Bloody Axe Wound

Save your money and watch In a Violent Nature for a significantly better homage to slasher movies

This movie's failings are numerous but above all it was boring and lame, and just doesn't keep up with the golden age of horror we have going with released such as Terrifier, Oddity, Skinamarink, Late Night with the Devil etc..

• corny plot trying to explore empathy and friendship at the expense of creating a compelling horror movie with excitement. Completely fails to capture the magic of the genre it makes meta commentary on
• no good kills, so tame and afraid to push any boundaries
• humor is completely random and is just thrown in gags (not in the good crazy way like terrifier)
• massive pacing issues. First 10 mins are interesting and then the rest of the movie is a hallmark drama

Please skip, do not encourage shudder to continue making these lame stream milquetoast releases.

I watch tons of horrible movies. I'm always open to independent and low-budget movies (although the huge influx from streaming services has made me hesitant). Bloody Axe Wound could have been just another one of those bad low-budget movies that I would rate low and immediately forget about.

The problem is, it has such a cool concept for the premise and an interesting spin on the subgenre. The premise of them actually doing murders so they could make movies about it is pretty awesome. And the idea of a female slasher villain sounds highly intriguing.

That's why I'm so disappointed in this. It could have been great. And I wish they saved this idea until they could get better funding, writers, directors, etc. If done right, this had the potential to be a movie I loved. Instead, I couldn't make it past the 26-minute mark.

(1 viewing, 1/14/2025)

This movie is most easily described as your average teen slasher with a bit of Behind the Mask: The Rise of Leslie Vernon mixed in. We follow Abbie Bladecut, the daughter of a local serial killer and slasher legend. After her father realizes he is getting older, he wants her to continue his legacy of killing innocent teenagers. However, the problem arises when she joins her local high school and is met with kindness and love from the other students. She even finds a potential love interest, which makes her mission to kill rather difficult.

The pitch sounds great, and the movie had immense potential to create something as unique as Behind the Mask. Unfortunately, that potential is not fulfilled, and the movie ends up feeling pretty generic given its premise. The characters are dull and not particularly interesting, and aside from the developing love interest, there isn't much for the audience to latch onto. Even the romance feels generic and disrupts the pacing by creating tonal inconsistencies within the narrative.

Instead of action and kills, we get boring conversations and a fairly predictable romantic subplot. The comedy rarely lands and is definitely not the film's strongest suit. However, the kills are decent and the gore is solid, which is arguably the most important aspect a straightforward slasher needs to deliver.

The movie ends up being enjoyable overall, but it's far from great or particularly engaging. Genre fans might still have a decent time, but with a premise like this, it could have been much more unique and entertaining. Sadly, it just ends up as another average horror release.

[5.3/10]

Abigail is the daughter of legendary serial killer (and snuff film maker) Roger Bladekill. When Roger starts to see the effects of age slow him down, he entrusts Abbie to follow in his footsteps - killing teens on video. Upon entering high school to scope out her victims, she encounters friendship and more, snagging her plans of a murder spree. And Dad isn't happy.

Now, that's my synopsis. A good pitch right? If I was a Shudder exec, I would also be putting money behind this. It sounds pretty damn awesome.

Sadly, this falls victim to oh so much. The writing is not coherent in its genre or mood, the characters are given some depth, but it's not delivered right and they still feel 2D, the whole snuff subplot is kinda forgotten for the most part? And something that bothered me to the nth degree: this seems to be set in the 90's, but I'm not sure the costume or set department got the memo.

That bothered me probably more than it should. The 90s have this specific...touch. Taste. Vibe. The clothes used here seem to be repurposed modern day pieces layered to appear grunge-esque. Sam Crane wears a chain as a belt, but it looks like cheap crap bought from Hot Topic. It doesn't look NATURAL. They look like your average current day citizens.

I started noticing corded phones, cassettes, wood-panelled cars, corded headphones, and I realised this is either satirising the popularity of slasher flicks in the 90s or, more likely, supposed to be set in that decade. The integration of old tech didn't make it pass though, too many things were too clean, too cheap, too flimsy, all aspects that are more common to modern day items. This is very specific but it did distract a whole lot, and possibly changed the mood of the whole film.

Most acting is pretty average, with the exception of Margo Anderson-Song, Eddie Leavy, and Billy Burke (yes, Bella Swan's dad in Twilight). These three really seemed to feel their characters. They were much more into it and managed to land their jokes.

That's a whole other problem. The writing. This film doesn't quite know where it wants to sit when it comes to mood. Are we serious? Are we comedic? Are we going into slapstick humour? We can have all of it in one scene, for sure, but the way these bits are written, they mostly fall flat on the floor. It's the sort of jokes where you nod, you don't laugh. You know it's meant to be a joke, but it's terribly unfunny. And it happens every few minutes. It's unbearable. The writers didn't leave time for us to breathe. Just, maybe space the comedy out next time, okay?

I think, overall, I wish there had been a bit of reworking this script before even shooting it. With some changes, it could have even more potential. It might've even been a good film.

I don't think this should be the end for the filmmakers, I do think they clearly have a vision, but it wasn't realised here. Maybe next time.

Bloody Axe Wound initially comes across as another subversively interesting slasher that aims to have fun with the rules of the sub-genre, but eventually becomes a wasted idea executed in a fun enough way to keep it watchable.

Acting is decent from the Bladecuts, with Billy Burke being an easy highlight of the movie as he handles the humour and the intensity to an impressively balanced degree as the fatherly killer Roger Bladecut. Moreover, Sari Arambulo is really fitting in the lead role of Abbie Bladecut; she is able to convey the struggles and aspirations to follow in her father's footsteps in a straight-faced and very comical way that is still funny but never comes across as silly or overacting. On a more technical note, the cinematography, lighting, and practical gore effects are all very well done. And the story itself starts out pretty strong, with an interestingly funny set up, and the balancing between the jokes and the killings is done to an effective degree.

However, that is also where it seems to be a point of struggle for the film. It can't consistently maintain its aforementioned balance, where the second act very much becomes a high school romance story that very nearly hijacks the main premise several times. The third act, in an attempt the balance the scales again, instead tips them entirely to being a straight up generic slasher flick with a strange and underwhelmingly unrewarding ending.

But it's biggest weakness is by far the world building, with several aspects and plot mechanisms left either unexplored or unexplained. Furthermore, the script can never decide how it works, and it leaves the audience with an utterly baffled sense of confusion as to how particular mechanisms drive the narrative.

Overall, it is funny enough to keep you entertained, but not interesting enough to stick with you and leave any kind of lasting impression.