Agrega una trama en tu idiomaAfter an endless cycle of dish washing, Ollie makes a withdrawal, ending up in the hospital after buying a grandfather clock. Only a generous blood transfusion can help him bounce back; howe... Leer todoAfter an endless cycle of dish washing, Ollie makes a withdrawal, ending up in the hospital after buying a grandfather clock. Only a generous blood transfusion can help him bounce back; however, is modern medicine prepared for the outcome?After an endless cycle of dish washing, Ollie makes a withdrawal, ending up in the hospital after buying a grandfather clock. Only a generous blood transfusion can help him bounce back; however, is modern medicine prepared for the outcome?
- Dirección
- Guionistas
- Elenco
- Auctioneer
- (sin créditos)
- Bank Teller
- (sin créditos)
- Dr. F.D. Allen
- (sin créditos)
- Hospital Visitor
- (sin créditos)
- Man at Auction
- (sin créditos)
- Nurse
- (sin créditos)
- Auction Bidder
- (sin créditos)
- Nurse Goodall
- (sin créditos)
- Bank Teller
- (sin créditos)
Opiniones destacadas
The film kicks off with an amusing washing up routine, Ollie cleaning the plates, with Stan drying them and then passing them back to Ollie to wash again. When Ollie sees what Stan has been doing he tells him to put the plates elsewhere, so Stan stacks them on a lit gas burner; Ollie picks them up to put them in the cupboard, burns his hands and drops all of the crockery. So far, so chucklesome.
A little later, Laurel and Hardy regular co-star James Finlayson arrives at the house to collect payment for the Hardy's furniture, which leads to a clever verbal exchange between all of the characters akin to Abbott and Costello's famous 'Who's on first?' routine. Following this, Stan tells Ollie that he should pay for the furniture outright with his savings, but Mrs. Hardy disagrees. Egged on by Stan, Ollie goes to the bank to withdraw the cash, but instead of paying for the furniture, he mistakenly spends the money on a grandfather clock in an auction (the price going sky high thanks to Stan). On their way home with their purchase, the clock is smashed to pieces by a lorry.
When Mrs. Hardy discovers what has happened, she loses her cool and hits her husband over the head with a frying pan (climbing on a chair to do so). In hospital, Ollie requires a blood transfusion, with Stan as the donor, and the results are unexpectedly bizarre.
Not only does this short deliver solid laughs at regular intervals, but it also features some wonderful transitions, Stan pulling the next scene from the side and dragging it across the screen. It's clever stuff for the time and really adds to the fun.
Although more than fine in its own right, 'Thicker Than Water' is most notable for being their last short film, meaning them in the lead roles and not just a cameo appearance. Didn't find 'Thicker Than Water' one of the duo's best, in a filmography that was mostly solid to classic (only '45 Minutes from Hollywood' misfired for me but that was very early on when their partnership and style hadn't formed or evolved and when Hardy especially was not being used well), nonetheless it is still very good and has much of what makes Laurel and Hardy's work as appealing as it is.
Flaws are very little and more nit-picks really. The story is slight and a bit disjointed.
Do also agree to an extent that while the ending is very funny, it also felt a little tacked on.
More often than not though, 'Thicker Than Water' is great fun, not always hilarious but has enough amusing parts. It is never too silly, it doesn't lose its energy and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive. The physical comedy comes thick and fast and choreographed and performed beautifully, and the witty verbal interplay shines every bit as much. The beginning is one of the duo's funniest.
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry sparkles and after taking time their early efforts to fully form it certainly felt well established from 'Two Tars' onwards and since then has not let up. Their comic timing is impeccable, both in the physical comedy than the verbal.
'Thicker Than Water' looks good visually, the energy is there from start to finish and the direction shows a sense of being at ease with the material and doesn't let it get too busy or static. Daphne Pollard and James Finlayson are great support.
Overall, very good. Not essential or classic Laurel and Hardy, but a good representation of them. 8/10 Bethany Cox
Although the film feels like it has been made up of several good ideas rather than one, it still manages to be very funny for the most part. The opening dish washing routine is a great example of how much comedy they can get from a simple concept, while the `I gave it to him to give to you' routine is a good example of their verbal skills as actors. The short continues well but isn't able to be as good as it's first half again. The final scene is funny but the whole hospital epilogue doesn't really belong and it suggests that the idea occurred to them and they just looked for a film that they could tack it onto.
This sounds like a problem but it isn't that big a deal as the majority of the film works really well. Hardy and Laurel work well together and do well with the many types of routine they have here just the routine where Laurel keeps putting clean dishes into the sink for washing is a good example of how their looks and body language can create laughs. Pollard is a good Mrs Hardy as she is feisty without being too dour. Finlayson enjoys his role as he has more dialogue than usual but also gets to do his `d'oh' and double take stuff (often it seems he either gets the physical stuff OR the dialogue).
Overall this is a really funny little short from Laurel and Hardy. The ending may feel like it doesn't belong with this film but even it manages to be worth a laugh! The fancy way that the scenes are linked (sliding doors effects) adds a novelty feel to what is a strong short from Laurel and Hardy.
The story is just above average. It's your typical Laurel & Hardy stuff in which the boys get into some serious and unlikely trouble again. It's nothing special but the story and the movie in general serves its purpose to entertain and amuse its viewers.
The movie begins good with some typical slapstick moments. This is Laurel & Hardy at their best. After that the boys get into some more trouble, which also involves of course once more one of their wives and luckily it also involves James Finlayson again. His role is quite small and not really that impressive but his presence alone is more than enough reason to consider this movie an entertaining and above average one. All of the comical moments are rather predictable but executed very well, due to some good timing and acting by especially Stan Laurel and Oliver Hardy. The ending of the movie might feel out of place but nevertheless it's pretty entertaining to watch Stan Laurel imitate Oliver Hardy and vice versa. They both did a good job at imitating each other there and it surely made me laugh.
All in all it's a well made, consistent comedy by James W. Horne, who probably was the best and most consistent director of Laurel & Hardy pictures. Not their best or most memorable work but nevertheless a worthy last comedy short by the famous comical duo.
7/10
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¿Sabías que…?
- TriviaThis is Laurel & Hardy's last two-reel short, except for a cameo appearance in On the Wrong Trek (1936). Hal Roach decided to move the pair into feature-length films from here on.
- ErroresWhen the truck runs over the grandfather clock, there are no mechanical parts inside.
- Citas
Mrs. Daphne Hardy: Oliver, did I or did I not give you the money to pay on the furniture?
Ollie: You certainly did.
Mrs. Daphne Hardy: Then why wasn't it paid?
Ollie: [points to Stan] Why I gave it to him to pay it for me.
Mrs. Daphne Hardy: [to Stan] Then what did YOU do with it?
Stanley: [points to Ollie] I gave it back to him.
Ollie: You gave it to ME?
Stanley: Yeah, I gave it to you to pay my room and board, and you gave it to her.
[points to Mrs. Hardy]
Stanley: "Recomember"?
Mrs. Daphne Hardy: Do you mean to say that the money that he
[points to Ollie]
Mrs. Daphne Hardy: gave to you
[points to Stan]
Mrs. Daphne Hardy: that you gave to him
[points to Ollie]
Mrs. Daphne Hardy: that he gave to me was the same money that I gave to him
[points to Ollie]
Mrs. Daphne Hardy: to pay HIM?
[points to Finlayson]
Stanley: Well if that was the money that you gave to him
[points to Ollie]
Stanley: to give to me
[points to self]
Stanley: to pay to him
[points to Finlayson]
Stanley: It must have been the money I gave him
[points to Ollie]
Stanley: to give to you to pay my rent, didn't I?
[Ollie nods wildly]
- Versiones alternativasThere is also a colorized version.
- ConexionesFeatured in Omnibus: Cuckoo: A Celebration of Mr. Laurel and Mr. Hardy (1974)
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- S konja na magarca
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución21 minutos
- Color
- Relación de aspecto
- 1.33 : 1