Agrega una trama en tu idiomaA kindly old widow serves a free meal to the penniless boys but her greedy landlord wants to evict her for non payment of her mortgage, prompting the boys to come to her rescue.A kindly old widow serves a free meal to the penniless boys but her greedy landlord wants to evict her for non payment of her mortgage, prompting the boys to come to her rescue.A kindly old widow serves a free meal to the penniless boys but her greedy landlord wants to evict her for non payment of her mortgage, prompting the boys to come to her rescue.
- Dirección
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- Elenco
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- A Community Player
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- Drunk
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- Auction Passerby
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Opiniones destacadas
Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. Didn't find 'One Good Turn' as one of their best and a bit disappointing compared to their late 1928 and the best of their 1929 efforts, which were among their best and funniest early work. It is still very good and has much of what makes Laurel and Hardy's work as appealing as it is.
The story is slight, though more discernible than most Laurel and Hardy shorts at this point. and the first part takes a little bit too time to get going.
Did appreciate its more gentle approach and it was touching to see a sympathetic side to Laurel and Hardy.
When 'One Good Turn' does get going, which it does do quite quickly, it is great fun, not always hilarious but has enough amusing parts. It is never too silly, it doesn't lose its energy and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive. The unexpected and wonderfully strange ending here is the highlight.
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'One Good Turn' and on the most part from 'Two Tars' onwards we are far from robbed of that. Their comic timing is impeccable, especially Laurel's though Hardy at the end is one of the pleasures here.
'One Good Turn' looks good visually, has energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid.
Overall, very good. Not essential or classic Laurel and Hardy, but a good representation of them. 8/10 Bethany Cox
There are some pretty funny moments in this short movie, especially near the end. Another fine one by the two comedians.
The storyline told in this movie is straight forward, and certainly is one of the more enjoyable storylines in all the Laurel and Hardy movies I've seen so far, especially since there is an aspect of being a good samaritan to it.
Of course you have all the usual witty banter and funny slapstick comedy, and that is one of the major ingredients that make these classic comedy movies so enjoyable. And it was something that Stan Laurel and Oliver Hardy had managed to get to work in perfect unison.
I had some genuinely good laughs throughout the 20 minutes that "One Good Turn" ran for. And if you enjoy comedy, then you definitely have to sit down and watch "One Good Turn".
My rating of "One Good Turn" lands on a seven out of ten stars.
¿Sabías que…?
- TriviaThe finale in the film, where Stan Laurel retaliates against Oliver Hardy, was inspired by Stan's daughter Lois Laurel. . After Lois had seen so many movies in which Ollie mistreated Stan, she became fearful of Ollie (known to her as "Uncle Babe"). So Stan decided to write a scene that showed his character could stand up for himself. After that, Lois got along just fine with Ollie.
- ErroresThe opening titles claim Stan and Ollie's Model T Ford is a 1911, but it actually the 1921 model, which they've used in other shorts as their trademark car.
- Citas
Oliver: Now I see it all.
Stanley: What?
Oliver: "What". Don't try to alibi. You know you stole this money from that old lady. Why guilt is written all over you.
Stanley: What do you mean?
Oliver: I mean that you're going to give this money back and make a full confession!
Stanley: A confession of what?
Oliver: And to think after all these years I've been fostering a common theif. A viper in my bosom!
Stanley: Whose bosom? What are you talking about?
Oliver: Don't try to bluff me! To think you would bite the hand that was feeding you. You snake in the grass. You traitor! You sheep in wolf's clothing. You double-crosser. You Judas! You... You...!
Stanley: Stop! Don't call me a "You-you".
- Versiones alternativasThere is also a colorized version.
- ConexionesEdited into Zwei Ritter ohne Furcht und Tadel (1932)
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Detalles
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- Tiempo de ejecución20 minutos
- Color