Hook Line and Sinker

This Wheeler and Woolsey comedy manages to be one of their best and funniest. I watched this with a friend who normally doesn't laugh too much during early-talkie films, but he was roaring with laughter while watching this. This may be the only one of their films without any musical numbers, but the non-stop comedy makes up for it. Jobynna Howland is hysterical as cute Dorothy Lee' s imposing mother. Ralf Harolde is his usual villainous self, and Natalie Moorehead is very funny as a fake countess. I understand that this film was one of RKO's biggest profit-makers, released in December, 1930. The backlash against musicals was in full-force here, and even the opening credits have no music, a roaring motorcycle and blaring siren underscoring them. There is a brief bit of music during a party scene, played by an orchestra seen on-screen, and a brief fanfare over the end credit, and that's it. Again, I have to say, even though I am pre-disposed to musicals, this is so funny that I rank it over some of W&W's more musical efforts. If you want a good laugh, check this out.

While this comedy falls off a little towards the end, it's still a great repository for the Funny Stuff that W and W did best. You might call Bert and Bob "Dumb and Smarter", with Wheeler's sweet-natured shlub a perfect match for Woolsey's sly, Groucho-esque wisecracker. The story shell is pure silliness, and the double-entendres come fast and furious. This certainly isn't their best vehicle, but anytime you see these guys in the cable schedule(which, alas, is not often), WATCH 'EM!!

This is a dated, but funny piece of 1930s Markeiing and Advertising. It is not highlighted as such in its description, but the bottom line of this film, and the primary reason it is funny, is that the advertising and marketing of a run-down hotel frequented by the rich makes for a fairly amusing premise. Wheeler and Woolsey, a moderately successful comedy team of the early 30s, are the protagonist in the film, even though they are scheming to make money off of the hapless woman who happens to have money from a rich family. Depression audiences loved films about people who had money, because they had none themselves. So these films were the stuff of dreams. Enjoy the silliness.

Hook Line And Sinker has Wheeler&Woolsey meeting Dorothy Lee on a road way while they successfully talk a cop out of a speeding ticket and sell insurance to him. She's running away from her mother's arranged marriage to the family attorney Ralf Harolde. Lee talks the boys into helping her run a fleabag hotel which is in her name.

There's a good reason why Harolde wants to marry her. In reality he's a gangster and he's used the place as a crook's hideout for years. But when Bert and Bob take it over they start a publicity campaign which works all too well saying the place has become THE in vacation resort for society folks. They come bringing all their money and jewels. Society bigwigs and gangsters, what a spot for a caper.

As for the romance Lee of course falls for Bert and her mother the amazonian Jobyna Howland just loves the moves that Woolsey is putting on her. Harolde's being foiled at every turn. It all leads up to a gangster invasion and a hilarious shootout at the climax.

This is a good introduction to Wheeler&Woolsey who are too sadly neglected today.

This is a very funny film starring Wheeler and Woolsey, a comedy team that is all but forgotten these days. Their brand of humor tended to be verbal and punny, but they were also adept physical comedians as well.

Here the pair end up helping, and romancing, a runaway fom a rich family. She's inherited a hotel and the boys decide to help her turn it into THE hot spot. Using their way with words they manage to have newspapers write the place up---mentioning how safe their safe is. This of course brings a steady stream of crooks all of which want to be the one to crack the safe.

Extremely well written, the film suffers from a few slow spots where the fast and furious dialog stop for a silent shot or moment. Normally it wouldn't be bad, but here it off sets the pacing of the film, which for the most part is fast moving, even if it seems not to have a direction.

If you want to see a good comedy you haven't seen before, by all means pick this up, its 75 minutes well spent.