CALIFICACIÓN DE IMDb
5.9/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaDuring WWI, two officers, one a pilot and the other in the navy, compete for the same beautiful young woman.During WWI, two officers, one a pilot and the other in the navy, compete for the same beautiful young woman.During WWI, two officers, one a pilot and the other in the navy, compete for the same beautiful young woman.
- Premios
- 3 premios ganados en total
Ernie Alexander
- Alexander, a Pilot
- (sin créditos)
Jimmy Aubrey
- Pier Office Sailor
- (sin créditos)
Glen Cavender
- Ammunition Factory Clerk
- (sin créditos)
Edward Cooper
- Realtor
- (sin créditos)
Murray Kinnell
- Padre
- (sin créditos)
Eily Malyon
- Wendy, the Maid
- (sin créditos)
Frank Marlowe
- MP Corporal
- (sin créditos)
Carlyle Moore Jr.
- Moore, a Pilot
- (sin créditos)
Bert Moorhouse
- Moorhouse, a Pilot
- (sin créditos)
Opinión destacada
Despite some very glossy MGM B&W photography, as shown in the good print of this film aired by TCM, and some attractive sets and very Adrian-created costumes for JOAN CRAWFORD, TODAY WE LIVE is a film as generic as its title. It's hard to distinguish from any other triangle romance except that the war background gives it added interest.
The script is a strange affair. It's hard to believe that JOAN CRAWFORD and GARY COOPER would openly declare their deep love for each other after exchanging a few glances across a cup of tea. In the very next scene they're hopelessly in love, with Crawford feeling guilt because she's the fiancé of ROBERT YOUNG.
Young's brother is the carefree FRANCHOT TONE (who walks off with the earlier scenes in the film), while ROBERT YOUNG gets his chance to do a fair share of emoting later in the film as his role expands. It's nice seeing these well-known actors at an early stage in their budding careers and still in their prime.
For GARY COOPER fans this is nothing special, but Crawford's admirers will find that she was at the height of her photogenic, sculptured beauty despite some odd dress designs by Adrian that don't suggest anything but the studio's line of glamor during the early '30s. She wears a boldly designed dress with a strange wing collar that has to be seen to be believed. It's hilarious! And that's just so she can pour tea with some dignity.
The actors all speak in clipped lines. "Good girl," says Franchot Tone on several occasions, trying to sound like Colonel Blimp, I suppose. And the others too adopt a strange way of clipping phrases so they sound more British. Very funny.
It goes into darker territory in the later war scenes and there director Howard Hawks seems more at home. But for a film in which the Joan Crawford character was added as a last minute script change, she certainly gets her fair share of footage and dominates the first forty-five minutes. But the love angle is certainly a strange one. She treats Cooper with rude indifference several times during their first meeting although his behavior is that of the perfect gentleman. Shortly thereafter, she confesses she's in love with him. That's the movies for you.
The script is a strange affair. It's hard to believe that JOAN CRAWFORD and GARY COOPER would openly declare their deep love for each other after exchanging a few glances across a cup of tea. In the very next scene they're hopelessly in love, with Crawford feeling guilt because she's the fiancé of ROBERT YOUNG.
Young's brother is the carefree FRANCHOT TONE (who walks off with the earlier scenes in the film), while ROBERT YOUNG gets his chance to do a fair share of emoting later in the film as his role expands. It's nice seeing these well-known actors at an early stage in their budding careers and still in their prime.
For GARY COOPER fans this is nothing special, but Crawford's admirers will find that she was at the height of her photogenic, sculptured beauty despite some odd dress designs by Adrian that don't suggest anything but the studio's line of glamor during the early '30s. She wears a boldly designed dress with a strange wing collar that has to be seen to be believed. It's hilarious! And that's just so she can pour tea with some dignity.
The actors all speak in clipped lines. "Good girl," says Franchot Tone on several occasions, trying to sound like Colonel Blimp, I suppose. And the others too adopt a strange way of clipping phrases so they sound more British. Very funny.
It goes into darker territory in the later war scenes and there director Howard Hawks seems more at home. But for a film in which the Joan Crawford character was added as a last minute script change, she certainly gets her fair share of footage and dominates the first forty-five minutes. But the love angle is certainly a strange one. She treats Cooper with rude indifference several times during their first meeting although his behavior is that of the perfect gentleman. Shortly thereafter, she confesses she's in love with him. That's the movies for you.
- Doylenf
- 7 dic 2006
- Enlace permanente
Argumento
¿Sabías que…?
- TriviaVariety reported in its review that director Howard Hawks used footage from the movie Ángeles infernales (1930) for the big bomber expedition sequence, the main dogfight, and the head-on collision of two airplanes.
- ErroresAlthough the story takes place in England, during the World War I period (1916), 'Joan Crawford''s hairstyles and clothes are all strictly contemporary, including some very striking Adrian creations that were the very trademark of the time and place when it was being filmed (Hollywood, 1933.)
- ConexionesFeatured in Joan Crawford: The Ultimate Movie Star (2002)
- Bandas sonorasTHE YOUNG OBSERVER
(uncredited)
Traditional
Lyrics by David Snell
Sung by Roscoe Karns and others
[Variant of "My Bonnie"]
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Detalles
Taquilla
- Presupuesto
- USD 659,710 (estimado)
- Total a nivel mundial
- USD 267
- Tiempo de ejecución1 hora 53 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principales brechas de datos
By what name was Today We Live (1933) officially released in India in English?
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