Thicker Than Water

Appearantly this was the last comical short which starred the two boys in the leading roles. Too bad they didn't ended it with a blast. But still, this movie is just as good as most of their other works of course and it has some good and entertaining moments in it.

The story is just above average. It's your typical Laurel & Hardy stuff in which the boys get into some serious and unlikely trouble again. It's nothing special but the story and the movie in general serves its purpose to entertain and amuse its viewers.

The movie begins good with some typical slapstick moments. This is Laurel & Hardy at their best. After that the boys get into some more trouble, which also involves of course once more one of their wives and luckily it also involves James Finlayson again. His role is quite small and not really that impressive but his presence alone is more than enough reason to consider this movie an entertaining and above average one. All of the comical moments are rather predictable but executed very well, due to some good timing and acting by especially Stan Laurel and Oliver Hardy. The ending of the movie might feel out of place but nevertheless it's pretty entertaining to watch Stan Laurel imitate Oliver Hardy and vice versa. They both did a good job at imitating each other there and it surely made me laugh.

All in all it's a well made, consistent comedy by James W. Horne, who probably was the best and most consistent director of Laurel & Hardy pictures. Not their best or most memorable work but nevertheless a worthy last comedy short by the famous comical duo.

7/10

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Laurel and Hardy eat a nice dinner before setting out for a baseball game. However Mrs Hardy forces them to stay at home to wash the dishes. This, combined with further embarrassments, lead Laurel to suggest Hardy take control of his affairs rather than being owned by his wife. However a confusion over money leads the two men into a medical emergency.

Although the film feels like it has been made up of several good ideas rather than one, it still manages to be very funny for the most part. The opening dish washing routine is a great example of how much comedy they can get from a simple concept, while the `I gave it to him to give to you' routine is a good example of their verbal skills as actors. The short continues well but isn't able to be as good as it's first half again. The final scene is funny but the whole hospital epilogue doesn't really belong and it suggests that the idea occurred to them and they just looked for a film that they could tack it onto.

This sounds like a problem but it isn't that big a deal as the majority of the film works really well. Hardy and Laurel work well together and do well with the many types of routine they have here – just the routine where Laurel keeps putting clean dishes into the sink for washing is a good example of how their looks and body language can create laughs. Pollard is a good Mrs Hardy as she is feisty without being too dour. Finlayson enjoys his role as he has more dialogue than usual but also gets to do his `d'oh' and double take stuff (often it seems he either gets the physical stuff OR the dialogue).

Overall this is a really funny little short from Laurel and Hardy. The ending may feel like it doesn't belong with this film but even it manages to be worth a laugh! The fancy way that the scenes are linked (sliding doors effects) adds a novelty feel to what is a strong short from Laurel and Hardy.

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

Although more than fine in its own right, 'Thicker Than Water' is most notable for being their last short film, meaning them in the lead roles and not just a cameo appearance. Didn't find 'Thicker Than Water' one of the duo's best, in a filmography that was mostly solid to classic (only '45 Minutes from Hollywood' misfired for me but that was very early on when their partnership and style hadn't formed or evolved and when Hardy especially was not being used well), nonetheless it is still very good and has much of what makes Laurel and Hardy's work as appealing as it is.

Flaws are very little and more nit-picks really. The story is slight and a bit disjointed.

Do also agree to an extent that while the ending is very funny, it also felt a little tacked on.

More often than not though, 'Thicker Than Water' is great fun, not always hilarious but has enough amusing parts. It is never too silly, it doesn't lose its energy and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive. The physical comedy comes thick and fast and choreographed and performed beautifully, and the witty verbal interplay shines every bit as much. The beginning is one of the duo's funniest.

Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry sparkles and after taking time their early efforts to fully form it certainly felt well established from 'Two Tars' onwards and since then has not let up. Their comic timing is impeccable, both in the physical comedy than the verbal.

'Thicker Than Water' looks good visually, the energy is there from start to finish and the direction shows a sense of being at ease with the material and doesn't let it get too busy or static. Daphne Pollard and James Finlayson are great support.

Overall, very good. Not essential or classic Laurel and Hardy, but a good representation of them. 8/10 Bethany Cox

Another fabulous short from Stan and Ollie, this time finding Ollie with money troubles, drawing his (and his wifes) savings from the bank to pay off their furniture! One thing leads to another, but I won't spoil it if you haven't seen it! Brilliant, and some of the lines in this movie are classic! 7.5/10

Maybe not the best of Laurel and Hardy's many short subjects, but definitely has some novel twists--such as having them pull the sequence to a close by sliding the image across the screen to make way for the next shot. And the ending is a clever switch of the Laurel and Hardy personalities after a blood transfusion goes awry.

The boys begin by pulling a "who gave who the money to pay so and so" that's about as classic as the Abbott and Costello "Who's on first?" routine. DAPHNE POLLARD is Oliver Hardy's harassed wife who is so diminutive that she has to climb a chair in order to hit him over the head with a frying pan after one of his crazy schemes (at an auction) ends up with him having to turn over all their money for a grandfather clock which gets crushed by a truck.

Enjoyable romp for Laurel and Hardy fans. The twist ending serves as the icing on the cake.