CALIFICACIÓN DE IMDb
6.4/10
4.5 k
TU CALIFICACIÓN
Un periodista neoyorquino se entromete en la búsqueda de un científico para desenmascarar al Asesino de la Luna.Un periodista neoyorquino se entromete en la búsqueda de un científico para desenmascarar al Asesino de la Luna.Un periodista neoyorquino se entromete en la búsqueda de un científico para desenmascarar al Asesino de la Luna.
- Premios
- 1 nominación en total
Thomas E. Jackson
- Daily World Editor
- (as Thomas Jackson)
Louise Beavers
- Louise the Cathouse Maid
- (sin créditos)
Raoul Freeman
- Morgue Detective
- (sin créditos)
Selmer Jackson
- Willard Keefe - Daily World Night Editor
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaFor a time Warner Brothers did not have a print of the original Technicolor version and it was assumed to be lost. The Technicolor version was finally discovered in the private collection of studio head Jack L. Warner after his death in 1978 and restored by the UCLA Archives.
- ErroresAs Dr. Xavier displays the wax figures of the murder victims, on the first figure, that of the "woman of the streets", the left hand can be seen trembling slightly.
- Citas
Lee Taylor, Daily World Reporter: Are you going swimming with me in the morning?
Joanne 'Joan' Xavier: No thanks. Good night.
Lee Taylor, Daily World Reporter: What will you do if I start to sink and yell for help?
Joanne 'Joan' Xavier: Throw you an anvil. Good night!
- Versiones alternativasThis film was shot in two versions. One camera unit, under Ray Rennahan, shot the film in two-color Technicolor. A second camera unit, under Richard Towers, shot the scenes at the same time in black and white. The black and white version was meant for theaters who could not afford the higher rental cost of the color prints...black and white prints were less costly to rent.
- ConexionesEdited into Dedos macabros (1946)
Opinión destacada
Don't even try to compare this wonderful old WArner Brothers thriller from l934 with today's thrillers. It was made at a time long gone when atmosphere, sets, lighting and camerawork were king. I adore getting this movie out at least once a month along with "Mystery of the Wax Museum" and "Night Monster" (another reviewer has also cited "Night Monster" as the classic it is)turn out the lights and lose myself in the early Technicolor two-strip photographey which is beautifully pastel and atmospheric in its eerie greens, pinks, crimson and gold. The Anton Grot sets are unforgettable. The cast of Hollywood's greatest character actors throw themselves into their roles (I doubt they had any other choice. After all, the demonic Michael Curtiz was cracking the whip as director). Fay Wray is pretty and screams now and then. Most irritating of all is Lee Tracey as the relentlessly wise-cracking reporter. Glenda Farrell had the same role in "Mystery of the Wax Museum" also filmed in early color and she was fantastic. A great old thriller, set in a remote mansion by the sea. The monster is terrifying. Ironically, you never see any carnage, blood or torture. Hats off to those long-ago film masters who knew how to do things right.
- PrincessAnanka
- 28 jun 2001
- Enlace permanente
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 882,900
- Total a nivel mundial
- USD 1,294,920
- Tiempo de ejecución1 hora 16 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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What is the Spanish language plot outline for El doctor X (1932)?
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