Adaptación en inglés del guión de "Ikiru" (1952), ambientada en el Londres de los años 50.Adaptación en inglés del guión de "Ikiru" (1952), ambientada en el Londres de los años 50.Adaptación en inglés del guión de "Ikiru" (1952), ambientada en el Londres de los años 50.
- Dirección
- Guionistas
- Elenco
- Nominado a 2 premios Óscar
- 10 premios ganados y 49 nominaciones en total
John Mackay
- Jones
- (as John MacKay)
Opiniones destacadas
Before watching this, I have often thought of Brief Encounter as the quintessential film on English repression.
I have to add this. And it (openly, honestly) echoes the Lean classic in other ways, including a piano classical piece alongside steam engine imagery in the first act.
And what a lead performance. I've never been blown away by Nighy before. This is incredible. Every crushing moment, every unspoken word, every flinch. I was right there with him.
The closing imagery is beyond beautiful. And stay for the credits, with a beautiful rendition of a song that features in the story (and breaks your heart).
If you ever feel untethered, purposeless, this may mean an awful lot to you. It does to me.
I have to add this. And it (openly, honestly) echoes the Lean classic in other ways, including a piano classical piece alongside steam engine imagery in the first act.
And what a lead performance. I've never been blown away by Nighy before. This is incredible. Every crushing moment, every unspoken word, every flinch. I was right there with him.
The closing imagery is beyond beautiful. And stay for the credits, with a beautiful rendition of a song that features in the story (and breaks your heart).
If you ever feel untethered, purposeless, this may mean an awful lot to you. It does to me.
You've lived a life within the bounds of expectation, conformed to all the codes, rules, regulations, mastered the art of the transaction, never looking for reaction, played the game to par, avoiding altercations; but the hand you've just been dealt has caused confusion, as you realise you're living an illusion, blindly going through the motions, without feelings for devotions, now it's time to make a stand, faced with conclusions.
A wonderful performance from Bill Nighy that might get you thinking about your own mortality and whether your direction of travel is taking you where you want to go. A remake of Ikiru, it also reminded me of Bergman's Wild Strawberries.
A wonderful performance from Bill Nighy that might get you thinking about your own mortality and whether your direction of travel is taking you where you want to go. A remake of Ikiru, it also reminded me of Bergman's Wild Strawberries.
Cinema is a great medium for urgent storytelling because people pay attention. "Living" executes beautifully in creating an environment that is easily understood with a character that isn't over-dramatized to definitively share a message that lies at the heart of this story; purpose. Purpose in relationships, work, passion, and of course, in living life. Bill Nighy is convincingly composed and patient in expressing his emotions in the midst of a life-altering realization that never sways the authenticity of his performance. The score is strong, but not overpowering and the cinematography is simple, yet pleasingly complementary to the set design of 1950s London. In a world where excitement drives entertainment, it's the grounded nature of this story that will drive lasting reflection.
Over the years Bill Nighy has become one of my favorite actors. My earliest recollection of him was 20 years ago in "Love Actually", where he played Billy Mack, a washed-up musician who makes a hit Christmas recording. He has a certain style and it resonates with me.
During this filming he was 71 or 72. Here he is the main character, Williams, who is the long-time boss of a small group in the London County offices in the early 1950s. All the men wear Bowler style hats. Williams is always very quiet and very polite, he keeps an arms distance from his crew, not even riding in the same train car to and from work.
As he grew into an adult all he really aspired to was being a Gentleman. Traditionally, an English gentleman was the lowest rank of the gentry, similar to the French nobleman. He worked diligently, was friendly to everyone, but seemingly had no interests outside work. He even had a distant relationship with his married son who still lived with him.
Then he received the diagnosis, he only had a few months to live. His first reaction was to make up for lost time, to meet strangers and have fun. But that was an empty exercise. Of note, during the "fun" a lady stole his Bowler hat, he replaced it with a Fedora, a new style for him, which was a sign of his new perspective. He would do something meaningful before he was gone, he would push through a community project that had been pigeonholed for too long.
So it is really a character study of this simple but complex man, Williams. It works very well. It is a remake of the highly regarded 1952 Kurosawa movie "Ikiru". My wife and I enjoyed it at home on DVD from our public library.
During this filming he was 71 or 72. Here he is the main character, Williams, who is the long-time boss of a small group in the London County offices in the early 1950s. All the men wear Bowler style hats. Williams is always very quiet and very polite, he keeps an arms distance from his crew, not even riding in the same train car to and from work.
As he grew into an adult all he really aspired to was being a Gentleman. Traditionally, an English gentleman was the lowest rank of the gentry, similar to the French nobleman. He worked diligently, was friendly to everyone, but seemingly had no interests outside work. He even had a distant relationship with his married son who still lived with him.
Then he received the diagnosis, he only had a few months to live. His first reaction was to make up for lost time, to meet strangers and have fun. But that was an empty exercise. Of note, during the "fun" a lady stole his Bowler hat, he replaced it with a Fedora, a new style for him, which was a sign of his new perspective. He would do something meaningful before he was gone, he would push through a community project that had been pigeonholed for too long.
So it is really a character study of this simple but complex man, Williams. It works very well. It is a remake of the highly regarded 1952 Kurosawa movie "Ikiru". My wife and I enjoyed it at home on DVD from our public library.
From the opening footage of 1950s London to the closing credits this is a simply exquisite film. Bill Nighy is perfect in the lead role of the senior civil servant who is forced to confront his own mortality and Amy Lou Wood and Alex Sharp provide fine support at the other end of the age spectrum. There are some lovely scenes all played with understated panache and whilst the storyline is undoubtedly a little sad the film leaves the viewer appreciative of what's really important in life. It also achieves this in an understated, non preachy and gentle tone. There's also a fine soundtrack throughout and a lovely final scene to round it all off.
¿Sabías que…?
- TriviaThe production designers went to a great deal of trouble to make this film look like it was made in the era it was set, including avoiding quick edits, softening the colour palette and using a relevant font for the film credits.
- ErroresIf you leave Waterloo Station to walk to the Greater London County Council (GLCC) you don't walk across Westminster bridge. They're on the same side South Bank.
- ConexionesFeatured in 2023 EE BAFTA Film Awards (2023)
- Bandas sonorasTempo di Valse
Written by Antonín Dvorák
Performed by Berliner Philharmoniker, Herbert von Karajan
Courtesy of Deutsche Grammophon GmbH
Under licence from Universal Music Operations Ltd
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Living?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Living
- Locaciones de filmación
- Worthing, West Sussex, Inglaterra, Reino Unido(conversation in the Lido Cafe between Mr. Williams and Sutherland)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 3,038,113
- Fin de semana de estreno en EE. UU. y Canadá
- USD 22,784
- 25 dic 2022
- Total a nivel mundial
- USD 12,370,485
- Tiempo de ejecución1 hora 42 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.48 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta