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IMDbPro

One Good Turn

  • 1931
  • Passed
  • 20min
CALIFICACIÓN DE IMDb
7.1/10
1.8 k
TU CALIFICACIÓN
Oliver Hardy and Stan Laurel in One Good Turn (1931)
SlapstickComedyShort

Agrega una trama en tu idiomaA kindly old widow serves a free meal to the penniless boys but her greedy landlord wants to evict her for non payment of her mortgage, prompting the boys to come to her rescue.A kindly old widow serves a free meal to the penniless boys but her greedy landlord wants to evict her for non payment of her mortgage, prompting the boys to come to her rescue.A kindly old widow serves a free meal to the penniless boys but her greedy landlord wants to evict her for non payment of her mortgage, prompting the boys to come to her rescue.

  • Dirección
    • James W. Horne
  • Guionistas
    • H.M. Walker
    • Stan Laurel
    • James Parrott
  • Elenco
    • Stan Laurel
    • Oliver Hardy
    • Mary Carr
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.1/10
    1.8 k
    TU CALIFICACIÓN
    • Dirección
      • James W. Horne
    • Guionistas
      • H.M. Walker
      • Stan Laurel
      • James Parrott
    • Elenco
      • Stan Laurel
      • Oliver Hardy
      • Mary Carr
    • 26Opiniones de los usuarios
    • 5Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos20

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    + 14
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    Elenco principal16

    Editar
    Stan Laurel
    Stan Laurel
    • Stan
    Oliver Hardy
    Oliver Hardy
    • Ollie
    Mary Carr
    Mary Carr
    • Old Lady
    James Finlayson
    James Finlayson
    • A Community Player
    Baldwin Cooke
    Baldwin Cooke
    • Bit Part
    • (sin créditos)
    Gordon Douglas
    Gordon Douglas
    • A Community Player
    • (sin créditos)
    Billy Gilbert
    Billy Gilbert
    • Drunk
    • (sin créditos)
    Dick Gilbert
    Dick Gilbert
    • Bit Part
    • (sin créditos)
    William Gillespie
    William Gillespie
    • Bit Part
    • (sin créditos)
    Dorothy Granger
    Dorothy Granger
    • A Community Player
    • (sin créditos)
    Ham Kinsey
    Ham Kinsey
    • Bit Part
    • (sin créditos)
    Bob Minford
    • Auction Passerby
    • (sin créditos)
    Retta Palmer
    • Bit Part
    • (sin créditos)
    'Snub' Pollard
    'Snub' Pollard
    • A Community Player
    • (sin créditos)
    Lyle Tayo
    Lyle Tayo
    • A Community Player
    • (sin créditos)
    Charley Young
    • Bit Part
    • (sin créditos)
    • Dirección
      • James W. Horne
    • Guionistas
      • H.M. Walker
      • Stan Laurel
      • James Parrott
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios26

    7.11.7K
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    Opiniones destacadas

    7planktonrules

    Only about average until the spectacular and weird ending

    For the first 90% of this Laurel and Hardy short, there wasn't a whole lot to distinguish it from any other. In fact, the plot seemed a bit "schmaltzy" (i.e., sappy), as Stan and Ollie try to help out an old lady who they mistakenly think is about to be evicted by an evil landlord. Instead of the usual Laurel and Hardy hi-jinx, the film tends to be a nicer and gentler side to the boys--thus, to me, it's a tad dull! That is, dull until the very end of the film! At this point, in a HUGE contrast to the usual relationship between Stan and Ollie, Stan has had enough and proceeds to chase Ollie about trying to beat the stuffing out of him!! And, in the process, they destroy much of the nice old lady's home! The scene is a lot of fun to watch and quite spectacular, so the film is definitely worth seeing. Just don't expect it to be among their better films--at least until the end.
    8TheLittleSongbird

    Gentle Laurel and Hardy

    Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

    Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. Didn't find 'One Good Turn' as one of their best and a bit disappointing compared to their late 1928 and the best of their 1929 efforts, which were among their best and funniest early work. It is still very good and has much of what makes Laurel and Hardy's work as appealing as it is.

    The story is slight, though more discernible than most Laurel and Hardy shorts at this point. and the first part takes a little bit too time to get going.

    Did appreciate its more gentle approach and it was touching to see a sympathetic side to Laurel and Hardy.

    When 'One Good Turn' does get going, which it does do quite quickly, it is great fun, not always hilarious but has enough amusing parts. It is never too silly, it doesn't lose its energy and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive. The unexpected and wonderfully strange ending here is the highlight.

    Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'One Good Turn' and on the most part from 'Two Tars' onwards we are far from robbed of that. Their comic timing is impeccable, especially Laurel's though Hardy at the end is one of the pleasures here.

    'One Good Turn' looks good visually, has energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid.

    Overall, very good. Not essential or classic Laurel and Hardy, but a good representation of them. 8/10 Bethany Cox
    7rbverhoef

    Entertaining Laurel & Hardy movie

    A nice Laurel & Hardy movie where they are victims of the depression. After Laurel has burned their tent and lost their food and clothes they get something to eat from a nice old lady. They overhear the woman when she is talking to a man. He says she will be thrown out of her house because she can't pay the 100 dollars she owes him. Laurel & Hardy want to help the lady because she helped them. They still own a car and they try to sell it for the 100 dollars they need.

    There are some pretty funny moments in this short movie, especially near the end. Another fine one by the two comedians.
    7paul_haakonsen

    One of the better Laurel and Hardy movies...

    The 1931 comedy short film "One Good Turn" is without a doubt a classic Laurel and Hardy movie, and I am glad that I had the opportunity to sit down and watch it here in 2022.

    The storyline told in this movie is straight forward, and certainly is one of the more enjoyable storylines in all the Laurel and Hardy movies I've seen so far, especially since there is an aspect of being a good samaritan to it.

    Of course you have all the usual witty banter and funny slapstick comedy, and that is one of the major ingredients that make these classic comedy movies so enjoyable. And it was something that Stan Laurel and Oliver Hardy had managed to get to work in perfect unison.

    I had some genuinely good laughs throughout the 20 minutes that "One Good Turn" ran for. And if you enjoy comedy, then you definitely have to sit down and watch "One Good Turn".

    My rating of "One Good Turn" lands on a seven out of ten stars.
    7Hitchcoc

    A Bit Harsh

    I'm not sure how to take this one. Stan and Ollie have hit bottom during the depression. All they have is an old car and a tent, which is soon destroyed They are reduced to begging and an old lady gives them some food. But because they can't get along, they waste the food, throwing it at each other. When they hear a melodrama being practiced behind closed doors, they think that the old lady is being foreclosed on by Jimmy Finlayson. It is actually a rehearsal for a community play. They decide to sell their car to help the kind old lady out. Well things go south. The thing with this episode is that they end up in a confrontation that detracts form their normal relationships. It's still worth a watch with quite a surprise ending.

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    Argumento

    Editar

    ¿Sabías que…?

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    • Trivia
      The finale in the film, where Stan Laurel retaliates against Oliver Hardy, was inspired by Stan's daughter Lois Laurel. . After Lois had seen so many movies in which Ollie mistreated Stan, she became fearful of Ollie (known to her as "Uncle Babe"). So Stan decided to write a scene that showed his character could stand up for himself. After that, Lois got along just fine with Ollie.
    • Errores
      The opening titles claim Stan and Ollie's Model T Ford is a 1911, but it actually the 1921 model, which they've used in other shorts as their trademark car.
    • Citas

      Oliver: Now I see it all.

      Stanley: What?

      Oliver: "What". Don't try to alibi. You know you stole this money from that old lady. Why guilt is written all over you.

      Stanley: What do you mean?

      Oliver: I mean that you're going to give this money back and make a full confession!

      Stanley: A confession of what?

      Oliver: And to think after all these years I've been fostering a common theif. A viper in my bosom!

      Stanley: Whose bosom? What are you talking about?

      Oliver: Don't try to bluff me! To think you would bite the hand that was feeding you. You snake in the grass. You traitor! You sheep in wolf's clothing. You double-crosser. You Judas! You... You...!

      Stanley: Stop! Don't call me a "You-you".

    • Versiones alternativas
      There is also a colorized version.
    • Conexiones
      Edited into Zwei Ritter ohne Furcht und Tadel (1932)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 31 de octubre de 1931 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Official Site
    • Idioma
      • Inglés
    • También se conoce como
      • ¿Por qué trabajar?
    • Locaciones de filmación
      • Hal Roach Studios - 8822 Washington Blvd., Culver City, California, Estados Unidos(Studio)
    • Productora
      • Hal Roach Studios
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      20 minutos
    • Color
      • Black and White

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