Se desconoce la trama. Es la secuela de la película de la Mujer Maravilla del 2017.Se desconoce la trama. Es la secuela de la película de la Mujer Maravilla del 2017.Se desconoce la trama. Es la secuela de la película de la Mujer Maravilla del 2017.
- Dirección
- Guionistas
- Elenco
- Premios
- 27 premios ganados y 48 nominaciones en total
Resumen
Reviewers say 'Wonder Woman 1984' garners mixed reactions. Gal Gadot and Chris Pine's performances are lauded, alongside Pedro Pascal and Kristen Wiig, though Wiig's role divides opinions. The 1980s setting and visuals are praised, yet the plot and pacing face criticism for complexity and sluggishness. Action scenes fall short compared to the first film. Themes of greed and morality are appreciated, but execution is deemed inconsistent. It's seen as inferior to the original, with varied enjoyment levels among viewers.
Opiniones destacadas
Writer, producer and director Patty Jenkins really did a give this movie a feminine/soap opera touch and by doing so destroyed everything that this movie could have been. The first WW movie was not that great, but Patty did not write that one, this sequel she did and it is worthless. I was wondering if I was watching a drama or a action hero franchise. First the movie is far to long, the dialogue's are pointless and boring, you can skip with ease them because the story is not that complicated. For the action, the effects are good, not worth the time to watch, but still well made, but there are not very much action scenes. If you look at the demographic of the votes you can see girls <18 years are the only ones who love this movie, and that should have been the warning that should have been given with this movie: only see this movie if you are a teenage girl.
The follow-up chapter to Wonder Woman and the ninth instalment in the DC Extended Universe, Wonder Woman 1984 is devoid of everything that was refreshing about the original. Poorly envisioned, shoddily scripted & lazily directed, the film neither has the heart nor the honesty of its predecessor, and is a bland, banal & bloated mess that's further marred by its soulless drama, insipid action, cartoonish effects & lame performances.
Co-written & directed by Patty Jenkins, there are far too many cracks in the script that the writers never bother to remedy, and the sloppy execution on screen only results in a nightmare that's all over the place. Despite the plot being set in the 1980s, the era's vibrant spirit is nowhere to be found in the final print and the gleefully fun vibe & escapist qualities that the trailers promised is sorely missing as well. Jenkins does aim for it but her attempts simply fall flat.
Its 151 mins runtime is strongly felt and is in no way justified. The new characters are thinly sketched, have no meat on their arcs, and are never for once convincing. Gal Gadot utters her lines as if reading from the script for the first time and while that helped add to Diana's cluelessness in the first film, it only exposes Gadot's limited range in this sequel. Kristen Wiig however tries to make something of her sidelined role while Pedro Pascal just decides to have fun in return for an easy payday.
Overall, Wonder Woman 1984 is vastly inferior to the first film and is undeniably amongst the weakest entries in the DCEU. Just about nothing works in this latest addition to the franchise, for the plot is dull & derivative, the direction is sluggish, the action is uninspiring, the CGI is cringeworthy, the pacing is tedious, the acting is forgettable, and even Hans Zimmer fails to deliver the goods. In short, Wonder Woman 1984 is a Suicide Squad-level offering wrapped in bright colours. One of the dullest films of 2020.
Co-written & directed by Patty Jenkins, there are far too many cracks in the script that the writers never bother to remedy, and the sloppy execution on screen only results in a nightmare that's all over the place. Despite the plot being set in the 1980s, the era's vibrant spirit is nowhere to be found in the final print and the gleefully fun vibe & escapist qualities that the trailers promised is sorely missing as well. Jenkins does aim for it but her attempts simply fall flat.
Its 151 mins runtime is strongly felt and is in no way justified. The new characters are thinly sketched, have no meat on their arcs, and are never for once convincing. Gal Gadot utters her lines as if reading from the script for the first time and while that helped add to Diana's cluelessness in the first film, it only exposes Gadot's limited range in this sequel. Kristen Wiig however tries to make something of her sidelined role while Pedro Pascal just decides to have fun in return for an easy payday.
Overall, Wonder Woman 1984 is vastly inferior to the first film and is undeniably amongst the weakest entries in the DCEU. Just about nothing works in this latest addition to the franchise, for the plot is dull & derivative, the direction is sluggish, the action is uninspiring, the CGI is cringeworthy, the pacing is tedious, the acting is forgettable, and even Hans Zimmer fails to deliver the goods. In short, Wonder Woman 1984 is a Suicide Squad-level offering wrapped in bright colours. One of the dullest films of 2020.
Wonder Woman is not wonderful.
This wasn't the horrible movie some reviewers make it out to be. 1 & 2 stars is a bit exaggerated-- I save such ratings for worst of the worst. At the worst this is simply a disappointing, poorly-written, badly-directed comic-book movie (emphasis on comic book writing... and there have been better comic books).
Still, believe the negativity. This movie has so very many flaws. I'll sum the entire movie up in one scene: roping a lightning bolt and swinging from it.
Seriously?
WW'84 made me feel like I was watching the 1970s Wonder Woman with all its ridiculous camp. With almost 2000 reviews here I don't need to spend a lot of time writing this one. A bunch of people are going to see this movie. Some are going to love it because well... that's some people. Some people will like it because of Gadot or Pine. A whole lot more are gonna be justifiably disappointed.
There are worse movies out there. Wonder Woman is bad, but remember Batman and Robin? Electra? Catwoman? Some movie writers and directors need a lot more talent.
This wasn't the horrible movie some reviewers make it out to be. 1 & 2 stars is a bit exaggerated-- I save such ratings for worst of the worst. At the worst this is simply a disappointing, poorly-written, badly-directed comic-book movie (emphasis on comic book writing... and there have been better comic books).
Still, believe the negativity. This movie has so very many flaws. I'll sum the entire movie up in one scene: roping a lightning bolt and swinging from it.
Seriously?
WW'84 made me feel like I was watching the 1970s Wonder Woman with all its ridiculous camp. With almost 2000 reviews here I don't need to spend a lot of time writing this one. A bunch of people are going to see this movie. Some are going to love it because well... that's some people. Some people will like it because of Gadot or Pine. A whole lot more are gonna be justifiably disappointed.
There are worse movies out there. Wonder Woman is bad, but remember Batman and Robin? Electra? Catwoman? Some movie writers and directors need a lot more talent.
I am no expert in comic books myself, but what I expect from a comic book movie is to be striking, visual, stereotypical and above all, consistent with its past and its planned future. WW84 was neither of these! It wasn't awful for a random movie made by students, but it was really bad for a film made by a major studio and starring talented people and having so much material to draw inspiration from.
First of all, Gal Gadot had a supporting role in this film. She may save the day at the end (well, sort of), but the main character of the story was Max, the villain. Then every other supporting cast member had a development arc, while Gadot had about half of one if I am being generous. Second, the story pushed in the invisible jet and that Wonder Woman can fly (!?) in a clunky and hard to stomach way. You almost saw the outline of the executive shouting "she needs to fly in the next movie!!!". And third I am wondering if this film was misandric or not. Men were consistently portrayed as weak, abusive, violent, lacking impulse control and heartless. If it weren't for three male characters whose only quality was they were not evil - and that includes Steve Trevor and the random guy he inhabited, I would have seriously felt under attack the entire film.
The result was something that felt like a draft story for a writer class, with bad CGI, improbable deus ex solutions to problems that were hard to swallow in the first place, underwhelming characters, poor action scenes, pointless Trevor appearance, unnecessarily physical solutions to problems that could have been tackled by simply talking to a person on a phone or something and so on. And the ending was about how nice the holiday season is after a catastrophe that affected every person on the planet and almost destroyed the world!
So no. No! I am not taking it anymore. I am tired of movies that are not made for children but assume I am one, and a dumb one to boot. I want good stories, I want compelling characters, I want people who do their damn jobs!
First of all, Gal Gadot had a supporting role in this film. She may save the day at the end (well, sort of), but the main character of the story was Max, the villain. Then every other supporting cast member had a development arc, while Gadot had about half of one if I am being generous. Second, the story pushed in the invisible jet and that Wonder Woman can fly (!?) in a clunky and hard to stomach way. You almost saw the outline of the executive shouting "she needs to fly in the next movie!!!". And third I am wondering if this film was misandric or not. Men were consistently portrayed as weak, abusive, violent, lacking impulse control and heartless. If it weren't for three male characters whose only quality was they were not evil - and that includes Steve Trevor and the random guy he inhabited, I would have seriously felt under attack the entire film.
The result was something that felt like a draft story for a writer class, with bad CGI, improbable deus ex solutions to problems that were hard to swallow in the first place, underwhelming characters, poor action scenes, pointless Trevor appearance, unnecessarily physical solutions to problems that could have been tackled by simply talking to a person on a phone or something and so on. And the ending was about how nice the holiday season is after a catastrophe that affected every person on the planet and almost destroyed the world!
So no. No! I am not taking it anymore. I am tired of movies that are not made for children but assume I am one, and a dumb one to boot. I want good stories, I want compelling characters, I want people who do their damn jobs!
I saw the first Wonder Women and kind of enjoyed it, even though I didn't grow up knowing the WW canon. But it was a fun film that played with the fish-out-of-water aspect. But this - WW1984 - what in the hell was this? Again, I don't know that much Womder Woman history, but this seemed like a huge conglomeration of crazy story line, special effects, philosophical ramblings... it was a total mess.
Gal Gadot and Chris Pine are pleasant, appealing actors, and certainly pleasant to look at. And Kristin Wiig had a great role that I'm sure she had fun with. But overall, this was just a total mess of a movie. And Pedro Pascal...I can't figure out if he was great, or just did one of the most over the top performances in recent memory.
Gal Gadot and Chris Pine are pleasant, appealing actors, and certainly pleasant to look at. And Kristin Wiig had a great role that I'm sure she had fun with. But overall, this was just a total mess of a movie. And Pedro Pascal...I can't figure out if he was great, or just did one of the most over the top performances in recent memory.
¿Sabías que…?
- TriviaLilly Aspell (Young Diana) performed all the required physical stunt work herself at the age of 12, because it was deemed that she did a job better than her own stunt doubles.
- ErroresWhen Diana and Steve arrive at the Smithsonian air museum to steal a plane, the Panavia Tornado jet they steal is first shown with its correct inline seating configuration from the exterior, but once they climb inside, it switches to a side-by-side seating configuration.
- Citas
Wonder Woman: [in tears] I can't say goodbye. I can't say goodbye.
Steve Trevor: You don't have to. I'm already gone.
- Créditos curiososThere is a scene in the closing credits involving the Amazon warrior Asteria (Lynda Carter).
- ConexionesFeatured in La noche de...: La noche de... Wonder Woman (2020)
- Bandas sonorasWelcome to the Pleasuredome
Written by Peter Gill, Holly Johnson, Brian Nash & Mark O'Toole
Performed by Frankie Goes to Hollywood
Licensed courtesy of ZTT Records Limited
Under exclusive license to Union Square Music Limited a BMG Company
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Wonder Woman 1984
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 200,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 46,801,036
- Fin de semana de estreno en EE. UU. y Canadá
- USD 16,701,957
- 27 dic 2020
- Total a nivel mundial
- USD 169,601,036
- Tiempo de ejecución2 horas 31 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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