Pleasure

I didn't think this story was all that compelling or satisfyingly told. There were some details that were memorable, but I really didn't get invested in where it was going. I will agree that the lead actress did an amazing job, and most everyone else brought a realism to their roles, especially since they work in the adult film industry in real life. But I didn't feel like there was much connection between the scenes. Yes, the overall goal of the main character remains consistent, but I didn't feel like we were shown what motivated her to make the specific choices she did much of the time. The effect is that the story doesn't really progress and build believably. Even though it has an outstanding central performance, I felt this was a fairly average drama overall which happened to have a few scenes that were difficult to watch.

'Pleasure (2021)' isn't exactly an enjoyable experience, and the irony of its title doesn't seem lost on writer-director Ninja Thyberg. This frank and unapologetic exploration of the Los Angeles porn industry almost feels like an exposé at times, with its naturalistic presentation granting it a fly-on-the-wall feel which makes its more shocking moments all the more upsetting. Indeed, there are a few scenes which are incredibly difficult to watch. The most notable of these is the filming of a rough and degrading three-way scene which our protagonist continues to consent to only because she has no other option - which, of course, means she doesn't consent at all. It stands in stark contrast to a similar scene shown just minutes earlier, the shooting of which has its star surrounded by people who make sure she's comfortable and genuinely feel as though they're concerned for her safety (it's no accident that a lot of these people are women). The picture constantly presents this push-pull between how the porn industry ought to work and how it actually does, remaining relatively neutral to the concept but condemning its execution. Having said that, the overwhelming feeling that this picture provokes is undeniably icky. If porn is something you're into, I can see this actually putting you off. Whether or not that is its intention is unclear, especially considering that the flick does go out of its way to include both the good and the bad parts of its protagonist's journey. Perhaps its goal is to be as realistic as possible, not necessarily impartial but not forceful in its implied assertions. I suppose this is how it manages to be both empathetic and non-judgemental towards the women who seek a career in porn and unsympathetic towards the men who take advantage of them. Though the feature isn't especially entertaining in the traditional sense (it certainly isn't fun), it's a consistently challenging and compelling affair that manages to be explicit enough to feel as though it's doing its taboo subject justice (and to be genuinely shocking at times) but not so explicit as to feel as though it's overly gratuitous or insensitive. Sofia Kappel delivers a bold, bracing debut performance (apparently, auditioning for the film was a way to push her out of her comfort zone) and the rest of its cast - which is mostly comprised of current or former porn performers, producers and directors - is surprisingly good, too. The flick doesn't feel exploitative at all, taking a fairly feminist approach to its material and always feeling like it has something to say. Everything we see is necessary in telling this tale, which is rare even for something that isn't dealing with a potentially tricky topic. It's funny how nobody blinks an eye when seeing someone's head get blown off in a movie, but almost everyone feels at least a little uncomfortable when someone takes their clothes off and starts having sex. This piece almost strives to make you uncomfortable because it wants you to face the realities of a pretty shady business. The interesting thing about it, though, is that it isn't the sex itself that gets under your skin. Sexual violence is presented as truly disgusting and upsetting, as it should be, but it's also presented as insidious and pervasive. It isn't something that just happens, it's something that's enabled and justified by those with the power to do so. It works its way into every industry one way or another, so it's naturally present in an industry that concerns itself almost solely with sex. The thing is, though, it shouldn't be. Sex work is work and everyone deserves to be and feel safe in their workplace. Tangent aside, this is a strong movie that's as engaging as it is off-putting. If you can handle it, it's worth a watch.

Perhaps the most authentic approach to the genre. A full yet brief closure to legal porn industries. Not a great movie in terms of cinematic values but an explicit look to this mesmerizing world, containing lots of graphic sexual moments, intelligently put for the sake of story.

A unique film you don't get to see all the time.

Contrary to what a number of reviewers enthuse about this film, there is nothing "revolutionary" about it as far as edgy European filmmakers are concerned. In fact, the likes of Paul Verhoeven, Gaspard Noe and Ulrich Seidl did much of the heavy lifting several years before, in terms of explicit and frank cinema-verite material.

That said, this is a compelling, carefully researched slice-of-life movie with a central performance for the ages, and it's coming from perfect newcomer Sofia Kappel. With a less game actress, this could have been just another "Showgirls".

The director's insistence on sticking to crushing realism means that there's a complete lack of Hollywood moments, twists and turns, and no artificial tension -- which would admittedly make the whole affair an easier watch. It's never boring, but there's a distinct documentarist feel to everything, which does kill any budding drama.

Make no mistake, this is a European art movie, transplanted to the LA p*rn scene.

It's pretty much true that everytime there's a mainstream movie about the adult industry, it always focuses on the extremes on one end; where there tends to be a very anti-porn industry undertone that guides these movies.

So when you're making a movie about the industry with many actual performers showing up as themselves, there was the risk of it being extreme on the pro-industry end. But to my pleasant surprise, the movie composed itself with a lot of nuance on both ends of the argument to share its story without a strong bias on either side; something I very much appreciate. Pleasure is a very decent movie, but with very little originality in my opinion. Yes, I liked its tone overall, but the story plays out exactly the way you'd think it would by the first 15 minutes. It certainly wasn't boring, but it never captivated as much as it had the potential to, and that's something I wish this movie could have done different.

Overall however, it was a decent watch, but more importantly, it was made with the right frame of mind... and that's what truly stood out to me.