Agrega una trama en tu idiomaA gang of blackmailers sends a cripple to San Francisco to expose a banker they have been blackmailing. However, the cripple meets and falls in love with the banker's daughter.A gang of blackmailers sends a cripple to San Francisco to expose a banker they have been blackmailing. However, the cripple meets and falls in love with the banker's daughter.A gang of blackmailers sends a cripple to San Francisco to expose a banker they have been blackmailing. However, the cripple meets and falls in love with the banker's daughter.
- Dirección
- Guionistas
- Elenco
Henry A. Barrows
- John Cooper Sr.
- (as Henry Barrows)
Harry De Vere
- Olaf Wismer
- (as Harry Devere)
Pat Harmon
- Horse Cabdriver
- (sin créditos)
Bob Kortman
- Henchman
- (sin créditos)
William Lloyd
- Doctor
- (sin créditos)
George Marion
- Townsman
- (sin créditos)
Steve Murphy
- Man Eating at Mandarin Cafe
- (sin créditos)
Tôgô Yamamoto
- Messenger at Restaurant
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Shock, The (1923)
*** 1/2 (out of 4)
Lon Chaney plays a cripple who has been used by a Chinatown gang to commit various crimes. He's sent away on his newest job where he falls in love with a girl but it turns out his job is to kill her father. As usual, Chaney gives a remarkable performance and I have no problem calling him one of the greatest actors ever. He perfectly captures all the right emotions for the role and his physical appearance of a cripple is remarkable. Two other highlights include a bank being blown up and an earthquake that happens in the film. The special effects are very good and the suspense and drama are very high.
*** 1/2 (out of 4)
Lon Chaney plays a cripple who has been used by a Chinatown gang to commit various crimes. He's sent away on his newest job where he falls in love with a girl but it turns out his job is to kill her father. As usual, Chaney gives a remarkable performance and I have no problem calling him one of the greatest actors ever. He perfectly captures all the right emotions for the role and his physical appearance of a cripple is remarkable. Two other highlights include a bank being blown up and an earthquake that happens in the film. The special effects are very good and the suspense and drama are very high.
Having recently been in Christchurch, New Zealand, during the Great Canterbury Earthquake, the earthquake in the film came, like the real thing, by surprise. I was impressed by how well and realistically they did the earthquake sequences (which must have cost a bob or two). The imperceptible shake which builds up to a massive shaking and rattling from which you cannot get away frighteningly familiar. Thankfully, the house I was in shook, but was undamaged. However parts of central Christchurch are quite old and look (or rather looked) very much like the two-storey townscape used in the film. The clip where the earth opened up was also very reminiscent of cracks left in the New Zealand landscape. Of the the filmmakers had probably lived themselves through the San Francisco earthquake.
There were some nice railway sequences (Atchison Topeka and Santa Fe I think). It was interesting that when they put the girl on her stretcher into the train, she is still lying across the vestibule as it pulls out.
There were some nice railway sequences (Atchison Topeka and Santa Fe I think). It was interesting that when they put the girl on her stretcher into the train, she is still lying across the vestibule as it pulls out.
Lon Chaney once again plays a criminal, and a crippled one on crutches at that. He's Wilse Dilling, and he's a feared killer and dope peddler working out of San Francisco's Chinatown (again) for Queen Ann (Christine Mayo), the boss of the criminal underworld in the city. She sends Wilse out to a small country town to keep an eye out on a banker (William Welsh), but Wilse falls for the banker's pious daughter Gertrude (Virginia Valli). Will Wilse be able to carry out his sinister orders when the time comes, or has Gertrude's kind and religious way of life helped the career criminal turn his life around? Also featuring Jack Mower, Henry A. Barrows, Harry De Vere, John Beck, Walter Long, and Togo Yamamoto.
Chaney seems to have hit a creative rut here, as several aspects of his previous films are repeated and mixed together. The film sets up Wilse as being a real scary customer, one to be feared, but whenever things get tough in the film's second half, he just gets tossed around like, well, a cripple. The movie's deus ex machina finale is silly, as is the implausibly happy ending. On the plus side, Chaney is once again good at playing a multi-layered character, and he gets to show some subtle facial acting. Director Lambert Hillyer would stick around Universal into the sound era.
Chaney seems to have hit a creative rut here, as several aspects of his previous films are repeated and mixed together. The film sets up Wilse as being a real scary customer, one to be feared, but whenever things get tough in the film's second half, he just gets tossed around like, well, a cripple. The movie's deus ex machina finale is silly, as is the implausibly happy ending. On the plus side, Chaney is once again good at playing a multi-layered character, and he gets to show some subtle facial acting. Director Lambert Hillyer would stick around Universal into the sound era.
This film has a strong story and the 1906 San Francisco quake is well re created, mainly in miniature. The difficulty for me, as with several other Chaney films is that deformity and disability seem to be associated with criminality, though,of course, for many years this was deemed to be the case, just as disfigurement was assumed to lead to mental instability. Even though the story tells us that Wilse Dilling is capable of doing good, it makes it clear that this is against the normal run of his character. When the heroine is temporarily disabled by an accident, the other characters react as if this is a fate worse than death. Finally, Dilling's reward for his good deeds is to regain the use of his own crippled legs, thus making him worthy of the heroine and letting the audience know that all their physical shortcomings can be overcome, if only they really want it! It is interesting to note how film-makers of this period went for historical accuracy in terms of costume and scenery whereas in later years, glamour was seen as more important-compare the seedy shabbiness of "The Shock" with the elegance and brightness of "San Francisco"
In THE SHOCK, Lon Chaney Sr. Plays Wilse Dilling, who goes up against the criminal underworld and its powerful, sadistic boss, Queen Ann Cardington (Christine Mayo).
This silent film is well worth viewing. It contains plenty of the requisite action and pathos in keeping with its era. Chaney Sr. Is again a marvel to behold. Dilling is another memorable character for him with his signature makeup and facial expressions.
In addition, the earthquake sequence is breathtaking!...
This silent film is well worth viewing. It contains plenty of the requisite action and pathos in keeping with its era. Chaney Sr. Is again a marvel to behold. Dilling is another memorable character for him with his signature makeup and facial expressions.
In addition, the earthquake sequence is breathtaking!...
¿Sabías que…?
- TriviaA Jewel Production. Universal, lacking a proprietary theater chain, devised a three-tiered branding system to enable it to market its feature product to independent theater owners: Red Feather (low-budget programmers), Bluebird (mainstream releases) and Jewel (prestige productions capable of drawing higher roadshow ticket prices). This branding system ended in late 1929.
- ErroresAt about 43:05, Wilse is crossing a room in Anne's house. He moves his bad right foot which is paralyzed throughout the film.
- Citas
Jack Cooper: Let's be practical--we can't live on love--can we?
- ConexionesFeatured in Lon Chaney: A Thousand Faces (2000)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Bittersweet
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 90,220 (estimado)
- Tiempo de ejecución
- 1h 36min(96 min)
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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