Erosion

Once upon a time a film would tell you a story. If something in the story was extremely sordid, bloody or harrowing the director would miss this part out whilst at the same time allowing you to work out what was happening or had happened through sound or consequence or symbolism. This allowed a far wider audience to see films with really quite important messages.

Here we have the opposite method. Put together the saddest, most painful or just dull aspects of a film that would once have been tastefully left out, and challenge the audience to start trying to imagine the story. We find we can do it that way, being the imaginative creatures we are and having done the work we're pretty much told anyway gradually, but I for one found I didn't really want to. This film made me think... It made me think I'd rather be sat in front of Lethal Weapon. Now that is not good.

I saw this movie without knowing what to expect. But from the beginning to the end, the movie grabs your attention and never lets go.It does so with an engrossing story line and gripping eroticism.In my opinion, this is truly one of the best original stories I have ever seen.

The acting in the film is great. All the actors are natural and believable. Emmanuel Xuereb, with the right amount of 5 o'clock shadow and sunken cheeks, is the perfect Gabe. He is both sad and so so kinky at the same time. I felt like I really cared about Gabe during the film. His pain seems to reach out from the movie screen and grabs my heart. And everyone can relate to Irene; the slightly bored working woman who desires some adventure. It is the kind of connection that makes this movie special.

I watched this with my boyfriend and he loved it as well. I recommend this movie whole heartedly

I was very glad to have the opportunity to watch this independent film at the Brooklyn International Film Festival.

The film was powerful and well made and the acting was excellent. It's an unexpected and unusual story portraying some very powerful emotions. I look forward to seeing it again and maybe can then catch many things that the director/writer carefully arranged and I missed the first time.

I would recommend it to everyone who enjoys a good film of gripping story lines and I also recommend the director's earlier film: Dreamers, it's touching in a very different way.

I saw this film and was blown away at how truthful the love scenes felt. The acting (especially Charis Michelsen) is totally convincing from beginning to end. Give it 5 minutes at the beginning and the payoff is one that you'll never forget.

It's very erotic without being graphic or lewd. It sets up simple situations between the main characters that completely draw you into their world of trysts in other peoples' homes and makes you feel nervous like someone might walk in and catch you in the midst of doing something taboo.

I loved it and hope that Ann Lu continues to make more films like this one.

I recently rented Erosion from my neighborhood Hollywood Video and watched it over the weekend. It's an interesting independent film...very anti-Hollywood in terms of its storytelling style. I was originally attracted to the film by its suggestion of eroticism, but it's not until I watch the film when I realized the sexual encounters are not supposed to be for pleasure but more for pain. They are more about the psychological thrill of the moment, the fear to be caught, the voyeur that may be watching. There are not tits and ass in the film, yet it's the audience's own imagination that makes the film so provocative. We are, in a way, their partners in crime. I really enjoyed Erosion and recommend it to anyone whose imagination is not limited by the images they see and the sound they hear...