Dr. Pyckle and Mr. Pride

It is really an amazing parody of Dr. Jekyll and Mr. Hyde. Stan Laurel at his best plays the goofy professor Dr. Pyckle who terns to Mr. Pryde! Mr. Pryde “terrorizes” the society by doing all kinds of evil deeds, like stealing Ice Cream from little kids and pulling lots of other pranks! The world is not safe from Mr. Prydes evil mischiefs. People will try to put an end to his games and bring back piece to the society. Can he really be stopped though? Or the world will never be a safe place again? Stan Laurel gives a great performance in this silent piece of comic art. Although it is only 20 min, it is enough for Stan Laurel to put Jekyll and Hyde in a new comic perspective. All this years I never had the chance to see Laurel alone. I only knew him from the Laurel and Hardy movies. I am really glad that I got the chance to see him perform alone and I must say I could't stop laughing. So if you are a fan and you manage to get your hands on this movie, by all means don’t be reluctant and give it a shot. You might be in for a surprise by the scary Dr. Pyckle!

Stan Laurel's "Dr. Pyckle and Mr. Pryde" is flat-out hilarious. It's a perfect combination of concept, gags, and performance to create good comedy. As a formerly lost film this also makes it a rare example of something sought-after and highly touted that lives up to (and probably exceeds) expectations.

This film was released five years after the John Barrymore version of "Dr. Jekyll and Mr. Hyde," which I watched the day before, but Stan Laurel interprets Barrymore's brilliant dramatic performance with a comic turn of equal quality. Presumably, though the direct source material was five years old, audiences would have been familiar enough with the Jekyll-and-Hyde story that there would not have been an actual need to have seen that particular version.

The gags are well-spaced and well-chosen here, getting laughs equally with the stylistic butchering of the Jekyll-Hyde story. What almost makes the film is the look of mischief of Mr Pryde's face as he scurries about the town committing trivial acts of wrongdoing. It's a few different executions of a similar joke, but I cracked up every time. The best moment of the short involves Stan's stealing a child's ice cream cone with a look of triumphant evil glee on his face.

"Dr. Pyckle and Mr. Pryde" also boasts very funny title cards; there's a winning joke in virtually every one. In brief, I was laughing constantly through my viewing of this two-reeler, and I'm extremely glad it's been recovered and restored so we can enjoy it today.

Dr. Pyckle is a fine example of Stan Laurel's comedy prior to his lifelong teaming with Oliver Hardy. It demonstrates a comedic breadth and a range that was coming to the fore. It seems that it took Stan a bit longer to shed vaudeville's trappings. He had to learn to play for the camera and not for the 'house'. His comic timing and his invention in "Dr. Pyckle" (1925) are surpassed only by his antics in "The Sleuth" (also 1925). The timing of his sight gags takes on a cartoon-ish quality, but they work very well, and are enough to bring the viewer to convulsive laughter. This is--after all- comedy. And it is slapstick, though Laurel's ideas and gags are polished. It is clear that he is setting the stage for bigger and better expectations. It all comes about several years after these films, solidifying his place in comic history with the rotund Ollie. They dilly dally their way into the pages of cinema history. I strongly recommend viewing "Dr. Pyckle and Mr. Pride" and "The Sleuth". They are very, very funny films.

This is an entertaining parody feature in itself, and it is also of interest as one of Stan Laurel's more substantial earlier roles. Although it would probably work all right as a spoof of the basic story, it is particularly designed as a parody of the John Barrymore version of "Dr. Jekyll & Mr. Hyde", so if you see or have seen that particular version, there are many more amusing details and parallels that you can spot.

Laurel's character, like the original Dr. Jekyll, has an alter ego, but here it is merely a mischievous one. It's funny to see the light-hearted parallels to the much more serious scenes in the original story, and while the movie is rather unrefined overall, most of it is amusing.

Laurel's approach to the role reflects not so much his own style as a deliberate exaggeration of Barrymore's vigorous performance. Since Laurel also gets to play both the upright doctor and the disreputable alter ego, the role gives him quite a bit to work with. Laurel did a solid job in this kind of parody feature, and it's interesting to watch him perform with an approach that's different from the style that's so familiar from all the great Laurel & Hardy features.

Stan Laurel (pre-Hardy) appeared in several short comedies that were parodies of big-budget Hollywood dramas. Although most of these are quite funny, all (with one exception) are seriously weakened by extremely low budgets. 'Dr Pyckle and Mr Pryde' is the exception; not only is this movie hilarious, but it benefits from some elaborate exterior and interior sets evoking Victorian London. In the early 1980s, when I interviewed Joe Rock (this movie's producer), he recalled that he had obtained access to sets on the Universal Pictures lot, and costumes from Universal's wardrobe department.

By 1925, there had already been several film versions of 'Dr Jekyll and Mr Hyde', including the bootleg 'Der Januskopf' and at least one parody. Modern audiences, who know Jekyll and Hyde from films rather than from literature, usually miss an important point: in Stevenson's original novel, Mr Hyde is clearly much shorter and much younger than Dr Jekyll, making it truly a shock when we learn that they are the same man. In film adaptations, Jekyll is usually played as a comparatively youthful man, and nearly always portrayed by the same actor who also plays Hyde ... so we find it implausible that the other characters fail to guess they're the same person.

Although Stan Laurel is playing for comedy here, his performance as Mr Pryde is a revelation. Rather than wearing elaborate make-up, he merely puffs out his expressive face, dons a wig and hunches his head into his shoulders. There's also some extremely subtle padding under Laurel's coat, making Mr Pryde a slightly bulkier man than Dr Pyckle. At this point in his pre-Hardy career, Laurel was learning that he'd get bigger laughs by underplaying rather than by chewing the scenery. Here, though, he still has a couple of hand-to-brow moments ... acceptable because he's guying a serious story.

There's a dog here cried Pete the Pup, who may or mayn't be the same canine who appeared as Pete the Dog in some Our Gang comedies. I've never understood why it's allegedly so funny that a dog in the movies has a ring painted round one eye ... did any real dog ever have such a mark? Still, I was intrigued here to see a packet labelled 'Dog Cakes', a phrase one doesn't see very often these days.

I was delighted to spot the London-born Syd Crossley in this film, under Victorian side-whiskers. Two decades later, Crossley would be back in his native England and working with George Formby and Cicely Courtneidge. Joe Rock told me that Crossley had been his assistant in Los Angeles, and supplied entree to British film circles when he accompanied Rock to England in the 1930s.

'Dr Pyckle and Mr Pryde' is hilarious from start to finish. If all of Stan Laurel's early comedies had been this good, he would never have needed to team up with Oliver Hardy. I'm certainly glad it happened, though. My rating for this one: 9 out of 10. I wonder if this hilarious movie influenced the classic Two Ronnies sketch 'The Phantom Raspberry Blower of Old London Town'.