Historia de fantasmas

This film tells the story of a man who dies in a car accident. He goes back to his home as a ghost covered in a white sheet, and watch the world goes by and goes on.

Casey Affleck must have the least screen time ever for a leading credit. He appears in the film for a total of ten to fifteen minutes only. Anyone could have been under that white sheet, so it might not have been him.

This film lacks any story. It is so slow that I watched it at three times the speed and still thought it was far too slow. Watching Rooney Mara eat a pie for seven minutes is not interesting. Watching a ghost standing motionless for three minutes isn't interesting either. In fact, the whole film is not interesting. It seems like someone's very mean and twisted practical joke, by making a bad film and see how the critics declare that they love it.

I am surprised at how emotional this movie was. I fully expected this to be slow and it was so as it started off I wasn't angry but I was getting bored, anyone who has seen it can admit that the pie eating scene is a tad too long. However as the movie progresses it becomes better or even great in places, it is slow but it explores the passing of time and mortality in such a magnificent way that it makes the viewer think and reflect on their own life and what it means. As I said in the title this movie would go really well with Pink Floyd's Dark Side of the Moon, especially the song Time. The story of the movie is very simple but effective and the length of it is perfect. The movie is an unexpected gem because even though people have recommended this I did not expect it to be one of the most resonant movies of 2017 for me and one that would make feel so sad and thoughtful.

I didn't hate this film, but it missed the mark on so many levels. Rooney Mara's talent is essentially wasted in her role as the grieving widow. Casey Affleck is...well, Casey Affleck, and in his defense, he doesn't have much to work with here. The director gets points for making a silent bed sheet somewhat watchable. And, there are a few really good scenes, which I won't describe in case you absolutely, positively want to watch this. However, I have to warn you that unless you're willing to endure long stretches of nothing of importance happening, you probably won't care for this film.

This is what happens when a director decides to make a work of art regardless of what the intended audience wants. Points awarded for trying.

Alright. I confess. I am an emotional person. After seeing the Plugged In review for this film, I cautiously threw this movie in on a slow, Saturday night. I assumed that it was going to be much like the movie "Ghost," and that it would be good, but not overly amazing. I was so wrong.

Not only did this movie make me cry for most of its duration, but it literally made me sob so hard that I was afraid of waking up the rest of my family is I cried in my bedroom at 11:45 at night. The film just hits so close to home. Time is the enemy of everyone. There's no going back, and there's no stopping it either. People pass, relationships end, romances form and then break apart. Nothing, at least in our physical world, ever stays the same. This movie beautifully illustrates this in a way that most American audiences don't seem to be understanding, which is why I am writing this review.

This movie deserves so much more recognition that it currently has; especially on this site. While this is by no means an action-packed or on-the-edge-of-your-seat film, the pure amount of artistry and raw, unadulterated emotion found in it makes stand out in my mind as one of the best films I have ever seen.

It's so simple. So astronomically simple; and that's what makes it so magical. Whether it be the haunting image of a wrecked car or the heavily-spoken about scene depicting a woman eating an entire pie for over five minutes, every single shot is filmed with so much emotion, it makes you want to pause the film and reflect on every minute the story has to offer. Everything has a purpose in this film. It all ties together in this beautiful, haunting tragedy mixed with a love song.

I know I'm just a kid. Yes, I may be only seventeen. But I beg you, if the reviews for this film on this site are making you think twice about seeing this, just listen to what I have to say and watch it. No, it's not for everyone. If you're looking for a horror movie or a blood-splattered motion pic, skip this one over. But if you're deeper than that, and you actually want to experience something you won't forget, throw yourself into this one.

It's sad to see that this beautiful masterpiece of American cinema is being so overlooked.

A Ghost Story marks David Lowry's return to cinema since his 2013 indie hit "Ain't Them Bodies Saints". Telling the story of a young couple (Casey Affleck and Rooney Mara) who buy a home and plan to start a life together in it until tragedy strikes. The Man suddenly dies and leaves the wife to fend for herself and build a life in the house by herself instead of with the man she loves. All while she is going through this in reality, the Man begins to haunt the home in a classical white sheet donning way. Throughout the years of being trapped to haunt this home, The Ghost also has to witness the love of his past life continue on without him and experience the moments of life without him. It is a beautiful and heart wrenching film that delves deeper into what grief does to not only a person but to a ghost.

Whether you believe in an after life or not, A Ghost Story isn't worried about your beliefs. It plays out like a fantasy and that's how it stays which really bodes well for it. It never reaches beyond what is happening with the Man and the Woman and, of course, the House (which becomes a character in and of itself). David Lowry does a great job at setting up a "what if" scenario that all you can do is ask yourself, "what would I do in this situation?" The scariest part of that is there is literally nothing you can do. That rationalization is probably scarier than most horror films out today.

The film itself is a very digestible 90 minutes which is of a perfect length for this film because it doesn't go overboard and forget what it is. It's a horror film that is light on scares but heavy on thoughts and brains. There's no real scares. The big scare is putting yourself in the shoes of the ghost. What would you do if you had to witness your loved one go through grief and you couldn't do anything about it? You couldn't comfort them. You couldn't hold them. You could just watch. What if the person you loved moved on from you? What if they forget you? These questions are what made A Ghost Story scary for me. The level of helplessness that the film portrays is horrifying enough to remind audiences that death is still scary.

Overall, the film is an experimental ghost story that shows Lowry in top form both as a writer and a director. The crass nature of reality is that death is lonely and he captures that perfectly. While many who take a look at the poster will certainly think that the film is just another horror movie trying to capitalize on some paranormal money, A Ghost Story is much more than that. It is beautiful to watch, heart wrenching to experience and an absolute delight cinematically.