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IMDbPro

The Ten Commandments

  • 1923
  • Passed
  • 2h 16min
CALIFICACIÓN DE IMDb
6.8/10
2.9 k
TU CALIFICACIÓN
Theodore Roberts in The Ten Commandments (1923)
BiografíaDramaHistoria

Tras oír la palabra de Moisés, los hijos de una cristiana devota parten en sus propios caminos. Uno de los hermanos, ateo, viola los mandamientos trayendo tragedia.Tras oír la palabra de Moisés, los hijos de una cristiana devota parten en sus propios caminos. Uno de los hermanos, ateo, viola los mandamientos trayendo tragedia.Tras oír la palabra de Moisés, los hijos de una cristiana devota parten en sus propios caminos. Uno de los hermanos, ateo, viola los mandamientos trayendo tragedia.

  • Dirección
    • Cecil B. DeMille
  • Guionista
    • Jeanie Macpherson
  • Elenco
    • Theodore Roberts
    • Charles de Rochefort
    • Estelle Taylor
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.8/10
    2.9 k
    TU CALIFICACIÓN
    • Dirección
      • Cecil B. DeMille
    • Guionista
      • Jeanie Macpherson
    • Elenco
      • Theodore Roberts
      • Charles de Rochefort
      • Estelle Taylor
    • 48Opiniones de los usuarios
    • 20Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 2 premios ganados y 1 nominación en total

    Fotos96

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    Elenco principal46

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    Theodore Roberts
    Theodore Roberts
    • Moses - The Lawgiver - Prologue
    Charles de Rochefort
    Charles de Rochefort
    • Rameses the Magnificent - Prologue
    • (as Charles De Roche)
    Estelle Taylor
    Estelle Taylor
    • Miriam - The Sister of Moses - Prologue
    Julia Faye
    Julia Faye
    • The Wife of Pharaoh - Prologue
    Pat Moore
    Pat Moore
    • The Son of Pharaoh - Prologue
    • (as Terrence Moore)
    James Neill
    James Neill
    • Aaron - Brother of Moses - Prologue
    Lawson Butt
    Lawson Butt
    • Dathan - The Discontented - Prologue
    Clarence Burton
    Clarence Burton
    • The Taskmaster - Prologue…
    Noble Johnson
    Noble Johnson
    • The Bronze Man - Prologue
    Edythe Chapman
    Edythe Chapman
    • Mrs. Martha McTavish
    Richard Dix
    Richard Dix
    • John McTavish - Her Son
    Rod La Rocque
    Rod La Rocque
    • Dan McTavish - Her Son
    Leatrice Joy
    Leatrice Joy
    • Mary Leigh
    Nita Naldi
    Nita Naldi
    • Sally Lung - A Eurasian
    Robert Edeson
    Robert Edeson
    • Redding - An Inspector
    Charles Ogle
    Charles Ogle
    • The Doctor
    Agnes Ayres
    Agnes Ayres
    • The Outcast
    Elena Jurado
    • Dirección
      • Cecil B. DeMille
    • Guionista
      • Jeanie Macpherson
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios48

    6.82.8K
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    Opiniones destacadas

    Kieran_Kenney

    Triumphant film-making

    In the early twenties, it was perfectly alright to show sinners revelling extravagantly and unashamedly in the sins of the flesh. All you had to do was either punish or purify them in the end, and everything would turn out just fine. This is the lesson we learn from watching the second half of Cecil B DeMille's gargantuan epic or 1923. And it is the prologue of the movie that teaches us that deMille had more money to spend on his own films than the old man upstairs.

    As a lavish production, TTC is probably one of CBdM's greatest achievements, surpassing in quality and size the 1950s remake, Cleopatra (1934) and all billion-or-so versions of The Squaw Man, all of which deMille would directed. His handling of his actors, his attention to detail and unbridled imagination call to mind a time when you could spend whatever amount of money you wanted on a film without being Jerry Bruckheimer.
    boris-26

    Excuse me, gotta go and worship a Golden Calf!

    Whenever anybody says THE TEN COMMANDMENTS, we think of the fun, uplifting 1956 epic made by DeMille and starring Charleton Heston, Yul Brynner, etc. etc. Not too many people know that film is a remake of DeMille's own 1923 film of the same name. The 1923 version has so much zip to it, mainly because in it's 90 minute plus time, DeMille has to tell TWO stories. The first is the story of Moses. He has to lead the exodus from Egypt, part the Red Sea (an awesome scene done in early two-tone Technicolor) and slap some sense in his followers who wrongly decide to worship the Golden Calf. All that in 45 minutes. That means it spools out really, really fast. The rest of the film takes place in modern day San Francisco, where two brothers, one a hard working carpenter, the other, a wealthy but scheming architect battle. We know their grey haired mom is a good Christian, because she constantly carries around a Bible as big as a cinderblock!

    Beautifully restored, witha great piano and organ score. This is an energetic silent well worth catching.
    7jaxelvester

    Not as good as the remake but a must-watch nonetheless

    'The Ten Commandments' was released in 1923 and was directed by Cecil B. DeMille and is the first of two Ten Commandments films directed by him.

    This version differs in more ways than one to the remake. While the remake primarily centers on the story of Moses, the original version only features Moses in the prologue (which runs for approximately 40 minutes). The rest of the film centers on an atheist man in present day (the 1920s) who sets out to break the Ten Commandments in order to become successful.

    Comparing to the remake, the special effects in the 'parting of the waves' scene definitely look more realistic here (especially considering this was released in 1923) and the entire prologue I masterfully created - however I do wish it was longer since there was little to no development in the characters because of it's short runtime.

    I was initially skeptical about the present day segment of the film but I was thoroughly impressed and the story was definitely intriguing, especially towards the end.

    Overall, I do prefer the 1956 remake however you shouldn't turn your back on this one. It is definitely a must-watch, even if it just be for the prologue with Moses.

    7/10
    tiedel

    DeMille's mega-tsunami against orthodox protestantism

    Moses spent forty days on Mount Sinai where he received numerous commandments and laws, described in Exodus XX-XXXI. The Ten Commandments (Ex.XX) particularly apply to Christian religions and denominations.

    Inspired by Griffith's 'Intolerance' DeMille uses two historical periods to emphasize the film's moral. DeMille does not modify the original Jewish origin of his source, although he underlines the Christian commandments. The script of the famous prologue was literally taken from Exodus. The church in The Story is not clearly a protestant or Roman catholic house of worship. However, when the orthodox Mrs. McTavish enters the church it collapses. Her famous last words: '...whatever you've done is all my fault. I taught you to fear God in stead of to love him..' also indicate that DeMille hardly sympathizes with orthodox denominations. In the prologue DeMille's epic reaches a magnificent high-point when the Red Sea tsunami protects the fleeing Jewish people before it swallows the Egyptian forces. The Story lacks such a climax. In fact Mrs.McTavish and her Bible becomes tedious in her struggle against the evil that her boys have ended up in. DeMille's 1923 version of The Ten Commandments may be a mega-tsunami against orthodox protestantism, it is still a mass of light for the less orthodox moviegoer that believes in cinema only.
    8blue-7

    Commentary & Pristine Print Highlight 1923 Version!

    The exciting feature of the 50th Anniversary Editon of DeMille's THE TEN COMMANDMENTS is to be able to see the original 1923 version in a pristine print along with Katherine Orrison's illuminating commentary track. Previously only available on VHS tape with the poorly surviving colorized footage of the Exodus and Parting of the Red Sea (provided as a separate Extra on the DVD)used, it was difficult to realize just how beautifully done the silent epic was. Paramount has cleaned up the print and used only the better surviving black & white elements for this release. The beauty of the photography comes through with great clarity. Orrison's commentary is full of interesting insights as well as being enjoyable due to her enthusiasm about so many details. And Gaylord Carter's Wurlitzer Pipe Organ score is very impressive (as well as being a marvelous record of an organ score done by one who actually performed during the silent era)on this digital stereo recording. The 1956 remake looks and sounds great, as are the all of the special features for it, but this is exactly the same as the previous second edition of this title. I bought the new edition in order to see what they had done with the 1923 version -- and I certainly am impressed. Also, I love the packaging for this edition. Well worth updating as it is available at a very decent price.

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    • Trivia
      The enormous sets of ancient Egypt have become a Hollywood legend in themselves. The "City of the Pharaohs" was constructed of wood and plaster in the Guadalupe Dunes, an 18-mile stretch of coastal sand 170 miles north of L.A. The sets featured four 35-foot-tall statues of the Pharaoh Ramses, 21 five-ton sphinxes, and city walls over 120 feet high. An army of 2,500 actors, extras, carpenters, plasterers, painters, cooks, staff, and film crew members inhabited the set for three months, housed in a virtual army camp that featured nearly 1,000 tents. (3,500 animals, used in recreating the scenes of ancient Egypt, were housed in a huge corral downwind of the camp.) When shooting wrapped, Cecil B. DeMille simply had the massive Egyptian city sets bulldozed, and buried in a huge pit beneath the sand, where they remain to this day. For years, the legendary "Lost City of DeMille" was spoken of by locals in Guadalupe who had worked on the film set. Artifacts from the Egyptian sets were found in the dunes, and can sometimes be found in local houses in the area. (DeMille even said in his autobiography, "If 1,000 years from now, archaeologists happen to dig beneath the sands of Guadalupe, I hope that they will not rush into print with the amazing news that Egyptian civilization extended all the way to the Pacific Coast of North America.") In 1983, documentary filmmaker Peter Brosnan located the remains of the DeMille sets, still buried beneath the dunes. The site is now recognized as an official archaeological site by the state of California, and it is against the law to remove artifacts from the site. Brosnan has been trying for many years to raise money from the Hollywood studios to excavate the site, but so far has been unable to do so.
    • Errores
      The type of staff used by Moses and his followers has a Star of David on the end. The Star of David didn't become a symbol of Judaism until the Middle Ages.
    • Citas

      Mary Leigh: I was passing by Dugan's lunch wagon when a hot dog ran out and bit me.

    • Conexiones
      Edited into Forgotten Commandments (1932)

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    • How long is The Ten Commandments?Con tecnología de Alexa

    Detalles

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    • Fecha de lanzamiento
      • 4 de diciembre de 1923 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Ninguno
      • Inglés
    • También se conoce como
      • Mười Giới Luật
    • Locaciones de filmación
      • Guadalupe-Nipomo Dunes, California, Estados Unidos
    • Productora
      • Paramount Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 1,475,837 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      2 horas 16 minutos
    • Color
      • Black and White
    • Mezcla de sonido
      • Silent
    • Relación de aspecto
      • 1.33 : 1

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