Agrega una trama en tu idiomaA bored, middle-aged husband pushes his young wife into living out his every sexual desire, but when they take things too far, he struggles to cope with his reality after the fantasy has end... Leer todoA bored, middle-aged husband pushes his young wife into living out his every sexual desire, but when they take things too far, he struggles to cope with his reality after the fantasy has ended.A bored, middle-aged husband pushes his young wife into living out his every sexual desire, but when they take things too far, he struggles to cope with his reality after the fantasy has ended.
Kyle F White
- Dennis Breck
- (as Kyle White)
T. Ryan Johnston
- Connor
- (as Ryan T. Johnson)
Vee Gee
- School Girl
- (as Gee Vee)
D.J. Morrison
- Bar Fighter
- (as DJ Morris)
Justin A Duncan
- Head Security Guard
- (as Justin Duncan)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Its everything that made American Beauty creepy without anything that made it redeemable. Poor script leads to poor ending that I'm not sure what I'm supposed to think about leads to a poor movie. Poor acting by most involved, but Dennis and Katherine do good jobs and I guess you can say that if anything makes this movie worth watching its them.
I like finding indies to watch and a lot of the time they turn out really great but other than a couple of decent moments this was silly and a bit of a letdown after seeing the user reviews.
I like finding indies to watch and a lot of the time they turn out really great but other than a couple of decent moments this was silly and a bit of a letdown after seeing the user reviews.
If you're hunting for an indie drama that aims for American Beauty but ends up feeling like a cheap float left too long in the sun, welcome to Trunkfish. Directed and written by John Kviklys, the film clocks in at a brisk 82 minutes. What works: its ambition and occasional glimmers of dark comedy. Some Letterboxd fans praised "very convincing lead performances" and described it as a "fine indie movie resting on lead work." But here's the catch: style over substance. The wife is attractive and plays her role well, but her chemistry with her husband? It's like they're from different casting calls. He might remind you of a Temu-quality Steve Buscemi clone-goofy eyes, awkward charm, but no spark. Together, they come off less like a real couple and more like roommates thrown together in a Craigslist comedy. The premise dips into suburban ennui, porn obsession, fantasy therapy boxes, and a teenage neighbor, but it never surfaces into anything deeper. Instead it swims in familiar waters and fails to make waves, wrapping up more like a curiosity you'd snag at the $1 bin at Walmart. If you want edgy, uncomfortable territory-cuckolding, obsession, moral collapse-it delivers, and some viewers called it a "dark comedy cum morality tale". But it lacks the resonance of better films in the genre. Final take: Trunkfish is polite in trying, occasionally interesting in its discomfort, but far too shallow to hit the depths it seeks. Still, at a lean 82 minutes, it's not painful-just a quirky indie misfire that leaves you thinking: "Well, cheaper than therapy... and definitely cheaper than dinner and a movie.
But the rest is like a 1001 tips for the sex-bored couples out there. so if you tune your vibes on with a sexy undertone you will like this. i laughed ,i smirked, i agreed alot and also disagreed alot. but youll see the sign yourself if your 20+ years marriage, and will see them then all young hunkers out there.
great acted, not one boring moment, far too much honesty and an extreme dose of deflattering dehumbled shamefullness that makes you wanna crawl into your skin in modesty of the human kind, the deanimalized sexual version of the mankind of today. the grumpy old man that still growls to my better half recommends. its tantalizing and invigorating ...and sexual.
great acted, not one boring moment, far too much honesty and an extreme dose of deflattering dehumbled shamefullness that makes you wanna crawl into your skin in modesty of the human kind, the deanimalized sexual version of the mankind of today. the grumpy old man that still growls to my better half recommends. its tantalizing and invigorating ...and sexual.
Every now and then, a movie comes along with a concept so promising that you can't help but root for it. Trunkfish, a 2021 release that bills itself as a mix of psychological drama and quirky dark comedy, is exactly that sort of film. Unfortunately, while the idea behind it is commendable, the execution is an uneven mess that leaves viewers scratching their heads. And while we're on the subject of head-scratching, one thing that defies all logic is the central conceit of the movie: how anyone could ever take the gorgeous, practically luminous wife character for granted.
Let's start with the basics. The story revolves around Neil (played with a surprising lack of charisma by Ben Hall), a middle-aged man in a creative rut. A marine biologist by trade, Neil becomes obsessed with the trunkfish, a peculiar species that can inflate itself as a defense mechanism. Neil sees this fish as a metaphor for human relationships-fragile, reactive, and endlessly misunderstood. His fixation leads him to alienate his stunningly beautiful wife, Grace (portrayed by Lana Devereaux, whose sheer presence single-handedly carries half the film).
The movie's central conflict is Neil's growing inability to connect with Grace, a subplot so utterly baffling that it threatens to derail the entire film. Grace isn't just attractive in the conventional sense-she's magnetic. The camera lingers on her in soft lighting as she cooks, lounges, and, in one memorable scene, dismantles a stubborn espresso machine with an effortless elegance that feels almost otherworldly. It's no exaggeration to say that she's presented as the ideal partner-intelligent, funny, supportive, and drop-dead gorgeous. So when Neil retreats into his increasingly bizarre trunkfish experiments rather than cherish his wife, it strains credulity to the breaking point.
In fact, much of the movie feels like an elaborate exercise in making the audience shout at the screen, "Why would anyone ignore her?!" Devereaux's performance is a revelation, imbuing Grace with a warmth and sensuality that makes her not only likable but also central to the audience's emotional investment in the story. The problem is that the movie doesn't seem to realize its own strengths. Instead of exploring Grace's character or giving her any agency, the narrative keeps circling back to Neil's brooding mediocrity.
Thematically, Trunkfish wants to be about existential dissatisfaction and the fragile balance of human connection. But it never fully commits to either its emotional core or its quirkier elements. The humor feels half-baked, with jokes about Neil's trunkfish obsession falling flat more often than not. At the same time, the dramatic moments feel unearned, as Neil's emotional arc is too shallow to resonate.
And yet, there are glimpses of what the movie could have been. A handful of scenes-mostly involving Grace-capture a genuine emotional depth. One standout moment sees Grace confronting Neil about his detachment, a raw and powerful monologue that reminds the audience of what's at stake. It's a shame that this energy isn't sustained throughout the film.
Visually, Trunkfish has its moments. The underwater sequences, where Neil loses himself in the world of his aquatic obsession, are beautifully shot and provide a stark contrast to the mundane domestic scenes. The cinematography does its best to elevate the material, but even stunning visuals can't save a story that feels as though it's constantly swimming in circles.
Ultimately, Trunkfish is a movie that flounders under its own ambition. The idea of using a peculiar fish as a metaphor for human relationships is clever, but the execution is muddled and frustrating. The film's saving grace-both literally and figuratively-is Lana Devereaux's magnetic performance as Grace. If nothing else, Trunkfish serves as a showcase for her talent, beauty, and undeniable screen presence.
But here's the bottom line: Trunkfish asks you to believe that someone could be indifferent to a wife as remarkable as Grace, and that's a suspension of disbelief too far for most viewers. If you're looking for a movie with an intriguing concept and a luminous lead actress, Trunkfish might be worth a watch. Just don't expect it to live up to its potential-or explain why anyone would ever take Grace for granted.
Let's start with the basics. The story revolves around Neil (played with a surprising lack of charisma by Ben Hall), a middle-aged man in a creative rut. A marine biologist by trade, Neil becomes obsessed with the trunkfish, a peculiar species that can inflate itself as a defense mechanism. Neil sees this fish as a metaphor for human relationships-fragile, reactive, and endlessly misunderstood. His fixation leads him to alienate his stunningly beautiful wife, Grace (portrayed by Lana Devereaux, whose sheer presence single-handedly carries half the film).
The movie's central conflict is Neil's growing inability to connect with Grace, a subplot so utterly baffling that it threatens to derail the entire film. Grace isn't just attractive in the conventional sense-she's magnetic. The camera lingers on her in soft lighting as she cooks, lounges, and, in one memorable scene, dismantles a stubborn espresso machine with an effortless elegance that feels almost otherworldly. It's no exaggeration to say that she's presented as the ideal partner-intelligent, funny, supportive, and drop-dead gorgeous. So when Neil retreats into his increasingly bizarre trunkfish experiments rather than cherish his wife, it strains credulity to the breaking point.
In fact, much of the movie feels like an elaborate exercise in making the audience shout at the screen, "Why would anyone ignore her?!" Devereaux's performance is a revelation, imbuing Grace with a warmth and sensuality that makes her not only likable but also central to the audience's emotional investment in the story. The problem is that the movie doesn't seem to realize its own strengths. Instead of exploring Grace's character or giving her any agency, the narrative keeps circling back to Neil's brooding mediocrity.
Thematically, Trunkfish wants to be about existential dissatisfaction and the fragile balance of human connection. But it never fully commits to either its emotional core or its quirkier elements. The humor feels half-baked, with jokes about Neil's trunkfish obsession falling flat more often than not. At the same time, the dramatic moments feel unearned, as Neil's emotional arc is too shallow to resonate.
And yet, there are glimpses of what the movie could have been. A handful of scenes-mostly involving Grace-capture a genuine emotional depth. One standout moment sees Grace confronting Neil about his detachment, a raw and powerful monologue that reminds the audience of what's at stake. It's a shame that this energy isn't sustained throughout the film.
Visually, Trunkfish has its moments. The underwater sequences, where Neil loses himself in the world of his aquatic obsession, are beautifully shot and provide a stark contrast to the mundane domestic scenes. The cinematography does its best to elevate the material, but even stunning visuals can't save a story that feels as though it's constantly swimming in circles.
Ultimately, Trunkfish is a movie that flounders under its own ambition. The idea of using a peculiar fish as a metaphor for human relationships is clever, but the execution is muddled and frustrating. The film's saving grace-both literally and figuratively-is Lana Devereaux's magnetic performance as Grace. If nothing else, Trunkfish serves as a showcase for her talent, beauty, and undeniable screen presence.
But here's the bottom line: Trunkfish asks you to believe that someone could be indifferent to a wife as remarkable as Grace, and that's a suspension of disbelief too far for most viewers. If you're looking for a movie with an intriguing concept and a luminous lead actress, Trunkfish might be worth a watch. Just don't expect it to live up to its potential-or explain why anyone would ever take Grace for granted.
I wouldn't call this a comedy. There some comedic parts in it but this is more in the area of tragicomedy. The performances are bit stilted but overall a good movie...
¿Sabías que…?
- TriviaThough credited in the film as a 2nd Assistant Director, Mitch McLeod was actually the 1st Assistant Director on the film. Director John Kviklys was struggling to direct an intense scene between his two actors, at which point McLeod was asked to step in to direct the scene. This caused contention between McLeod and Kviklys which, in turn, caused contention between McLeod and producer Timothy Talbott. Of the many results of this falling out, McLeod's improper credit in the film was one of them.
- Bandas sonorasDriftin' at Sea
Written by Greg Heinen
Performed by Mysticeti Sleeper
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- How long is Trunkfish?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 100,000 (estimado)
- Tiempo de ejecución1 hora 22 minutos
- Color
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