced Marian Marsh), who is now about to me married, about her past.
Robinson was absolutely brilliant in the role and ably assisted by Boris Karloff and Oscar-nominated actress (Dragon Seed) Aline MacMahon in her first film.
A classic showing the seedy side of journalism.
Edward G. Robinson (Little Caesar) is a newspaper editor that is interested in boosting circulation and is not concerned with the lives he destroys in the process. He goes after Nancy Voorhees (Starr), who is now Nancy (Voorhees) Townsend and is not concerned that she has not told her daughter (the doll-faced Marian Marsh), who is now about to me married, about her past.
Robinson was absolutely brilliant in the role and ably assisted by Boris Karloff and Oscar-nominated actress (Dragon Seed) Aline MacMahon in her first film.
A classic showing the seedy side of journalism.
¿Sabías que…?
- TriviaOne of Edward G. Robinson's favorite films. In Robinson's autobiography, he says: "I loved Randall because he wasn't a gangster. I suspect he was conceived as an Anglo-Saxon. To look at me nobody would believe it, but I enjoyed doing him. He made sense, and thus I'm able to say that Five Star Final is one of my favorite films."
- ErroresWhen Nancy Voorhees Townsend is at the newsstand and picks up the Evening Gazette with her photo from 20 years ago beside the photo of the man she killed back then on the front page, the headline above the two photos is "Nancy Voorhees Story". But after she walks away with it to pay for it, another copy with the same two photos on the front is shown at the newsstand, but with the headline "2 Die in Subway Cave-in". After she pays for the one in her hand, that's loosely folded in half, part of the headline on it can be seen, and it isn't "Nancy Voorhees Story" as it had been - it's now the "2 Die in Subway Cave-in" headline. That same 'subway' headline is in the next shot when she sits down at the desk at her apartment to read it, before she hurriedly hides it in the drawer when her daughter enters the room.
- Citas
Jos. W. Randall: God gives us heartache and the devil gives us whiskey.
- ConexionesFeatured in When the Talkies Were Young (1955)
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- How long is Five Star Final?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Sed de escándalo
- Locaciones de filmación
- Productora
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Taquilla
- Presupuesto
- USD 310,000 (estimado)
- Tiempo de ejecución
- 1h 29min(89 min)
- Color
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