Cracked Nuts

Wheeler and Woolsey are an acquired taste, for sure, but I've liked all their films so far. Their jokey, hokey vaudeville style somehow makes me laugh even (or maybe especially?) when the jokes are lame. The groaning is part of the enjoyment. As always, the happenings are extremely silly- this time with Wheeler and Woolsey competing to be king of a small nation that is not so desirable to lead, and the hilarity takes no prompting to ensue. Many old jokes that have been re-used mercilessly and no doubt pre-date Edwardian times; many dumb jokes that no one dared to use again; and sometimes even a good one, (my fave, "He's the most absent-minded man in the kingdom. Last week he put a cigarette to bed and threw himself out the window.") Dorothy Lee, who was especially good in Half Shot at Sunrise, is also good in this one, to a lesser extent. She and Wheeler form the ultimate sticky-and-sweet-as-molasses couple. Edna May Oliver is the perfect comic foil to, well, just about everyone. It is especially enjoyable when things turn violent vaudeville style.

And if you find yourself thinking that this reminds you of Duck Soup, remember this film came two years before that one. Recommended if you have worked up a taste for Wheeler and Woolsey or think you might be able to do so.

This Wheeler & Woolsey comedy smacks of both The Marx Brothers and Abbott & Costello since it takes place in a mythical country that always has conflict and has a routine reminiscent of "Who's on First?" (though it may also resemble the "Why a Duck?" routine from the Marxes' The Coconuts). Wheeler has bought the country to finance a revolution and Woolsey has bought the previous king's crown. Among the supporting players-usual leading lady Dorothy Lee as Wheeler's love interest and once again they do a romantic song, Edna May Oliver as her mother who doesn't approve of the union, Ben Turpin as cross-eyed as ever, and Boris Karloff as one of Wheeler's butlers though his voice sounded different from what I'm used to when I first heard him here. This might have been before his break-out turn as The Monster in Frankenstein since both this and that are from the same year. In summary, I laughed plenty at Cracked Nuts so that's a recommendation.

Wheeler and Woolsey were a first-rate comic team, now forgotten by most, who churned out a great number of money-making comedies for RKO in a brief period from 1930-1937. Until Fred and Ginger came along, they were the top earners for the studio. Sadly, they were often saddled (as they are here) with second-rate material. In this one, they don't get together until almost half an hour into the story, and even when they do, the jokes are pretty bad. They are surrounded with a top cast of players who would go on to better things-Boris Karloff and Edna Mae Oliver, as well as excellent comic support from Stanley Fields as the heavy and Leni Stengel as the vamp. Bert Wheeler's partner here, as she was to be in many of their films to come is the adorable ingenue Dorothy Lee, who doesn't get much to do. The only song she and Wheeler do is badly staged. There are some excellent Ruritanian sets by the studio's art director Max Rée, and a few spirited marches by Max Steiner in his pre-Warner Bros. days. Most of the fault beyond the script belongs to one of the Keystone Cops, Eddie Klein, who directed with a heavy hand. W&W would get better direction and better scripts in the years to come.

Wheeler and Woolsey made this romp about revolutions, assassinations, and romantic shenanigans, with a supporting cast including Dorothy Lee (who doesn't have much to do), Edna May Oliver (funny in fits and starts but not on screen enough), Boris Karloff (unmemorable), and Ben Turpin (cross-eyed as ever).

There are some cute and funny bits - the opening sequence with Wheeler and the elevator; the 'What' and 'Which' sequence with the map; the flying bombs; the aunt and the shower; and so on.

The one musical number for Wheeler and Lee is awful, nowhere near their usual standard, and actually becomes tedious and irritating very quickly.

'Cracked Nuts' is mildly diverting but not particularly good as a whole; it is one of the team's weaker efforts. Although W&W are always good value and entertaining, their co-stars have a poor script to work with and not much of a plot.

A couple of CRACKED NUTS find themselves mixed-up in a Latin American revolution.

Wheeler & Woolsey, America's greatest forgotten comedy team - Burt Wheeler was the short guy with curly hair, Robert Woolsey had the spectacles & cigar - find themselves in a film with as inane a plot as any they ever made. Which is all to the good as far as the Boys are concerned, as it gives them ample opportunity to sling the dialogue at each other, fast & furious. They are never boring & always funny (their El Dorinda map routine, with fierce general & villain Stanley Fields, will remind viewers of the Brothers Marx).

Unfortunately, their co-stars are given few lines with any life. Dorothy Lee is, appropriately, Wheeler's love interest, but she gets little to do except look kewpie-doll-cute. The formidable Edna May Oliver does what she can in the role of Miss Lee's dragon aunt, but she deserves much better dialogue to be really effective. Interestingly, there is no interaction between her character & Woolsey, as might be expected. Far better roles would await Miss Oliver in years to come & she would not disappoint.

Boris Karloff appears as a financier trying to foment revolution. Once again, his lines let him down & give him very little to work with; he gives no hints in this RKO film as to the legend he would very shortly become at Universal Studios. Movie mavens will recognize Silent Cinema comic Ben Turpin as the cross-eyed bombardier.

Wheeler & Miss Lee sing ‘Dance And The World Dances With You.'