La muñeca diabólica

After seventeen years in prison, the former respected Parisian banker Paul Lavond (Lionel Barrymore) flees with his friend, the lunatic scientist Marcel (Henry B. Walthall) that is researching with his wife Malita (Rafaela Ottiano) the miniaturization of animals and human beings to improve the resources of mankind. Paul Lavond was framed for robbery by his scoundrel associates Emil Coulvet (Robert Greig), Charles Matin (Pedro de Cordoba) and Victor Radin (Arthur Hohl) that had stolen his business while his family was doomed to shame, poverty and tragedy. When Marcel reduces the retarded servant Lachna (Grace Ford), he learns that the woman is motionless and only responds to the control of his brain and has a heart attack. After the death of Marcel, Paul Lavond sees the chance to use the miniaturization process as instrument of vengeance and he travels to Paris with the insane Malita disguised of Madame Mandilip, a nice old lady and owner of a dolls store. Paul Lavond, using the identity of Madame Mandilip, befriends his resented and estranged daughter Lorraine Lavond (Maureen O'Sullivan) and plots a scheme to revenge and vindicate his family name.

"The Devil Doll" is an entertaining film by Tod Browning with a good story and special effects still impressive in 2011. The cast has great performances but Lionel Barrymore is excellent in his double role, and convincing as an old woman. My vote is eight.

Title (Brazil): "A Boneca do Diabo" ("The Devil Doll")

For those who remember the word "camp," that description would apply to this film and especially the character played by lead actor Lionel Barrymore.

He makes this movie really fun to watch, adding humor to the "horror" story, dressing up and talking like an old woman en route to satisfying his revenge. The story has no credibility - absolutely none - but the movie is so likable that it's still satisfying and always entertaining. I wish this would be put out on DVD.

Another big plus for this movie is the fact it isn't that dated for being so old. The special effects, for its day, are quite good. The combination of humor and horror works, almost 70 years after it was released! Tod Browning, who did some weird movies such as "Freaks," directed this one, if that helps make you want to check this out.

Lionel Barrymore is great in this film as an escaped convict out for revenge against the three bankers who framed him for embezzlement and murder seventeen years before. He and another fellow, a scientist, escape from Devil's Island together and arrive at the scientist's house, where his wife carries on his twisted experiments: shrinking living beings. His goal is to shrink all creatures on Earth, to make food production easier, but the shrunken things' brains don't function properly. You can control them telepathically, for some strange reason, but they can't think for themselves. When the scientist dies, Barrymore devises to use these dolls to get revenge on his enemies.

There are a lot of relatively good special effects in the film, and, like I said, Lionel Barrymore is fantastic. There is a nice emotional center of the film - Barrymore's daughter has suffered a lot from her father's crimes, and she hates him. Barrymore's sole purpose in getting revenge (and getting his enemies to confess their crimes) is to free his daughter from the shame in which she has always lived because of him. I actually wish that there was at least one more sequence concerning the daughter (there are three in the present film). The final scene is quite touching. 7/10.

Don't let the genre classification as "sci/fi & horror" mislead you. It's really an excellent suspense/mystery/melodrama with the superb Lionel Barrymore (Mr Potter of "It's a Wonderful Life") and a young Maureen O'Sullivan. The sci/fi & fantasy elements - a mad scientist's ability to shrink people and control their actions - are exciting plot devices that allows Barrymore to exact revenge on the men who destroyed his life and family.

Director Tod Browning ("Freaks", the original "Dracula", and many Lon Chaney films) has created a great mix of suspense, action, light humor, & heart-tugging emotions in this tale of revenge and redemption.

The efx are (mostly) ahead of their time, and as good as the later shrunken-people sci-fi movies of the 40s and 50s, such as "Dr Cyclops", "Attack of the Puppet People", and "The Incredible Shrinking Man".

But the best part is the great acting of Barrymore. He plays a desperate escaped convict, who hides by masquerading as a kindly old woman, who in turn pretends to be maker of perfectly detailed dolls. As this character that's both humorous and murderous, obsessed and befuddled, he toys with the police and his betrayers who will be the targets of his army of living dolls. It's a tour de force of acting in this beautiful film.

The main reason to watch this movie is because it is entertaining. There are several reasons behind the high entertainment value. First and foremost is just the unique odd perspective of Tod Browning. You can almost hear people say "You can't do that!" and him reply "Oh yes I can, just watch me!" Another plus is that, believe it or not, the special effects still hold up after seventy years.

Lionel Barrymore in his most unusual role displays tremendous talent and versatility. He even makes his advanced arthritis condition work for him, as his crippled bent posture and slow walking ability (he would soon become cane-using and wheelchair-bound) add to his uncanny portrayal of an elderly woman. He sort of looks and sounds like his own sister in her later years, but anyway it really works.

The musical score is not much in evidence, but if you get a chance to hear a modern CD performance of it you will note that Waxman created a sophisticated waltz-themed work. Its complicated lilting structure that first ascends, then ends with several descending series of notes is brilliant, especially if played at faster tempo. It is subtly elegant and appropriate for this film.

Sheer talent and high creativity elevate this film to an "8" out of 10 rating on my scale.