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En esta singular exploración del legado, el amor, la pérdida y la enormidad de la existencia, un fantasma de piel blanca recientemente fallecido regresa a su hogar suburbano para tratar de reconectarse con su desposeída esposa.

Jessie y Angela, que han abandonado los estudios, se toman una semana libre para relajarse en la playa. Lo malo es que les han robado la casa, tienen que pagar el alquiler, están a punto de ser despedidas y no tienen un peso.

Un ex policía convertido en miliciano investiga un tiroteo en un funeral policial.

Un profesor de Nueva York, que se traslada a una pequeña ciudad de Texas donde es despedido por ser gay, regresa disfrazado de señora malvada para vengarse del desagradable pueblo.

The estranged daughter of a small town minister is forced to return to the strict, religious home of her youth where she must confront the troubled relationships that caused her to leave four years before.

Un grupo de veteranos de guerra deben defender su puesto local de VFW y a un adolescente inocente contra un narcotraficante trastornado y su implacable ejército de matones mutantes.

Un infierno se desata cuando una extraña fuerza da vida a unos títeres en una subasta, dando lugar a una sangrienta matanza motivada por un mal tan antiguo como el tiempo.

After a mysterious atmospheric event, a small group of people wake up to realize that their entire lives have been a lie. They are in fact aliens disguised as humans. Now they have to make a choice. Live amongst men, or try to find a way back home

Beautiful Things is a journey into our obsessive consumption. The many objects we accumulate and we believe to be essential begin their production journey in silent secluded industrial and scientific sites. The film describes the hidden mechanical liturgy within four different remote locations where bordeline men work in complete isolation without any interference from the outside world. These men trigger, unconsciously, the long chain of creation, transport, commercialization and destruction of the objects feeding our bulimic lifestyle. They are monks inside temples of steel and concrete. They repeat the same liturgy every day. And we don't even know that they exist.

St. Nick is the story of a brother and sister on the run. They've left their home for some unknown reason and are living in the woods, hiding in barns and sheds, doing what they can to survive. As the bitter Texas winter sets in, they strike up residence in an abandoned country house and, for a brief, happy period, manage to escape the harsh realities of their circumstances.

The story of two people caught in the routines of work and circles of friends. The days begin with an alarm and ends with the fading sound of a television. Ron Hogan, a 28 year old ATM parts purchaser, and Stacy Ryan, a 27 year old, oddly charming courier, meet through a match making Internet service and go through the routine of falling for one another.

Blake and Molly Hathaway find themselves deep in the throes of extramarital affairs, ending up further apart from each other and those they love.

An adopted Irish American artist confronts her past when both sets of parents come together over a weekend for her to paint a family portrait.

Tiger Tail in Blue is about a young married couple, Christopher and Melody, that work opposite schedules to remain financially afloat as Chris bangs out his first novel while working nights as a waiter. Never seeing each other is taking it's toll. As the two rarely get a chance to engage one another, Chris finds the attention he craves in Brandy, a saucy co-worker.

That thing where you had such a great time last night that you can't remember the murder. Inspired by actual events.

Two old friends reunite at a conference in Dubuque, IA where Bob, the reluctant guest speaker, is slated to give a motivational speech to a struggling sales team.

A young protege and his boss sit down for the most epic steak dinner of their lives in Omaha, Nebraska.

After 125 years of Hollywood telling you what you were going to watch, where you would watch it and when, online and social media has forced the studio system to turn the conversation around. In short, the Web is nothing short of the tool that democratized Hollywood... for better and for worse. EVERYTHING DOESN'T SUCK tells that story, from the people who have been on the front lines. Studio heads who laughed at the Internet, at their own peril; critics who found themselves out of a job because some kid who thinks cinema began with STAR WARS was doing it for free; fans who tore down Burbank's version of the Berlin Wall with nothing but mouse clicks. A lot can happen in 15 years. Now that the genie is out of the bottle, what's next? Will the studio system "figure it out," and be able to bring that control back, or will your taste in cinema be shaped by the 21st Century equivalent of Wayne and Garth in the basement? Or will we find the digital version of Charlie Chaplin's United Artists just around the corner?

El Regreso Way is the story of Doña Ana, a Dominican woman who emigrated to America in the early 1980's to provide her children and herself with a better life.

Two drifters take shelter in a bed and breakfast owned by an elderly blind couple and their mentally challenged (but physically imposing) son in the bayou town of Uncertain, TX. Convinced of the identities of their new guests, the elderly B&B owners play a methodical set of psychological games on the drifters resulting in a twisted, tragic end worthy of the town's name.